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The Sublime South : Andalusia, Orientalism, and the Making of Modern Spain

معرفی کتاب «The Sublime South : Andalusia, Orientalism, and the Making of Modern Spain» نوشتهٔ José Luis Venegas، منتشرشده توسط نشر Northwestern University Press در سال 2018. این کتاب در فرمت pdf، زبان انگلیسی ارائه شده است.

The Sublime South: Andalusia, Orientalism, and the Making of Modern Spain is the first systematic study on cultural images of Andalusia as Spain’s “Orient” and the impact they have had on nation-building and modernization since the late nineteenth century. While a wealth of studies have examined how northern Europeans from the Romantic period viewed Spain and Andalusia as Europe’s Orient, little attention has been paid to how contemporary Spanish artists and intellectuals assimilated Romantic legacies to engage in an internal form of orientalism. José Luis Venegas deftly explores Spain’s shifting engagements with oriental identity and otherness by looking, not just beyond national, ethnic, and racial borders, but at a territory that is institutionally embedded in the nation-state while symbolically placed between inclusion and abjection. The Sublime South shifts the focus and scale of Edward Said’s notion of orientalism by examining how it evolves and manifests transnationally, as the result of European colonialism in Africa and Asia, and intra-nationally, in a European yet orientalized country. Finally, Venegas challenges ethnocentric notions of Iberian cultures and fosters an understanding of the encounters between Western and Muslim cultures beyond opposing, and often mutually negating, essentialisms. "The Sublime South: Andalusia, Orientalism, and the Making of Modern Spain is the first systematic study on cultural images of Andalusia as Spain's "Orient" and the impact they have had on nation-building and modernization since the late nineteenth century. While a wealth of studies have examined how northern Europeans from the Romantic period viewed Spain and Andalusia as Europe's Orient, little attention has been paid to how contemporary Spanish artists and intellectuals assimilated Romantic legacies to engage in an internal form of orientalism. José Luis Venegas deftly explores Spain's shifting engagements with oriental identity and otherness by looking, not just beyond national, ethnic, and racial borders, but at a territory that is institutionally embedded in the nation-state while symbolically placed between inclusion and abjection. The Sublime South shifts the focus and scale of Edward Said's notion of orientalism by examining how it evolves and manifests transnationally, as the result of European colonialism in Africa and Asia, and intra-nationally, in a European yet orientalized country. Finally, Venegas challenges ethnocentric notions of Iberian cultures and fosters an understanding of the encounters between Western and Muslim cultures beyond opposing, and often mutually negating, essentialisms"--Back cover Contents 8 List of Illustrations 10 Acknowledgments 12 Introduction: Looping the Loop 16 Chapter 1. The Orient Within: Andalucismo, Africanismo, Arabismo 42 Chapter 2. Culture, Modernity, and the South, 1898– 1936 72 Chapter 3. Andalusia and Franco Spain 108 Chapter 4. The Persistence of Myth: Post- Dictatorial Andalusia 146 Afterword. Breaking the Spell of Identity 176 Notes 186 Bibliography 214 Filmography 232 Index 234 Presents the first systematic study of cultural images of Andalusia as Spain's ""Orient"" and the impact they have had on nation-building and modernization. Jose Luis Venegas deftly explores Spain's shifting engagements with oriental identity and otherness by looking at a territory that is institutionally embedded in the nation-state while symbolically placed between inclusion and abjection. Presents the first systematic study of cultural images of Andalusia as Spain's ""Orient"" and the impact they have had on nation-building and modernization. José Luis Venegas deftly explores Spain's shifting engagements with oriental identity and otherness by looking at a territory that is institutionally embedded in the nation-state while symbolically placed between inclusion and abjection.
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