The Story of Contemporary Art

A lively introduction to contemporary art that stretches from Andy Warhol's Brillo boxes to Marina Abramovic's performance art to today's biennale circuit and million-dollar auctions. Encountering a work of contemporary art, a viewer might ask, "What does it mean?" "Is it really art?" and "Why does it cost so much?" These are not the questions that E. H. Gombrich set out to answer in his magisterial The Story of Art . Contemporary art seems totally unlike what came before it, departing from the road map supplied by Raphael, Dürer, Rembrandt, and other European masters. In The Story of Contemporary Art , Tony Godfrey picks up where Gombrich left off, offering a lively introduction to contemporary art that stretches from Andy Warhol's Brillo boxes to Marina Abramovic's performance art to today's biennale circuit and million-dollar auctions. Godfrey, a curator and writer on contemporary art, chronicles important developments in pop art, minimalism, conceptualism, installation art, performance art, and beyond. Godfrey's narrative, lavishly illustrated, traces a series of debates over what art is or should be: object versus sculpture, painting versus conceptual, local versus global, gallery versus wider world. He presents multiple voices--not only critics, theorists, curators, and collectors but also artists and audiences. Key to Godfrey's account is the upending of the once widespread perception that art is made almost exclusively by white men from North America and Europe. The Story of Contemporary Art is an essential guide to this radical transformation. What does it mean? Is it really art? Why does it cost so much?" While these questions are perpetually asked about contemporary art, they are not the questions that E.H. Gombrich set out to answer in his seminal book 'The Story of Art'. Contemporary art is very different from what came before. From the 1960s, where Gombrich's account concludes, artists began to abandon traditional forms of art and started to make work that questioned art's very definition. This is where Godfrey picks up the story. Developments in contemporary art have followed no straightforward line of progress or sequence of movements. Recognizing this, Tony Godfrey creates a narrative from a series of often dramatic creative conflicts and arguments around what art is or should be. From object versus sculpture and painting versus conceptual to local versus global, gallery versus wider world, The Story of Contemporary Art traces a history in terms of drastic changes in social and political life over the last sixty years. How do we experience being human in a world that seems to change so quickly? In exploring art's relationship to this question, Godfrey asserts that multiple voices must be heard: critics, theorists, curators and collectors, but also audiences and artists themselves. Key to the book is the story of how a perception that art was made almost exclusively by white men from North America and Western Europe has been radically overturned. Compelling and intelligent, but never academic, this book tells us how "Encountering a work of contemporary art, a viewer might ask, “What does it mean?” “Is it really art?” and “Why does it cost so much?” These are not the questions that E. H. Gombrich set out to answer in his magisterial The Story of Art. Contemporary art seems totally unlike what came before it, departing from the road map supplied by Raphael, Dürer, Rembrandt, and other European masters. In The Story of Contemporary Art, Tony Godfrey picks up where Gombrich left off, offering a lively introduction to contemporary art that stretches from Andy Warhol's Brillo boxes to Marina Abramović's performance art to today's biennale circuit and million-dollar auctions. Godfrey, a curator and writer on contemporary art, chronicles important developments in pop art, minimalism, conceptualism, installation art, performance art, and beyond.Godfrey's narrative, lavishly illustrated, traces a series of debates over what art is or should be: object versus sculpture, painting versus conceptual, local versus global, gallery versus wider world. He presents multiple voices—not only critics, theorists, curators, and collectors but also artists and audiences. Key to Godfrey's account is the upending of the once widespread perception that art is made almost exclusively by white men from North America and Europe. The Story of Contemporary Art is an essential guide to this radical transformation."--Page 4 de la couverture "Encountering a work of contemporary art, a viewer might ask, 'What does it mean?' 'Is it really art?' and 'Why does it cost so much?' These are not the questions that E. H. Gombrich set out to answer in his magisterial The Story of Art. Contemporary art seems totally unlike what came before it, departing from the road map supplied by Raphael, Dürer, Rembrandt, and other European masters. In The Story of Contemporary Art, Tony Godfrey picks up where Gombrich left off, offering a lively introduction to contemporary art that stretches from Andy Warhol's Brillo boxes to Marina Abramović's performance art to today's biennale circuit and million-dollar auctions. Godfrey, a curator and writer on contemporary art, chronicles important developments in pop art, minimalism, conceptualism, installation art, performance art, and beyond. Godfrey's narrative, lavishly illustrated, traces a series of debates over what art is or should be: object versus sculpture, painting versus conceptual, local versus global, gallery versus wider world. He presents multiple voices -- not only critics, theorists, curators, and collectors but also artists and audiences. Key to Godfrey's account is the upending of the once widespread perception that art is made almost exclusively by white men from North America and Europe. The Story of Contemporary Art is an essential guide to this radical transformation."--Back cover A lively introduction to the rich and diverse history of contemporary art over the past 60 years—from Modernism and minimalism to artists like Andy Warhol and Marina Abramović. Accessible and with lavish illustrations, this is the perfect gift for art history fans and anyone looking for a new, more inclusive perspective on ‘the old boys’ club.’ Encountering a work of contemporary art, a viewer might ask, "What does it mean?" "Is it really art?" and "Why does it cost so much?" These are not the questions that E. H. Gombrich set out to answer in his magisterial The Story of Art . Contemporary art seems totally unlike what came before it, departing from the road map supplied by Raphael, Dürer, Rembrandt, and other European masters. In The Story of Contemporary Art , Tony Godfrey picks up where Gombrich left off, offering a lively introduction to contemporary art that stretches from Andy Warhol’s Brillo boxes to Marina Abramović’s performance art to today’s biennale circuit and million-dollar auctions. Godfrey, a curator and writer on contemporary art, chronicles important developments in pop art, minimalism, conceptualism, installation art, performance art, and beyond. An introduction to the rich and diverse history of contemporary art over the past 60 years—from Modernism and minimalism to artists like Andy Warhol and Marina Abramović. Featuring lavish illustrations, this is the perfect gift for art history fans and anyone looking for a more inclusive perspective on ‘the old boys'club.'Encountering a work of contemporary art, a viewer might ask,'What does it mean?''Is it really art?'and'Why does it cost so much?'These are not the questions that E. H. Gombrich set out to answer in his magisterial The Story of Art. Contemporary art seems totally unlike what came before it, departing from the road map supplied by Raphael, Dürer, Rembrandt, and other European masters. In The Story of Contemporary Art, Tony Godfrey picks up where Gombrich left off, offering a lively introduction to contemporary art that stretches from Andy Warhol's Brillo boxes to Marina Abramović's performance art to today's biennale circuit and million-dollar auctions. Godfrey, a curator and writer on contemporary art, chronicles important developments in pop art, minimalism, conceptualism, installation art, performance art, and beyond. An instant classic--a lively new introduction to contemporary art that stretches from Andy Warhol's Brillo boxes to Marina Abramović's performance art to today's biennale circuit and million-dollar auctions. Encountering a work of contemporary art, a viewer might ask, "What does it mean?" "Is it really art?" and "Why does it cost so much?" These are not the questions that E. H. Gombrich set out to answer in his magisterial The Story of Art. Contemporary art seems totally unlike what came before it, departing from the road map supplied by Raphael, Dürer, Rembrandt, and other European masters. In The Story of Contemporary Art, Tony Godfrey picks up where Gombrich left off, offering a lively introduction to contemporary art that stretches from Andy Warhol's Brillo boxes to Marina Abramović's performance art to today's biennale circuit and million-dollar auctions. Godfrey, a curator and writer on contemporary art, chronicles important developments in pop art, minimalism, conceptualism, installation art, performance art, and beyond. An instant classic--a lively new introduction to contemporary art that stretches from Andy Warhol's Brillo boxes to Marina Abramovi#263;'s performance art to today's biennale circuit and million-dollar auctions. Encountering a work of contemporary art, a viewer might ask, "What does it mean'" "Is it really art'" and "Why does it cost so much'" These are not the questions that E.H. Gombrich set out to answer in his magisterial The Story of Art. Contemporary art seems totally unlike what came before it, departing from the road map supplied by Raphael, DUrer, Rembrandt, and other European masters. In The Story of Contemporary Art, Tony Godfrey picks up where Gombrich left off, offering a lively introduction to contemporary art that stretches from Andy Warhol's Brillo boxes to Marina Abramovi#263;'s performance art to today's biennale circuit and million-dollar auctions. Godfrey, a curator and writer on contemporary art, chronicles important developments in pop art, minimalism, conceptualism, installation art, performance art, and beyond An Instant Classic--a Lively New Introduction To Contemporary Art That Stretches From Andy Warhol's Brillo Boxes To Marina Abramovic's Performance Art To Today's Biennale Circuit And Million-dollar Auctions. Encountering A Work Of Contemporary Art, A Viewer Might Ask, What Does It Mean? Is It Really Art? And Why Does It Cost So Much? These Are Not The Questions That E. H. Gombrich Set Out To Answer In His Magisterial The Story Of Art. Contemporary Art Seems Totally Unlike What Came Before It, Departing From The Road Map Supplied By Raphael, Dürer, Rembrandt, And Other European Masters. In The Story Of Contemporary Art, Tony Godfrey Picks Up Where Gombrich Left Off, Offering A Lively Introduction To Contemporary Art That Stretches From Andy Warhol's Brillo Boxes To Marina Abramovic's Performance Art To Today's Biennale Circuit And Million-dollar Auctions. Godfrey, A Curator And Writer On Contemporary Art, Chronicles Important Developments In Pop Art, Minimalism, Conceptualism, Installation Art, Performance Art, And Beyond. **A lively introduction to contemporary art that stretches from Andy Warhol's Brillo boxes to Marina Abramovic's performance art to today's biennale circuit and million-dollar auctions.**Godfrey's narrative, lavishly illustrated, traces a series of debates over what art is or should be: object versus sculpture, painting versus conceptual, local versus global, gallery versus wider world. He presents multiple voices--not only critics, theorists, curators, and collectors but also artists and audiences. Key to Godfrey's account is the upending of the once widespread perception that art is made almost exclusively by white men from North America and Europe. __The Story of Contemporary Art__ is an essential guide to this radical transformation. Introduction: On contemporary art and artists --The wreckage of Modernism and after: 1945-1979 --The return of painting: the early 1980s --Taking the photograph seriously: the 1980s continued --Sculpture, installations or commodities? Around 1987 --National art or global art? 1989 --For a community, oneself or one's soul? The late 1990s --The spectacular or the everyday? 2000-2004 --Storytelling or abstraction? 2005-2009 --Auction art or Biennale art? 2010-2014 --Art in the age of surveillance capitalism: 2015 onwards