The Squid Cinema From Hell : Kinoteuthis Infernalis and the Emergence of Chthulumedia
معرفی کتاب «The Squid Cinema From Hell : Kinoteuthis Infernalis and the Emergence of Chthulumedia» نوشتهٔ William Brown; David H. Fleming، منتشرشده توسط نشر Edinburgh University Press در سال 2022. این کتاب در فرمت pdf، زبان انگلیسی ارائه شده است.
## A philosophical study of cephalopods in cinema and contemporary media * Offers up a 'posthuman' understanding of film and media, charting the historical relationships between cephalopods and cinema, especially in the digital age * Draws on work by authors such as Vilém Flusser, Donna J. Haraway, Graham Harman and Eugene Thacker * Engages with contemporary discourses of speculative realism, object-oriented ontology, animal studies and the weird in order to chart the relationship between cinema and cephalopods * Takes in examples from Europe, North America, South America and Asia, across a range of media, including cinema, literature, music videos, 4DX, advertising, websites, YouTube videos, artificial intelligence, VR and more Here be Kraken! __The Squid Cinema From Hell__ draws upon writers like Vilém Flusser, Donna J. Haraway, Graham Harman and Eugene Thacker to offer up a critical analysis of cephalopods and other tentacular creatures in contemporary media, while also speculating that digital media might themselves constitute a weird, intelligent alien. If this were not enough to shiver ye timbers, the book engages with contemporary discourses of posthumanism, speculative realism, object-oriented ontology and animal studies to suggest that humans are the products of media rather than media being the products of humans. Including case studies of films by Denis Villeneuve, Park Chan-wook and Céline Sciamma, __The Squid Cinema From Hell__ also provides a daring engagement with various media beyond cinema, including literature, music videos, 4DX, advertising, websites, YouTube, Artificial Intelligence and more. Zounds! This unique and Lovecraftian book will change the way you think about, and with, our contemporary, media-saturated world. For as we contemplate the abyss, the abyss looks back at us – and chthulumedia, or media at the end of human times, begin to emerge. Intro List of Figures Acknowledgments Beaky Prepostface (to sucker you in) 1. Introducing the End 2. Pulp Fiction and the Media Archaeology of Space 3. Encounters with a 4DX Kino-Kraken 4. Actorly Squid/Sets and Cephalopod Realism 5. The Erotic Ecstasy of Cthulhu 6. Cosmic Light, Cosmic Darkness 7. The Backwash of Becoming Cthulhu, Or, L∞py, Tentacular Time 8. From the Modern Prometheus to the Modern Medusa Bibliography Index
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