The South of the Mind: American Imaginings of White Southernness, 1960–1980 (Politics and Culture in the Twentieth-Century South Ser. Book 24)

With the nation reeling from the cultural and political upheavals of the 1960s era, imaginings of the white South as a place of stability represented a bulwark against unsettling changes, from suburban blandness and empty consumerism to race riots and governmental deceit. A variety of individuals during and after the civil rights era, including writers, journalists, filmmakers, musicians, and politicians, imagined white southernness as a tradition-loving, communal, authentic--and often, but not always, rural or small-town-- abstraction that both represented a refuge from modern ills and contained the tools for combating them. The South of the Mind tells this story of how many Americans looked to the nation's most maligned region to save them during the 1960s and 1970s. This interdisciplinary work uses imaginings of the South to illuminate the recent American past. In it, Zachary J. Lechner bridges the fields of southern studies, southern history, and post- World War II American cultural and popular culture history in an effort to discern how conceptions of a tradition-bound, "timeless" South shaped Americans' views of themselves and their society and served as a fantasied refuge from the era's political and cultural fragmentations, namely, the perceived problems associated with "rootlessness." In its exploration of the source of these tropes and their influence, The South of the Mind demonstrates that we cannot hope to understand recent U.S. history without exploring how people have conceived the South, as well as what those conceptualizations have omitted.

With the nation reeling from the cultural and political upheavals of the 1960s era, imaginings of the white South as a place of stability represented a bulwark against unsettling problems, from suburban blandness and empty consumerism to race riots and governmental deceit. A variety of individuals during and after the civil rights era, including writers, journalists, filmmakers, musicians, and politicians, envisioned white southernness as a manly, tradition-loving, communal, authentic - and often rural or small-town - notion that both symbolized a refuge from modern ills and contained the tools for combating them. The South of the Mind tells this story of how many Americans looked to the country’s most maligned region to save them during the 1960s and 1970s.

In this interdisciplinary work, Zachary J. Lechner bridges the fields of southern studies, southern history, and post-World War II American cultural and popular culture history in an effort to discern how conceptions of a tradition-bound, "timeless" South shaped Americans' views of themselves and their society’s political and cultural fragmentations. Wide-ranging chapters detail the iconography of the white South during the civil rights movement; hippies’ fascination with white southern life; the Masculine South of George Wallace, Walking Tall, and Deliverance; the differing southern rock stylings of the Allman Brothers Band and Lynyrd Skynyrd; and the healing southernness of Jimmy Carter. The South of the Mind emonstrates that we cannot hope to understand recent U.S. history without exploring how people have conceived the South, as well as what those conceptualizations have omitted.

With the nation reeling from the cultural and political upheavals of the 1960s era, imaginings of the white South as a place of stability represented a bulwark against unsettling problems, from suburban blandness and empty consumerism to race riots and governmental deceit. A variety of individuals during and after the civil rights era, including writers, journalists, filmmakers, musicians, and politicians, envisioned white southernness as a manly, tradition-loving, communal, authentic—and often rural or small-town—notion that both symbolized a refuge from modern ills and contained the tools for combating them. The South of the Mind tells this story of how many Americans looked to the country's most maligned region to save them during the 1960s and 1970s. In this interdisciplinary work, Zachary J. Lechner bridges the fields of southern studies, southern history, and post–World War II American cultural and popular culture history in an effort to discern how conceptions of a tradition-bound, "timeless" South shaped Americans' views of themselves and their society's political and cultural fragmentations. Wide-ranging chapters detail the iconography of the white South during the civil rights movement; hippies' fascination with white southern life; the Masculine South of George Wallace, Walking Tall , and Deliverance ; the differing southern rock stylings of the Allman Brothers Band and Lynyrd Skynyrd; and the healing southernness of Jimmy Carter. The South of the Mind demonstrates that we cannot hope to understand recent U.S. history without exploring how people have conceived the South, as well as what those conceptualizations have omitted. "This interdisciplinary work is driven by the question, 'What can imaginings of the South reveal about the recent American past?' In it, Zachary J. Lechner bridges the fields of southern studies, southern history, and post-World War II American cultural and popular culture history in an effort to discern how conceptions of a tradition-bound, 'timeless' South shaped Americans' views of themselves and their society and served as a fantasied refuge from the era's political and cultural fragmentations, namely, the perceived problems associated with urbanization and 'rootlessness.' The book demonstrates that we cannot hope to understand recent U.S. history without exploring how people have conceived the South"-- Provided by publisher Introduction. Raising the white South -- The many faces of the South: national images of white southernness during the civil rights era, 1960-1971 -- "This world from the standpoint of a rocking chair": country-rock and the South in the countercultural imagination -- "When in doubt, kick ass": the masculine South(s) of George Wallace, Walking tall, and Deliverance -- A tale of two Souths: the Allman Brothers Band's countercultural southernness and Lynyrd Skynyrd's rebel macho -- "I respect a good southern white man": Jimmy Carter's healing southernness and the 1976 presidential campaign -- Epilogue. Playing that dead band's song -- Appendix. Southern rock in the 1970s: survey questions