The Social Photo - On Photography and Social Media

**A set of bold theoretical reflections on how the social photo has remade our world.** With the rise of the smart phone and social media, cameras have become ubiquitous, infiltrating nearly every aspect of social life. The glowing camera screen is the lens through which many of seek to communicate our experience. But our thinking about photography has been slow to catch-up; this major fixture of everyday life is still often treated in the terms of art or journalism. In __The Social Photo__ , social theorist Nathan Jurgenson develops bold new ways of understanding photography in the age of social media and the new kinds of images that have emerged: the selfie, the faux-vintage photo, the self-destructing image, the food photo. Jurgenson shows how these devices and platforms have remade the world and our understanding of ourselves within it. Review "A textual portrait of a visual medium, __The Social Photo__ entices the reader to view social media through the lens of cultural critique. Ethereal and provocative, as rich as it is succulent. " **-- Danah Boyd, author of It's Complicated: The Social Lives of Networked Teens** "Social photos are not primarily about making media but about sharing eyes,' Nathan Jurgenson writes in this important and timely book. Grappling with the significance of the billions of largely ephemeral images that inhabit social media, he persuasively delineates many of the key boundaries between what was previously understood to be photography and the contemporary image environment." **-- Fred Ritchin, author of Bending the Frame: Photojournalism, Documentary, and the Citizen** "Nathan Jurgenson is the Susan Sontag of the selfie generation--a bold, lucid, and important new voice in cultural criticism. In The Social Photo, he offers a truly groundbreaking analysis of how photography has changed in the age of social media, and how it is changing us. Every page crackles with insight and intelligence." **-- Mia Fineman, Curator of Photographs, Metropolitan Museum of Art and author of Faking It: Manipulated Photography Before Photoshop** About the Author **Nathan Jurgenson** is a social media theorist. He is co-founder and co-chair of the annual Theorizing the Web conference, founder and editor in chief of __Real Life__ magazine, editor emeritus at __The New Inquiry__ , and a sociologist at Snap Inc. His work, which appears in academic journals and popular outlets, centers on a critique of "digital dualism," a phrase he coined to describe the false belief that the internet is a separate virtual sphere or cyber space. Instead, Nathan approaches digitality as embodied, material, and real. "Mr. Jurgenson makes a first sortie toward a new understanding of the photograph, wherein artistry or documentary intent have given way to communication and circulation. Like Susan Sontag’s On Photography , to which it self-consciously responds, The Social Photo is slim, hard-bitten and picture-free." – New York Times A set of bold theoretical reflections on how the social photo has remade our world. With the rise of the smart phone and social media, cameras have become ubiquitous, infiltrating nearly every aspect of social life. The glowing camera screen is the lens through which many of us seek to communicate our experience. But our thinking about photography has been slow to catch-up; this major fixture of everyday life is still often treated in the terms of art or journalism. In The Social Photo , social theorist Nathan Jurgenson develops bold new ways of understanding photography in the age of social media and the new kinds of images that have emerged: the selfie, the faux-vintage photo, the self-destructing image, the food photo. Jurgenson shows how these devices and platforms have remade the world and our understanding of ourselves within it. With the rise of the smart phone and social media, cameras have become ubiquitous, infiltrating nearly every aspect of social life. The glowing camera screen is the lens by which many of us apprehend and communicate our experience. But our thinking about photography has been slow to catch-up; this major fixture of everyday life is still often treated in the terms of art or journalism. In The Social Photo , social theorist Nathan Jurgenson develops bold new ways of understanding the transformations wrought by these image-making and sharing technologies and the cultural objects they have ushered in: the selfie, the faux-vintage photo, the self-destructing image, the food photo. Jurgenson shows hows these devices and platforms have remade the world and our understanding of ourselves within it. With the rise of the smart phone and social media, cameras have become ubiquitous, infiltrating nearly every aspect of social life. The glowing camera screen is the lens through which many of us communicate our experience. But our thinking about photography has been slow to catch up; this major fixture of everyday life is still often treated in the terms of art or journalism. The author, a social theorist, develops bold new ways of understanding photography in the age of social media now that many new kinds of image have emerged: the selfie, the faux-vintage photo, the self-destructing image, the food photo. These new visual forms - and the devices and platforms that facilitate them - have remade the world and our understanding of ourselves within it