The Social Life Of Painting In Ancient Rome And On The Bay Of The Naples

In This Study, Eleanor Winsor Leach Offers A New Interpretation Of Roman Painting As Found In Domestic Spaces Of The Elite Classes Of Ancient Italy. Because The Roman House Fulfilled An Important Function As The Seat Of Its Owner's Political Power, Its Mural Decoration Provides Critical Evidence For The Interrelationship Between Public And Private Life. The Painted Images, Leach Contends, Reflect The Codes Of Communication Embedded In Upper Class Life, Such As The Performative Theatricality That Was Expected Of Those Leading Public Lives, The Self-conscious Assimilation Of Hellenistic Culture Among Aristocrats, And The Ambivalent Attitudes Toward Luxury As A Coveted Sign Of Power And A Symptom Of Ethical Degeneracy. Relying On Contemporary Literary Sources, This Book Also Integrates Historical And Semantic Approaches To An Investigation Of The Visual Language Through Which Painting Communicates With Its Viewers. It Also Offers A Fresh Perspective On The Demography Of Pompeii And The Relationship Between Colony And Rome As Reflected In Its Wall Painting.--jacket. The World's Common Property -- Domestic Context -- Panels And Porticoes -- The Model Of The Scaenae Frons -- Gardens And Picture Galleries -- The Style Of Luxury -- The Final Decade: Demography And Decoration -- Beyond A.d. In Rome And Campania. Eleanor Winsor Leach. Includes Bibliographical References (p. 321-333) And Index. Eleanor Winsor Leach offers a new interpretation of Roman painting as found in domestic spaces of the elite classes of ancient Rome. Leach contends that the painted images reflect the codes of communication embedded in upper class life, such as the theatricality expected of those leading public lives, the self-conscious assimilation of Hellenistic culture among aristocrats, and their ambivalent attitudes towards luxury.