The Shakespeare Hut: A Story Of Performance, Memory And Identity, 1916-1923 The Shakespeare Hut: A Story Of Memory, Performance And Identity, 1916-1923

This Book Tells The Forgotten Story Of The Shakespeare Hut, A Vast, Mock-tudor Building For New Zealand Anzac Soldiers Visiting London On Leave From The Front Lines. Constructed In Bloomsbury In 1916, The Hut Was To Be The Only Built Memorial To Mark Shakespeare's Tercentenary In The Midst Of War. With A Purpose-built Performance Space, Its Tiny Stage Hosted The Biggest Theatrical Stars Of The Age. The Hut Is A Vivid And Unique Case Study In Cultural Memory And Performance Of Shakespeare. One Extraordinary Building Brings Together Shakespeare's Place In First World War Theatre, In Emerging New Post-colonial Identities, The Story Of Shakespearean Performance In The Twentieth Century And In The Struggle For Women's Suffrage. Grant Ferguson Transports You To The Hut And Its Lively, Idiosyncratic World. From A Feminist-led Stage To A Hub Of Indian Intellectual And Political Debate, From A Shakespeare Memorial To An Anzac Social Club, This Is The Story Of A Building Truly At A Crossroads-- Prologue: The Shakespeare Memorial National Theatre Events, 1910-12: Festivity, Bardolatry, (re)constructing Memory -- What Ho! For Shakespeare, When We Get Back To Blighty!: Commemorating Shakespeare In Wartime -- Performing Englishness: The Shakespeare Hut For Anzacs -- Performing Femininity: Women At The Shakespeare Hut -- After The War, 1919-23 -- Epilogue: Forgetting And Remembering The Shakespeare Hut, 1924-2016: Festivity, Bardolatry And (re)constructing Memory. Ailsa Grant Ferguson. Includes Bibliographical References And Index. "This book tells the forgotten story of the Shakespeare Hut, a vast, mock-Tudor building for New Zealand Anzac soldiers visiting London on leave from the front lines. Constructed in Bloomsbury in 1916, the Hut was to be the only built memorial to mark Shakespeare's Tercentenary in the midst of war. With a purpose-built performance space, its tiny stage hosted the biggest theatrical stars of the age. The Hut is a vivid and unique case study in cultural memory and performance of Shakespeare. One extraordinary building brings together Shakespeare's place in First World War theatre, in emerging new post-colonial identities, the story of Shakespearean performance in the twentieth century and in the struggle for women's suffrage. Grant Ferguson transports you to the Hut and its lively, idiosyncratic world. From a feminist-led stage to a hub of Indian intellectual and political debate, from a Shakespeare memorial to an Anzac social club, this is the story of a building truly at a crossroads."--Bloomsbury Publishing. "This book tells the forgotten story of the Shakespeare Hut, a vast, mock-Tudor building for New Zealand Anzac soldiers visiting London on leave from the front lines. Constructed in Bloomsbury in 1916, the Hut was to be the only built memorial to mark Shakespeare's Tercentenary in the midst of war. With a purpose-built performance space, its tiny stage hosted the biggest theatrical stars of the age. The Hut is a vivid and unique case study in cultural memory and performance of Shakespeare. One extraordinary building brings together Shakespeare's place in First World War theatre, in emerging new post-colonial identities, the story of Shakespearean performance in the twentieth century and in the struggle for women's suffrage. Grant Ferguson transports you to the Hut and its lively, idiosyncratic world. From a feminist-led stage to a hub of Indian intellectual and political debate, from a Shakespeare memorial to an Anzac social club, this is the story of a building truly at a crossroads"-- Provided by publisher List of Illustrations -- Acknowledgements -- Foreword by Gordon McMullan and Philip Mead -- Introduction -- Chapter one -- Prologue: The Shakespeare Memorial National Theatre events, 1910-12: Festivity, bardolatry, (re)constructing 'memory' -- Chapter two -- "What Ho! For Shakespeare, when we get back to Blighty!": Commemorating Shakespeare in wartime -- Chapter three -- Performing Englishness: The Shakespeare Hut for Anzacs -- Chapter four -- Performing femininity: Women at the Shakespeare Hut -- Chapter five -- After the War, 1919-23 -- Chapter six -- Epilogue: Forgetting and 'Remembering' the Shakespeare Hut, 1924-2016: Festivity, bardolatry and (re)constructing 'memory' -- Notes -- Bibliography -- Index Cover Half-title Title Copyright Dedication Contents List of Illustrations Acknowledgements Foreword Introduction 1. Prologue: The Shakespeare Memorial National Theatre events, 1910–12: Festivity, bardolatry, (re)constructing Shakespeare 2. ‘What Ho! For Shakespeare, when we get back to Blighty!’: Commemorating Shakespeare in wartime 3. Performing Englishness: The Shakespeare Hut for Anzacs 4. Performing femininity: Women at the Shakespeare Hut 5. After the war: 1919–23 6. Epilogue: Forgetting and ‘remembering’ the Shakespeare Hut, 1924–2016: Festivity, bardolatry and (re)constructing ‘memory’ Notes Bibliography Index