The Saint and the Saga Hero: Hagiography and Early Icelandic Literature (Studies in Old Norse Literature) (Volume 2)

"The relationship between that most popular of medieval genres, the saint's life, and the sagas of the Icelanders is investigated here. Although saga heroes are rarely saints themselves - indeed rather the reverse - they interact with saints in a variety of ways: as ancestors or friends of saints, as noble heathens or converts to Christianity, as innocent victims of violent death, or even as anti-saints, interrogating aspects of saintly ideology. Via detailed readings of a range of the sagas, this book explores how saints' lives contributed to the widening of medieval horizons, allowing the saga authors to deveop multiple perspectives (moral, eschatalogical, psychological) on traditional feud narratives and family dramas. The saint's life introduced new ideals to the saga world, such as suffering, patience and feminine nurture, and provided, through dreams, visions and signs, ways of representing the interior life and of engaging with questions of merit and reward. In dialogue with the ideology of the saint, the saga hero develops into a complex and multi-faceted figure."--Cover page 4. A compelling argument that far from developing in a literary vacuum, saga literature interacts in lively, creative and critical ways with one of the central genres of the European middle ages.The relationship between that most popular of medieval genres, the saint's life, and the sagas of the Icelanders is investigated here. Although saga heroes are rarely saints themselves - indeed rather the reverse - they interact with saints in a variety of ways: as ancestors or friends of saints, as noble heathens or converts to Christianity, as innocent victims of violent death, or even as anti-saints, interrogating aspects of saintly ideology. Via detailed readings of a range of the sagas, this book explores how saints'lives contributed to the widening of medieval horizons, allowing the saga authors to develop multiple perspectives (moral, eschatological, psychological) on traditional feud narratives and family dramas. The saint's life introduced new ideals to the saga world, such as suffering, patience and feminine nurture, and provided, through dreams, visions and signs, ways of representing the interior life and of engaging with questions of merit and reward. In dialogue with the ideology of the saint, the saga hero develops into a complex and multi-faceted figure. Siân Grønlie is Associate Professor and Kate Elmore Fellow in English Language and Literature at St Anne's College, Oxford. A compelling argument that far from developing in a literary vacuum, saga literature interacts in lively, creative and critical ways with one of the central genres of the European middle ages. The relationship between that most popular of medieval genres, the saint's life, and the sagas of the Icelanders is investigated here. Although saga heroes are rarely saints themselves - indeed rather the reverse - they interact with saints in a variety of as ancestors or friends of saints, as noble heathens or converts to Christianity, as innocent victims of violent death, or even as anti-saints, interrogating aspects of saintly ideology. Via detailed readings of a range of the sagas, this book explores how saints' lives contributed to the widening of medieval horizons, allowing the saga authors to develop multiple perspectives (moral, eschatological, psychological) on traditional feud narratives and family dramas. The saint's life introduced new ideals to the saga world, such as suffering, patience and feminine nurture, and provided, through dreams, visions and signs, ways of representing the interior life and of engaging with questions of merit and reward. In dialogue with the ideology of the saint, the saga hero develops into a complex and multi-faceted figure. Sin Grnlie is Associate Professor and Kate Elmore Fellow in English Language and Literature at St Anne's College, Oxford. The Relationship Between That Most Popular Of Medieval Genres, The Saint's Life, And The Sagas Of The Icelanders Is Investigated Here. Although Saga Heroes Are Rarely Saints Themselves - Indeed Rather The Reverse - They Interact With Saints In A Variety Of Ways: As Ancestors Or Friends Of Saints, As Noble Heathens Or Converts To Christianity, As Innocent Victims Of Violent Death, Or Even As Anti-saints, Interrogating Aspects Of Saintly Ideology. Via Detailed Readings Of A Range Of The Sagas, This Book Explores How Saints' Lives Contributed To The Widening Of Medieval Horizons, Allowing The Saga Authors To Develop Multiple Perspectives (moral, Eschatalogical, Psychological) On Traditional Feud Narratives And Family Dramas. The Saint's Life Introduced New Ideals To The Saga World, Such As Suffering, Patience And Feminine Nurture, And Provided, Through Dreams, Visions And Signs, Ways Of Representing The Interior Life And Of Engaging With Questions Of Merit And Reward. In Dialogue With The Ideology Of The Saint, The Saga Hero Develops Into A Complex And Multi-faceted Figure. Siân E. Grønlie. Includes Bibliographical References And Index. La 4e de couverture indique : "The relationship between that most popular of medieval genres, the saint's life, and the sagas of the Icelanders is investigated here. Although saga heroes are rarely saints themselves - indeed rather the reverse - they interact with saints in a variety of ways: as ancestors or friends of saints, as noble heathens or converts to Christianity, as innocent victims of violent death, or even as anti-saints, interrogating aspects of saintly ideology. Via detailed readings of a range of the sagas, this book explores how saints' lives contributed to the widening of medieval horizons, allowing the saga authors to deveop multiple perspectives (moral, eschatalogical, psychological) on traditional feud narratives and family dramas. The saint's life introduced new ideals to the saga world, such as suffering, patience and feminine nurture, and provided, through dreams, visions and signs, ways of representing the interior life and of engaging with questions of merit and reward. In dialogue with the ideology of the saint, the saga hero develops into a complex and multi-faceted figure." Frontcover 1 Contents 7 Acknowledgements 9 Preface 11 1. Saints’ Lives and Sagas of Icelanders 15 2. The Failed Saint: Oddr Snorrason’s Óláfr Tryggvason 53 3. The Confessor, the Martyr and the Convert 93 4. The Noble Heathen and the Missionary Saint 125 5. The Outlaw, the Exile and the Desert Saint 177 6. The Saint as Friend and Patron 223 7. Conclusion 271 Bibliography 279 Index 311 PrefaceSaints' Lives and Sagas of IcelandersThe Failed Saint: Oddr's Olafr TryggvasonThe Confessor, the Martyr and the ConvertThe Noble Heathen and the Missionary SaintThe Outlaw, the Exile and the Desert SaintThe Saint as Friend and PatronConclusion