آوانگارد روسی و مدرنیسم رادیکال: یک خوانش مقدماتی (سیلابس فرهنگی)

The Russian avant-garde was a composite of antagonistic groups who wished to overthrow the basic aesthetics of classical realism. Modernism was the totality of these numerous aesthetic theories, which achieved a measure of coherence immediately after the First World War. This collection of essays by leading scholars examines the major figures, movements, and manifestos of the period. Scholarly attention is given to literature, visual arts, cinema, and theatre in an attempt to capture the complex nature of the modernist movement in Russia. This book would be especially relevant for university courses on the Russian twentieth century as well as for those looking for a comprehensive approach to the various movements and artistic expressions that constitute the Russian avant-garde. Contents 5 List of Illustrations 7 Note from the Editors 8 I: An Introduction to the Russian Avant-Garde and Radical Modernism 9 II: Russian Futurism and the Related Currents 20 III: Russian Suprematism and Constructivism 205 IV: The OBERIU Circle (Daniil Kharms and His Associates) 295 V: Russian Experimental Performanceand Theater 356 VI: Avant-Garde Cinematography: Sergei Eisenstein and Dziga Vertov 406 Concluding Addendum: The Tradition of Experimentation in Russian Culture and the Russian Avant-Garde 454 List of Contributors 468 Bibliography 472 Examines the major figures, movements and manifestos of the modernist period in Russia. Scholarly attention is given to literature, visual arts, cinema and theatre in an attempt to capture the complex nature of the time. It would be especially relevant for those looking for a comprehensive approach to the various movements and artistic expressions that constitute the Russian avant-garde. "A remarkable volume, the Russian avant-garde and radical modernism brings together the most significant movements and figures in Russian experimental art, cinema and literature of the early twentieth century (both pre-Soviet and Soviet) and presents them in commentary by leading scholars in the field" --Page 4 de la couverture "A remarkable volume, the Russian avant-garde and radical modernism brings together the most significant movements and figures in Russian experimental art, cinema and literature of the early twentieth century (both pre-Soviet and Soviet) and presents them in commentary by leading scholars in the field" -- p. [4] of cover. "A remarkable volume, the Russian avant-garde and radical modernism brings together the most significant movements and figures in Russian experimental art, cinema and literature of the early twentieth century (both pre-Soviet and Soviet) and presents them in commentary by leading scholars in the field"--Page 4 of cover I. An introduction II. Russian futurism and the related currents III. Russian suprematism and constructivism IV. The OBERIU circle (Daniil Kharms and his associates) V. Russian experimental performance and theater VI. Avant-garde cinematography: Sergei Eisenstein and Dziga Vertov.