موج فزاینده رنگین‌پوستان علیه برتری جهانی سفیدپوستان

Fraught, disturbing, and beautiful, Han Kang’s novel about is about shame and desire, and our faltering attempts to understand the lives of others. Translated by Deborah Smith.Yeong-hye and her husband are ordinary people living in modern day South Korea. He is an office worker with moderate ambitions and mild manners; she is an uninspired but dutiful wife. But then Yeong-hye, seeking a more ‘plant-like’ existence, commits a shocking act of subversion. As her rebellion manifests in ever more bizarre and frightening forms, Yeong-hye spirals further and further into her fantasies of abandoning her fleshly prison and becoming - impossibly, ecstatically - a tree."...there is no end to the horrors that rattle in and out of this ferocious, magnificently death-affirming novel ... Han’s glorious treatments of agency, personal choice, submission and subversion find form in the parable." - Porochista Khakpopur, The New York Times Book Review"This is Han Kang’s first novel to appear in English, and it’s a bracing, visceral, system-shocking addition to the Anglophone reader’s diet. It is sensual, provocative and violent, ripe with potent images, startling colours and disturbing questions ... The Vegetarian is an extraordinary experience." - Daniel Hahn, The GuardianHan Kang is a South Korean writer. She studied Korean literature at Yonsei University and her writing has won the Yi Sang Literary Prize, the Today’s Young Artist Award, and the Korean Literature Novel Award. She is also the author of Human Acts and The White Book. The Vegetarian is her first novel to be translated into English. WINNER OF THE INTERNATIONAL BOOKER PRIZE • “[Han] Kang viscerally explores the limits of what a human brain and body can endure, and the strange beauty that can be found in even the most extreme forms of renunciation.”—Entertainment Weekly One of the New York Times's 100 Best Books of the 21st Century“Ferocious.”—The New York Times Book Review (Ten Best Books of the Year)“Both terrifying and terrific.”—Lauren Groff“Provocative [and] shocking.”—The Washington PostBefore the nightmares began, Yeong-hye and her husband lived an ordinary, controlled life. But the dreams—invasive images of blood and brutality—torture her, driving Yeong-hye to purge her mind and renounce eating meat altogether. It's a small act of independence, but it interrupts her marriage and sets into motion an increasingly grotesque chain of events at home. As her husband, her brother-in-law and sister each fight to reassert their control, Yeong-hye obsessively defends the choice that's become sacred to her. Soon their attempts turn desperate, subjecting first her mind, and then her body, to ever more intrusive and perverse violations, sending Yeong-hye spiraling into a dangerous, bizarre estrangement, not only from those closest to her, but also from herself. Celebrated by critics around the world, The Vegetarian is a darkly allegorical, Kafka-esque tale of power, obsession, and one woman's struggle to break free from the violence both without and within her. A Best Book of the Year: BuzzFeed, Entertainment Weekly, Wall Street Journal, Time, Elle, The Economist, HuffPost, Slate, Bustle, The St. Louis Dispatch, Electric Literature, Publishers Weekly "Before the nightmares began, Yeong-hye and her husband lived an ordinary, controlled life. But the dreams--invasive images of blood and brutality--torture her, driving Yeong-hye to purge her mind and renounce eating meat altogether. It's a small act of independence, but it interrupts her marriage and sets into motion an increasingly grotesque chain of events at home. As her husband, her brother-in-law, and her sister each fight to reassert their control, Yeong-hye obsessively defends the choice that's become sacred to her. Soon their attempts turn desperate, subjecting first her mind, then her body, to ever more intrusive and perverse violations, sending Yeong-hye spiraling into a dangerous, bizarre estrangement, not only from those closest to her but also from herself." -- jacket Before the nightmare, Yeong-hye and her husband lived an ordinary life. But when splintering, blood-soaked images start haunting her thoughts, Yeong-hye decides to purge her mind and renounce eating meat. In a country where societal mores are strictly obeyed, Yeong-hye's decision to embrace a more plant-like existence is a shocking act of subversion. And as her passive rebellion manifests in ever more extreme and frightening forms, scandal, abuse, and estrangement begin to send Yeong-hye spiraling deep into the spaces of her fantasy. In a complete metamorphosis of both mind and body, her now dangerous endeavor will take Yeong-hyeimpossibly, ecstatically, tragicallyfar from her once-known self altogether. Deciding to renounce eating meat in the wake of violent dreams, Yeong-hye, a woman from a culture of strict societal mores, is denounced as a subversive as she spirals into extreme rebelliousness that causes her to splinter from her true nature and risk her life Translation of Ch'aesikchuŭija (Published 2007 by Ch'angbi)