The Powers of Speech: The Politics of Culture in the GDR (Modern German Culture and Literature)

In this definitive study, David Bathrick examines East German culture both before and after the fall of the Berlin Wall in November 1989. Bathrick argues that dissident East German writers were unique among East European literary intellectuals in that they attempted “to open up alternative spaces for public speech from within [the] framework” of Marxism and state socialism. According to Bathrick, “the fact that some of them had been censored, hunted, questioned, and ridiculed does not belie the fact that they were also—and sometimes even simultaneously—privileged, nurtured, courted, and coddled. . . . It was precisely their function on ‘both sides’ of the power divide, as official and nonofficial voices within the whole, which defined a particular kind of intellectual in the GDR.” Bathrick applies his insights into this “particular kind of intellectual” to a wide range of topics. He compares oppositional culture in East Germany to radical cultures elsewhere, examines the complex political and cultural relations of East and West Germany, traces the anguished history of the East German avant-garde, and describes the troubled effort to develop a revolutionary theatrical tradition in East Germany. The book also includes nuanced insights into the collapse of the East German political order in the late 1980s and more recent revelations about the collaboration of allegedly oppositional writers with the Stasi (state police). In his treatment of these and other issues, Bathrick enters hotly contested territory. Yet he brings clarity and scrupulous fairness to these issues that are still very much alive in Germany—and elsewhere—today. In This Definitive Study, David Bathrick Examines East German Culture Both Before And After The Fall Of The Berlin Wall In November 1989. Bathrick Argues That Dissident East German Writers Were Unique Among East European Literary Intellectuals In That They Attempted To Open Up Alternative Spaces For Public Speech From Within [the] Framework Of Marxism And State Socialism. Bathrick Compares Oppositional Culture In East Germany To Radical Cultures Elsewhere, Examines The Complex Political And Cultural Relations Of East And West Germany, Traces The Anguished History Of The East German Avant-garde, And Describes The Troubled Effort To Develop A Revolutionary Theatrical Tradition In East Germany. The Book Also Includes Nuanced Insights Into The Collapse Of The East German Political Order In The Late 1980s And More Recent Revelations About The Collaboration Of Allegedly Oppositional Writers With The Stasi (state Police). Pt. 1. The Politics Of Culture. 1. The Writer And The Public Sphere. 2. Voices From Within: Rudolf Bahro And Intellectual Opposition In The Gdr -- Pt. 2. The Politics Of Modernism: A Theater Of Revolution? 3. Affirmative And Negative Culture: The Struggle For A Tradition. 4. From Weimar To Berlin: Reperforming The Historical Avant-garde. 5. History Against Itself: Heiner Muller's Theater Of Revolution. 6. Patricide Or Regeneration?: Brecht Vs. Brecht In The 1980s -- Pt. 3. The Politics Of The Irrational. 7. Little Red Riding Hood In The Gdr: Folklore, Mass Culture, And The Avant-garde. 8. The Destruction Or The Promotion Of Reason?: Nietzsche In The Gdr -- Epilogue: The Stasi And The Poets. David Bathrick. Includes Bibliographical References (p. 269-288) And Index. Examines East German culture both before and after the fall of the Berlin Wall in November 1989. This title argues that dissident East German writers were unique among East European literary intellectuals in that they attempted "to open up alternative spaces for public speech from within [the] framework" of Marxism and state socialism.