سیاست موسیقی پس از ۱۱ سپتامبر: صدا، آسیب و صنعت موسیقی در زمان ترور (سری موسیقی محبوب و فولکلور اشگیت)

Seeking to extend discussions of 9/11 music beyond the acts typically associated with the September 11th attacks - U2, Toby Keith, The Dixie Chicks, Bruce Springsteen - this collection interrogates the politics of a variety of post-9/11 music scenes. Contributors add an aural dimension to what has been a visual conceptualization of this important moment in US history by articulating the role that lesser-known contemporary musicians have played - or have refused to play - in constructing a politics of protest in direct response to the trauma inflicted that day. Encouraging new conceptualizations of what constitutes "political music", "The Politics of 9/11 Music" covers topics as diverse as the rise of Internet music distribution, Christian punk rock, rap music in the Obama era, and nostalgia for 1960s political activism. Electric Dreams : The Medium And The Message. Rock, Enroll : Music And Militarization Since 9/11 / Samuel Dwinell ; Music, Terrorism, Response : The Conditioning Logic Of Code And Networks / Benjamin J. Robertson ; Technostalgia And The Resurgence Of Cassette Culture / Craig Eley -- Hai To The Thief : Post-9/11 Experimental Music. Why Protest Albums Can't Teach Dissent : The Emergent Complexity Of Post-9/11 Protest / Conrad Amenta ; On A Maddening Loop : Post-9/11 Rubble Music / Isaac Vayo ; Terrorism And The Politics Of Improvisation / Rob Wallace ; Nine Inch Nails' Year Zero And The Biopolitics Of Media Convergence / Katheryn Wright -- What's Going On, Again? : Protest And Nostalgia. Casualties Of War : Hip-hop And The Old Racial Politics Of The Post-9/11 Era / Aisha Staggers ; That Was Now, This Is Then : Recycling Sixties Style In Post-9/11 Music / Jeffrey Roessner ; A New Morning In Amerika : Conservative Politics And Punk Rock In The 2000s / Matthew Siblo ; Agony & Irony : Indie Culture's Sardonic Response To America's Post-9/11 Devolution / S. Todd Atchison -- Idle American, American Idol : Mainstream Media And Ideology. Post-dixie Chicks Country : Carrie Underwood And The Negotiation Of Feminist Country Identity / Molly Brost ; Walking The Great Line : Underoath And Christian Fundamentalism In Punk Rock After 9/11 / Gerrit Roessler ; War Is Heavy Metal : Soundtracking The Us War In Iraq / Steve Waksman. [edited By] Joseph P. Fisher And Brian Flota. Series Information From General Editor's Preface. Includes Bibliographical References And Index. Contents 6 General Editor’s Preface 8 Notes on Contributors 10 Foreword 12 Acknowledgments 18 Introduction 22 Part I Electric Dreams: The Medium and the Message 6 1 Rock, Enroll: Music and Militarization since 9/11 34 2 Music, Terrorism, Response: The Conditioning Logic of Code and Networks 52 3 Technostalgia and the Resurgence of Cassette Culture 64 Part II Hail to the Thief: Post-9/11 Experimental Music 6 4 Why Protest Albums Can’t Teach Dissent: The Emergent Complexity of Post-9/11 Protest 78 5 On a Maddening Loop: Post-9/11 Rubble Music 90 6 Terrorism and the Politics of Improvisation 100 7 Nine Inch Nails’ Year Zero and the Biopolitics of Media Convergence 114 Part III What’s Going On, Again?: Protest and Nostalgia 7 8 Casualties of War: Hip-Hop and the Old Racial Politics of the Post-9/11 Era 128 9 That Was Now, This Is Then: Recycling Sixties Style in Post-9/11 Music 136 10 A New Morning in Amerika: Conservative Politics and Punk Rock in the 2000s 150 11 “Agony & Irony”: Indie Culture’s Sardonic Response to America’s Post-9/11 Devolution 166 Part IV Idle American, American Idol: Mainstream Media and Ideology 7 12 Post-Dixie Chicks Country: Carrie Underwood and the Negotiation of Feminist Country Identity 182 13 Walking the Great Line: Underoath and Christian Fundamentalism in Punk Rock after 9/11 194 14 War Is Heavy Metal: Soundtracking the US War in Iraq 206 Index 228 Introduction: Greet death : post-9/11 music and the sound of decay / Joseph P. Fisher and Brian Flota Rock, enroll : music and militarization since 9/11 / Samuel Dwinell Music, terrorism, response : the conditioning logic of code and networks / Benjamin J. Robertson Technostalgia and the resurgence of cassette culture / Craig Eley Why protest albums can't teach dissent : the emergent complexity of post-9/11 protest / Conrad Amenta On a maddening loop : post-9/11 rubble music / Isaac Vayo Terrorism and the politics of improvisation / Rob Wallace Nine Inch Nails' Year zero and the biopolitics of media convergence / Katheryn Wright Casualties of war : hip-hop and the old racial politics of the post-9/11 era / Aisha Staggers That was now, this is then : recycling sixties style in post-9/11 music / Jeffrey Roessner A new morning in Amerika : conservative politics and punk rock in the 2000s / Matthew Siblo "Agony & irony" : indie culture's sardonic response to America's post-9/11 devolution / S. Todd Atchison Post-Dixie Chicks country : Carrie Underwood and the negotiation of feminist country identity / Molly Brost Walking the great line : underoath and Christian fundamentalism in punk rock after 9/11 / Gerrit Roessler War is heavy metal : soundtracking the US war in Iraq / Steve Waksman. Seeking to extend discussions of 9/11 music beyond the acts typically associated with the September 11th attacks”U2, Toby Keith, The Dixie Chicks, Bruce Springsteen”this collection interrogates the politics of a variety of post-9/11 music scenes. Contributors add an aural dimension to what has been a visual conceptualization of this important moment in US history by articulating the role that lesser-known contemporary musicians have played”or have refused to play”in constructing a politics of protest in direct response to the trauma inflicted that day. Encouraging new conceptualizations of what constitutes'political music,'The Politics of Post-9/11 Music covers topics as diverse as the rise of Internet music distribution, Christian punk rock, rap music in the Obama era, and nostalgia for 1960s political activism. Seeking to extend discussions of 9/11 music beyond the acts typically associated with the September 11th attacks - U2, Toby Keith, The Dixie Chicks, Bruce Springsteen - this collection interrogates the politics of a variety of post-9/11 music scenes. Contributors articulate the role that lesser-known contemporary musicians have played - or have refused to play - in constructing a politics of protest in direct response to the trauma inflicted that day. The Politics of Post- 9/11 Music encourages new conceptualizations of what constitutes ""political music"" This collection conveys the passionate response by younger scholars to the cultural aspects of a crisis that has increasingly defined the world. Through looking at music beyond the arenas of the big-ticket pop stars, these papers are able to explain many of our more real and complex reactions - reflecting our own disquiet in the face of the ghosts of our own history--Paul Attinello, Newcastle University, UK Seeking to extend discussions of 9/11 music beyond the acts typically associated with the September 11th attacks - U2, Toby Keith, The Dixie Chicks, Bruce Springsteen - this title interrogates the politics of a variety of post-9/11 music scenes. Seeking to extend discussions of 9/11 music beyond the acts typically associated with the September 11th attacks - U2, Toby Keith, The Dixie Chicks, Bruce Springsteen - this book interrogates the politics of a variety of post-9/11 music scenes.

Seeking to extend discussions of 9/11 music beyond the acts typically associated with the September 11th attacks