The Poetics of Sight (Cultural Interactions: Studies in the Relationship between the Arts)

«Ut pictura poesis», Horace said, but through the two millennia in which «the sister arts» have been compared, little has been said about the nature of sight itself. What we see in «our mind’s eye» as we read has not been explored, though by following the visual prompts in texts, one can anatomize the process of visualization. The Poetics of Sight analyses the role of sight in memory, dream and popular culture and demonstrates the structure of a complex sight within the metaphors of Shakespeare, Pope and Dickens; and within the visual metaphors of Picasso, Magritte and Bacon. This book explores the difference between the great and the failed works of the supreme poet-painter, William Blake, and tracks the migrations of the Satiric muse between verbal mockery and scabrous images in Persius, Pope, Gillray and Gogol. It records the rise, and partial decline, of the vividly «seen» novel in Dickens, Flaubert, Tolstoy, Proust and Hardy. The key concept throughout this book is visual metaphor, which in the twentieth century acquired overarching importance: in art from Picasso to Kapoor, in poetry from Eliot to Hughes, in aesthetics from Pound to Derrida. The book closes with a far-reaching definition of visual metaphor and with the great visual metaphor of the human body. Ut pictura poesis», Horace said, but through the two millennia in which ±the sister arts» have been compared, little has been said about the nature of sight itself. What we see in ±our mind’s eye» as we read has not been explored, though by following the visual prompts in texts, one can anatomize the process of visualization.0'The poetics of sight' analyses the role of sight in memory, dream and popular culture and demonstrates the structure of a complex sight within the metaphors of Shakespeare, Pope and Dickens; and within the visual metaphors of Picasso, Magritte and Bacon. This book explores the difference between the great and the failed works of the supreme poet-painter, William Blake, and tracks the migrations of the Satiric muse between verbal mockery and scabrous images in Persius, Pope, Gillray and Gogol. It records the rise, and partial decline, of the vividly ±seen» novel in Dickens, Flaubert, Tolstoy, Proust and Hardy.0The key concept throughout this book is visual metaphor, which in the twentieth century acquired overarching importance: in art from Picasso to Kapoor, in poetry from Eliot to Hughes, in aesthetics from Pound to Derrida. The book closes with a far-reaching definition of visual metaphor and with the great visual metaphor of the human body Cover Contents Illustrations Plates Figures Acknowledgements Introduction: Sight, the Mind’s Eye and Art Chapter 1: Shakespeare Pictures Chapter 2: The Unequal Art of William Blake Chapter 3: Satire and Sight Chapter 4: Bleak House to Lighthouse: The Optics of the Novel Chapter 5: Metaphor and Modernism A Note on the Pre-Raphaelites and Shakespeare’s Women Notes Introduction 1 Shakespeare Pictures 2 The Unequal Art of William Blake 3 Satire and Sight 4 Bleak House to Lighthouse: The Optics of the Novel 5 Metaphor and Modernism A Note on the Pre-Raphaelites and Shakespeare’s Women Select Bibliography Introduction Shakespeare Pictures The Unequal Art of William Blake Satire and Sight Bleak House to Lighthouse: The Optics of the Novel Metaphor and Modernism Index Also by John Harvey The Poetics of Sight analyses the role of sight in memory, dream and popular culture and demonstrates the structure of a complex sight within literary and visual metaphors. The book explores the topic across the twentieth century, in art from Picasso to Kapoor, in poetry from Eliot to Hughes, in aesthetics from Pound to Derrida. "In part we create the sights we see, and we may ourselves be poets of sight. The key concept throughout this book is visual metaphor, which is explored in art from Picasso to Kapoor, in poetry from Eliot to Hughes and in aesthetics from Pound to Derrida"-- Provided by publisher