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شعرشناسی راک: برش آهنگ‌ها، ساختن آثار

The Poetics of Rock : Cutting Tracks, Making Records

معرفی کتاب «شعرشناسی راک: برش آهنگ‌ها، ساختن آثار» (با عنوان لاتین The Poetics of Rock : Cutting Tracks, Making Records) نوشتهٔ Albin J. Zak III، منتشرشده توسط نشر Berkeley : University Of California Press در سال 2001. این کتاب در فرمت pdf، زبان انگلیسی ارائه شده است.

After a hundred years of recording, the process of making records is still mysterious to most people who listen to them. Records hold a fundamental place in the dynamics of modern musical life, but what do they represent? Are they documents? Snapshots? Artworks? Fetishes? Commodities? Conveniences? The Poetics of Rock is a fascinating exploration of recording consciousness and compositional process from the perspective of those who make records. In it, Albin Zak examines the crucial roles played by recording technologies in the construction of rock music and shows how songwriters, musicians, engineers, and producers contribute to the creative project, and how they all leave their mark on the finished work. Zak shapes an image of the compositional milieu by exploring its elements and discussing the issues and concerns faced by artists. Using their testimony to illuminate the nature of record making and of records themselves, he shows that the art of making rock records is a collaborative compositional process that includes many skills and sensibilities not traditionally associated with musical composition. Zak connects all the topics--whether technical, conceptual, aesthetic, or historical--with specific artists and recordings and illustrates them with citations from artists and with musical examples. In lively and engaging prose, The Poetics of Rock brilliantly illustrates how the musical energy from a moment of human expression translates into a musical work wrought in sound. After a hundred years of recording, the process of making records is still mysterious to most people who listen to them. Records hold a fundamental place in the dynamics of modern musical life, but what do they represent? Are they documents? Snapshots? Artworks? Fetishes? Commodities? Conveniences? The Poetics of Rock is a fascinating exploration of recording consciousness and compositional process from the perspective of those who make records. In it, Albin Zak examines the crucial roles played by recording technologies in the construction of rock music and shows how songwriters, musicians, engineers, and producers contribute to the creative project, and how they all leave their mark on the finished work.
Zak shapes an image of the compositional milieu by exploring its elements and discussing the issues and concerns faced by artists. Using their testimony to illuminate the nature of record making and of records themselves, he shows that the art of making rock records is a collaborative compositional process that includes many skills and sensibilities not traditionally associated with musical composition. Zak connects all the topics--whether technical, conceptual, aesthetic, or historical--with specific artists and recordings and illustrates them with citations from artists and with musical examples. In lively and engaging prose, The Poetics of Rock brilliantly illustrates how the musical energy from a moment of human expression translates into a musical work wrought in sound. After a hundred years of recording, the process of making records is still mysterious to most people who listen to them. Records hold a fundamental place in the dynamics of modern musical life, but what do they represent? Are they documents? Snapshots? Artworks? Fetishes? Commodities? Conveniences? The Poetics of Rock is a fascinating exploration of recording consciousness and compositional process from the perspective of those who make records. In it, Albin Zak examines the crucial roles played by recording technologies in the construction of rock music and shows how songwriters, musicians, engineers, and producers contribute to the creative project, and how they all leave their mark on the finished work.Zak shapes an image of the compositional milieu by exploring its elements and discussing the issues and concerns faced by artists. Using their testimony to illuminate the nature of record making and of records themselves, he shows that the art of making rock records is a collaborative compositional process that includes many skills and sensibilities not traditionally associated with musical composition. Zak connects all the topics -- whether technical, conceptual, aesthetic, or historical -- with specific artists and recordings and illustrates them with citations from artists and with musical examples. In lively and engaging prose, The Poetics of Rock brilliantly illustrates how the musical energy from a moment of human expression translates into a musical work wrought in sound. Acknowledgments......Page 10 Introduction......Page 12 1. Writing Records......Page 20 2. Tracks......Page 43 3. Sound as Form......Page 67 4. Places and Tools......Page 116 5. Tracking and Mixing......Page 147 6. Engineers and Producers......Page 182 7. Resonance......Page 203 Notes......Page 218 Glossary......Page 240 Engineer and Producer Credits......Page 244 Recordings Cited......Page 256 Bibliography......Page 260 Index......Page 266 Writing Records -- Tracks -- Sound As Form -- Places And Tools -- Tracking And Mixing -- Engineers And Producers -- Resonance. Albin J. Zak Iii. Includes Bibliographical References (p. 241-246) And Index. This title provides a fascinating exploration of recording consciousness and compositional process from the perspective of those who make records
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