The poem of a life : a biography of Louis Zukofsky

The Poem of a Life is the first critical biography of Louis Zukofsky, a fascinating and crucially important American modernist poet. It details the curve of his career, from the early Waste Land -parody “Poem beginning 'The'” (1926) to the dense and tantalizing beauties of his last poems, 80 Flowers (1978), paying special attention to the monumental, complex, and formally various epic poem “A” , on which Zukofsky labored for almost fifty years, and which he called “a poem of a life.” Zukofsky was a protégé of Ezra Pound's, an artistic collaborator and close friend of William Carlos Williams's, and the leader of a whole school of 1930s avant-garde poets, the Objectivists. Later in life he was close friends with such younger writers as Robert Creeley, Paul Metcalf, Robert Duncan, Jonathan Williams, and Guy Davenport. His work spans the divide from modernism to postmodernism, and his later writings have proved an inspiration to whole new generations of innovative poets. Zukofsky's poetry is oblique, condensed, and as fantastically detailed as the late writings of James Joyce, yet it bears at every point the marks of the poet's life and times. The Poem of a Life is the first critical biography of Louis Zukofsky, a fascinating and crucially important American modernist poet. It details the curve of his career, from the early Waste Land -parody Poem beginning 'The' (1926) to the dense and tantalizing beauties of his last poems, 80 Flowers (1978), paying special attention to the monumental, complex, and formally various epic poem A , on which Zukofsky labored for almost fifty years, and which he called a poem of a life. Zukofsky was a protg of Ezra Pound's, an artistic collaborator and close friend of William Carlos Williams's, and the leader of a whole school of 1930s avant-garde poets, the Objectivists. Later in life he was close friends with such younger writers as Robert Creeley, Paul Metcalf, Robert Duncan, Jonathan Williams, and Guy Davenport. His work spans the divide from modernism to postmodernism, and his later writings have proved an inspiration to whole new generations of innovative poets. Zukofsky's poetry is oblique, condensed, and as fantastically detailed as the late writings of James Joyce, yet it bears at every point the marks of the poet's life and times. Scroggins' very readable biography mixes impeccable scholarship with an astute sensitivity to the life of a cerebral, private man and a lucid appraisal of a poetry notable for its musicality and formal innovations. Scroggins' discussions of Zukofsky's important long poem "A" are models of critical commentary. By showing in exemplary fashion how the skeins of Zukofsky's life and poetry are subtly interwoven, The Poem of a Life is a valuable and stimulating biography.--inside jacket Contents......Page 7 Preface......Page 11 Afterword......Page 480 Index......Page 577