The Philosophy of Tim Burton (Philosophy Of Popular Culture)

Director and producer Tim Burton impresses audiences with stunning visuals, sinister fantasy worlds, and characters whose personalities are strange and yet familiar. Drawing inspiration from sources as varied as Lewis Carroll, Salvador Dalí, Washington Irving, and Dr. Seuss, Burton's creations frequently elicit both alarm and wonder. Whether crafting an offbeat animated feature, a box-office hit, a collection of short fiction, or an art exhibition, Burton pushes the envelope, and he has emerged as a powerful force in contemporary popular culture. In The Philosophy of Tim Burton , a distinguished group of scholars examines the philosophical underpinnings and significance of the director's oeuvre, investigating films such as Batman (1989), Edward Scissorhands (1990), The Nightmare before Christmas (1993), Sleepy Hollow (1999), Big Fish (2003), Sweeney Todd (2007), Alice in Wonderland (2010), and Dark Shadows (2012). The essays in this volume explore Burton's distinctive style, often disturbing content, and popular appeal through three thematic lenses: identity, views on authority, and aesthetic vision. Covering topics ranging from Burton's fascination with Victorian ideals, to his celebration of childhood, to his personal expression of the fantastic, the contributors highlight the filmmaker's peculiar narrative style and his use of unreal settings to prompt heightened awareness of the world we inhabit. The Philosophy of Tim Burton offers a penetrating and provocative look at one of Hollywood's most influential auteurs. Director and producer Tim Burton impresses audiences with stunning visuals, sinister fantasy worlds, and characters whose personalities are strange and yet familiar. Drawing inspiration from sources as varied as Lewis Carroll, Salvador Dalí, Washington Irving, and Dr. Seuss, Burton's creations frequently elicit both alarm and wonder. Whether crafting an offbeat animated feature, a box-office hit, a collection of short fiction, or an art exhibition, Burton pushes the envelope, and he has emerged as a powerful force in contemporary popular culture. In The Philosophy of Tim Burton, a distinguished group of scholars examines the philosophical underpinnings and significance of the director's oeuvre, investigating films such as Batman (1989), Edward Scissorhands (1990), The Nightmare before Christmas (1993), Sleepy Hollow (1999), Big Fish (2003), Sweeney Todd (2007), Alice in Wonderland (2010), and Dark Shadows (2012). The essays in this volume explore Burton's distinctive style, often disturbing content, and popular appeal through three thematic lenses: identity, views on authority, and aesthetic vision. Covering topics ranging from Burton's fascination with Victorian ideals, to his celebration of childhood, to his personal expression of the fantastic, the contributors highlight the filmmaker's peculiar narrative style and his use of unreal settings to prompt heightened awareness of the world we inhabit. The Philosophy of Tim Burton offers a penetrating and provocative look at one of Hollywood's most influential auteurs. Director and producer Tim Burton impresses audiences with stunning visuals, sinister fantasy worlds, and characters who are strange and yet familiar. Drawing inspiration from sources as varied as Lewis Carroll, Salvador Dali, Washington Irving, and Dr. Seuss, Burton's creations elicit both alarm and wonder. Whether crafting an offbeat animated feature, a box-office hit, a collection of short fiction, or an art exhibition, Burton is a unique and powerful voice in popular culture. In The Philosophy of Tim Barton., noted scholars explore the philosophical underpinnings of the director's oeuvre, investigating films such as Batman (1989), Edward Scissorhands (1990), The Nightmare before Christmas (1993), Sleepy Hollow (1999), Big Fish (2003), Sweeney Todd (2007), Alice in Wonderland (2010), and Dark, Shadows (2012). The authors examine Burton through three thematic lenses: identity, views on authority, and aesthetic vision. This penetrating and provocative volume offers intriguing insights, inviting further scholarly discussion of one of Hollywood's most recognizable auteurs. Book jacket Front cover Copyright Contents Introduction Fishing for the [Mediating] Self Catwoman and Subjectivity The Consolations and Dangers of Fantasy Johnny Depp Is a Big Baby! Mars Attacks! "Pinioned by a Chain of Reasoning"? Culture, Hermeneutics, and the Batman Burtonology A Symphony of Horror Tim Burton, Johnny Depp, and the Fantastic It's Uncanny Affect without Illusion Little Burton Blue Contributors Index "In three days the number of so-called 'volunteers' reached over three hundred men. Very quickly they organized us into military units. Just like that I became a North Korean soldier and was on the way to some unknown place." -- from the book South Korean Lee Young Ho was seventeen years old when he was forced to serve in the North Korean People's Army during the first year of the Korean War. ..