The Philosophy of Charlie Kaufman (The Philosophy of Popular Culture)

From the Academy Award--winning Eternal Sunshine of the Spotless Mind (2004) and Academy Award--nominated Adaptation (2002) to the cult classic Being John Malkovich (1999), writer Charlie Kaufman is widely admired for his innovative, philosophically resonant films. Although he only recently made his directorial debut with Synecdoche, New York (2008), most fans and critics refer to "Kaufman films" the way they would otherwise discuss works by directors Woody Allen, Martin Scorsese, or the Coen brothers. Not only has Kaufman transformed our sense of what can take place in a film, but he also has made a significant impact on our understanding of the role of the screenwriter.The Philosophy of Charlie Kaufman, edited by David LaRocca, is the first collection of essays devoted to a rigorous philosophical exploration of Kaufman's work by a team of capable and critical scholars from a wide range of disciplines. From political theorists to philosophers, classicists to theologians, professors of literature to filmmakers, the contributing authors delve into the heart of Kaufman's innovative screenplays, offering not only original philosophical analyses but also extended reflections on the nature of film and film criticism. Introduction: Charlie Kaufman And Philosophy's Questions / David Larocca -- On Being And Not Being One's Self. Charlie Kaufman, Screenwriter / K. L. Evans -- On Being John Malkovich And Not Being Yourself / Christopher Falzon -- The Divided Self: Kaufman, Kafka, Wittgenstein, And Human Nature / Mario Von Der Ruhr -- Unauthorized Autobiography: Truth And Fact In Confessions Of A Dangerous Mind / David Larocca -- Being, Or Trying To Be, With Others. Me And You: Identity, Love, And Friendship In The Films Of Charlie Kaufman / Douglas J. Den Uyl -- I Don't Know, Just Wait: Remembering Remarriage In Eternal Sunshine Of The Spotless Mind / William Day -- Charlie Kaufman, Philosophy, And The Small Screen / Samuel A. Chambers -- The Instructive Impossibility Of Being John Malkovich / Garry L. Hagberg -- Being In The World, Partially. Living A Part: Synecdoche, New York, Metaphor, And The Problem Of Skepticism / Richard Deming -- There's No More Watching: Artifice And Meaning In Synecdoche, New York And Adaptation / Derek Hill -- Human Nature And Freedom In Adaptation / Gregory E. Ganssle -- Synecdoche, In Part / David L. Smith -- Netzschean Themes In The Films Of Charlie Kaufman / Daniel Shaw -- Inconclusive Unscientific Postscript: Late Remarks On Kierkegaard And Kaufman / David Larocca. Edited By David Larocca. Includes Bibliographical References And Index. Includes Filmography.

From the Academy Award-winning Eternal Sunshine of the Spotless Mind (2004) and Academy Award-nominated Adaptation (2002) to the cult classic Being John Malkovich (1999), screenwriter Charlie Kaufman is widely admired for his innovative, philosophically resonant films. Although he also began directing with Synecdoche, New York in 2008, most fans and critics refer to "Kaufman films" the way they would otherwise discuss works by directors such as Woody Allen, Martin Scorsese, or the Coen brothers. In this respect, not only has Kaufman transformed our sense of what can take place in a film, he has also made a significant impact on our understanding of the role of the screenwriter.

The Philosophy of Charlie Kaufman, edited by David LaRocca, is the first collection of essays devoted to a rigorous philosophical exploration of Kaufman's work by a team of capable and critical scholars from a wide range of disciplines. From political theorists to philosophers, classicists to theologians, professors of literature to practicing filmmakers, the contributing authors delve into the heart of Kaufman's innovative screenplays and films, offering not only original philosophical analyses but also extended reflections on the nature of film and film criticism. The paperback edition appears with a new preface by the editor.

From the Academy Award-winning Eternal Sunshine of the Spotless Mind (2004) and Academy Award-nominated Adaptation (2002) to the cult classic Being John Malkovich (1999), screenwriter Charlie Kaufman is widely admired for his innovative, philosophically resonant films. Although he also began directing with Synecdoche, New York in 2008, most fans and critics refer to "Kaufman films" the way they would otherwise discuss works by directors such as Woody Allen, Martin Scorsese, or the Coen brothers. In this respect, not only has Kaufman transformed our sense of what can take place in a film, he has also made a significant impact on our understanding of the role of the screenwriter. The Philosophy of Charlie Kaufman, edited by David LaRocca, is the first collection of essays devoted to a rigorous philosophical exploration of Kaufman's work by a team of capable and critical scholars from a wide range of disciplines. From political theorists to philosophers, classicists to theologians, professors of literature to practicing filmmakers, the contributing authors delve into the heart of Kaufman's innovative screenplays and films, offering not only original philosophical analyses but also extended reflections on the nature of film and film criticism. The paperback edition appears with a new preface by the editor. From the Academy Award-winning Eternal Sunshine of the Spotless Mind (2004) and Academy Award-nominated Adaptation (2002) to the cult classic Being John Malkovich (1999), writer Charlie Kaufman is widely admired for his innovative, philosophically resonant films. Although he only recently made his directorial debut with Synecdoche, New York (2008), most fans and critics refer to "Kaufman films" the way they would otherwise discuss works by directors Woody Allen, Martin Scorsese, or the Coen brothers. Not only has Kaufman transformed our sense of what can take place in a film, but he also has made a significant impact on our understanding of the role of the screenwriter. The Philosophy of Charlie Kaufman, edited by David LaRocca, is the first collection of essays devoted to a rigorous philosophical exploration of Kaufman's work by a team of capable and critical scholars from a wide range of disciplines. From political theorists to philosophers, classicists to theologians, professors of literature to filmmakers, the contributing authors delve into the heart of Kaufman's innovative screenplays, offering not only original philosophical analyses but also extended reflections on the nature of film and film criticism. Copyright page ......Page 5 Contents ......Page 6 Acknowledgments ......Page 8 Introduction ......Page 10 1. Charlie Kaufman, Screenwriter ......Page 32 2. On Being John Malkovich and Not Being Yourself ......Page 55 3. The Divided Self ......Page 75 4. Unauthorized Autobiography ......Page 98 5. Me and You ......Page 120 6. I Don't Know, Just Wait ......Page 141 7. Charlie Kaufman, Philosophy, and the Small Screen ......Page 164 8. The Instructive Impossibility of Being John Malkovich ......Page 178 9. Living a Part ......Page 202 10. "There's No More Watching" ......Page 217 11. Human Nature and Freedom in Adaptation ......Page 233 12. Synecdoche, in Part ......Page 248 13. Nietzschean Themes in the Films of Charlie Kaufman ......Page 263 14. Inconclusive Unscientific Postscript ......Page 278 Filmography ......Page 304 Contributors ......Page 306 Index ......Page 312 University Press of Kentucky ISBN,9780813133911,(hardcover,:,alk.,paper),ISBN,9780813133928,(ebook) ISBN 9780813133911 (hardcover : alk. paper),ISBN 9780813133928 (ebook) From the perfect mint julep to benedictine, from a classic hot brown to cheese chutney, Kentucky's Best captures the full range of the state's culinary delights.