The Operas of Verdi: Volume 1: From Oberto to Rigoletto (Clarendon Paperbacks)

Marked by extraordinary research and enhanced by hundreds of musical illustrations, this monumental study follows the development of Verdi's oeuvre from his earliest opera Oberto to his final work, Falstaff . In writing the first edition of this classic work--which appeared to great acclaim in 1973--Julian Budden mined the vast resources of European archives to provide a groundbreaking interpretation of Verdi's work, and along the way discovered much new material, including an unpublished additional aria for I Due Foscari . Now available in a revised edition, The Operas of Verdi is now brought up to date in light of the most recent scholarship, making it more useful and entertaining than ever. Volume 1 traces the organic growth and development of the composer's style from 1839 to 1851--from Oberto to Rigoletto --and examines each opera in detail, offering a full account of its dramatic and historical origins as well as a brief critical evaluation. More than 350 musical examples make the significance of these early operas to Verdi's developing style especially clear. In the second volume, Budden covers those operas written during the decadence of the post-Rossini period. During this time Verdi, having exhausted the simple lyricism found in such works as Il Trovatore and La Traviata , found new life as he directly confronted the masters of the Paris opera with his Les Vêpres Siciliennes . The new scale and variety of musical thought that can be sensed in the Italian operas which followed is shown here to culminate in La Forza del Destino . The third and final volume of the study covers the quarter century which saw grand opera on the Parisian model established throughout Italy, and the spread of cosmopolitan influences that convinced many that Italian music was losing its identity. Verdi produced his four last and greatest operas during this time-- Don Carlos, Aida, Otello , and Falstaff --operas which helped inaugurate "versimo," in which a new, recognizably Italian idiom was realized. These three volumes cover every aspect of Verdi's rich and varied operatic achievement. Every lover of opera in particular and music in general will want a set in their library. Julian Budden's monumental three-volume survey of the operas of Verdi. Hailed on publication for its extraordinary comprehensibility, the set has become the classic reference work on its subject. For this new edition the author has made a host of corrections throughout, and updated the text in the light of recent scholarship. Volume I traces the organic growth and development of the composer's style from 1839 to 1851 - from the first opera, Oberto, to the seventeenth, Rigoletto. Budden examines each opera in detail with a full account of its dramatic and historical origins and a brief critical evaluation. More than 350 musical examples point to the significance of the early operas in Verdi's developing style. Volume 2 covers those works written during the decadence of the post-Rossini period. During this time, Verdi, having exhausted the vein of simple lyricism to be found in Il Trovatore and La Traviata, achieved self-renewal in direct confrontation with the masters of the Paris Opera with his Les Vêpres Siciliennes. A new scale and variety of musical thought can be sensed in the Italian operas that follow, culminating in La Forza del Destino. Volume 3 covers roughly a quarter of a century, a period which saw grand opera on the Parisian model established throughout Italy, the reform of the Conservatories, and the spread of cosmopolitan influences to an extent that convinced many that Italian music was losing its identity. Verdi produced his four last and greatest operas - Don Carlos, Aida, Otello, and Falstaff - in this period, which ended with the advent of 'verisimo', in which a new, recognizably Italian idiom was inaugurated. This volume also includes a new and substantial bibliography by Roger Parker Frontmatter Acknowledgements (page vi) Preface to the First Edition (page vii) Preface to the Revised Edition (page x) 1. Verdi and the World of the Primo Ottocento (page 1) 2. Characteristics of the Early Operas (page 25) 3. Oberto Conte di San Bonifacio (page 43) 4. Un Giorno di Regno (page 69) 5. Nabucco (page 89) 6. I Lombardi alla Prima Crociata (page 113) 7. Ernani (page 137) 8. I Due Foscari (page 173) 9. Giovanna d'Arco (page 203) 10. Alzira (page 225) 11. Attila (page 243) 12. Macbeth (page 267) 13. I Masnadieri (page 313) 14. Jérusalem (page 339) 15. Il Corsaro (page 361) 16. La Battaglia di Legnano (page 387) 17. Luisa Miller (page 417) 18. Stiffelio (page 447) 19. Rigoletto (page 475) Index (page 511) 1. From Oberto To Rigoletto Julian Budden. Reprint. Originally Published: Rev. Edition, 1992. Includes Bibliographical References And Indexes.