The Odyssey Of China's Imperial Art Treasures (Samuel and Althea Stroum Book)
معرفی کتاب «The Odyssey Of China's Imperial Art Treasures (Samuel and Althea Stroum Book)» نوشتهٔ Jeannette Shambaugh Elliott with David Shambaugh، منتشرشده توسط نشر University of Washington Press; Univ of Washington Pr در سال 2005. این کتاب در فرمت pdf، زبان انگلیسی ارائه شده است.
The Odyssey of China's Imperial Art Treasures traces the three-thousand-year history of the emperor's imperial collection, from the Bronze Age to the present. The tortuous story of these treasures involves a succession of dynasties, invasion and conquest, and civil war, resulting in valiant attempts to rescue and preserve the collection. Throughout history, different Chinese regimes used the imperial collection to bolster their own political legitimacy, domestically and internationally. The narrative follows the gradual formation of the Peking Palace Museum in 1925, then its hasty fragmentation as large parts of the collection were moved perilously over long distances to escape wartime destruction, and finally its formal division into what are today two Palace Museums-one in Beijing, the other in Taipei. Enlivened by the personalities of those who cared for the collection, this textured account of the imperial treasures highlights magnificent artworks and their arduous transit through politics, war, and diplomatic reconciliations. Over the years, control of the collections has been fiercely contested, from early dynasties through Mongol and Japanese invaders to Nationalist and Communist rivals- a saga that continues today. This first book-length investigation of the imperial collections will be of great interest to China scholars, historians, and Chinese art specialists. Its tales of palace intrigue will fascinate a wide variety of readers. __The Odyssey of China's Imperial Art Treasures__traces the three-thousand-year history of the emperor's imperial collection, from the Bronze Age to the present. The tortuous story of these treasures involves a succession of dynasties, invasion and conquest, and civil war, resulting in valiant attempts to rescue and preserve the collection. Throughout history, different Chinese regimes used the imperial collection to bolster their own political legitimacy, domestically and internationally.The narrative follows the gradual formation of the Peking Palace Museum in 1925, then its hasty fragmentation as large parts of the collection were moved perilously over long distances to escape wartime destruction, and finally its formal division into what are today two Palace Museums-one in Beijing, the other in Taipei.Enlivened by the personalities of those who cared for the collection, this textured account of the imperial treasures highlights magnificent artworks and their arduous transit through politics, war, and diplomatic reconciliations. Over the years, control of the collections has been fiercely contested, from early dynasties through Mongol and Japanese invaders to Nationalist and Communist rivals- a saga that continues today.This first book-length investigation of the imperial collections will be of great interest to China scholars, historians, and Chinese art specialists. Its tales of palace intrigue will fascinate a wide variety of readers. "The Odyssey of China's Imperial Art Treasures traces the three-thousand-year history of the emperor's imperial collection, from the Bronze Age to the present. The tortuous story of these treasures involves a succession of dynasties, invasion and conquest, and civil war, resulting in valiant attempts to rescue and preserve the collection. Throughout history, different Chinese regimes used the imperial collection to bolster their own political legitimacy, domestically and internationally." "Enlivened by the personalities of those who cared for the collection, this textured account of the imperial treasures highlights magnificent artworks and their arduous transit through politics, war, and the diplomatic reconciliations. Over the years, control of the collections has been fiercely contested, from early dynasties through Mongol and Japanese invaders to Nationalist and Communist rivals - a saga that continues today." This first book-length investigation of the imperial collections will be of great interest to China scholars, historians, and Chinese art specialists. China's Imperial art treasures from early times to the twelfth century Imperial treasures under the Ming and Qing dynasties From private to public treasures: the early Republican era, 1911-1930 Treasures through times of war, 1931-1947 Relocating and rebuilding the Palace Museum on Taiwan Gugong in Beijing: national treasure and political object Epilogue: the politics of art. Tracing the 3000-year history of the Chinese imperial collections, from the Bronze Age to the 21st century, this title follows the gradual formation of the Peking Palace Museum in 1925, its hasty fragmentation as large parts of the collection were moved, and finally its formal division into what are two Palace Museums
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