The New Spirit of Creativity : Work, Compromise, and the Art and Design University

This book traces the many alignments between contemporary artistic creativity and its formal organization within higher education.

The New Spirit of Creativity examines creativity as an embedded institutional value and priority within public art institutions and higher education. The book unpacks the everyday work, organization, and administration of artistic creativity and its clashes with a "new spirit" of creativity that has widely taken hold.

Based on fieldwork conducted at three art and design universities in Canada, Saara Liinamaa tackles the fraught landscape of contemporary higher education, the uncertainties of cultural work, and ongoing concerns around austerity in Canada. This book traces how creativity is not simply practiced within the art school, but also inequitably recognized and rewarded. Liinamaa identifies the many compromises required between artistic creativity and the new spirit, while demonstrating how not all compromises are created equally; compromise can support or erode creative diversity. Drawing on a range of original sources – including interviews, participant observation, policy and planning, and media – this work makes a compelling case as to why art and design schools are worthy of sustained attention. By connecting shared interests across sociology, education, cultural studies, art history, and cultural theory, The New Spirit of Creativity makes a novel and agenda-setting contribution to our understanding of artistic creativity, compromise, and cultural work.

"The New Spirit of Creativity examines creativity as an embedded institutional value and priority within public art institutions and higher education. The book unpacks the everyday work, organization, and administration of artistic creativity and its clashes with a "new spirit" of creativity that has widely taken hold. Based on fieldwork conducted at three art and design universities in Canada, Saara Liinamaa tackles the fraught landscape of contemporary higher education, the uncertainties of cultural work, and ongoing concerns around austerity in Canada. This book traces how creativity is not simply practiced within the art school, but also inequitably recognized and rewarded. Liinamaa identifies the many compromises required between artistic creativity and the new spirit, while demonstrating how not all compromises are created equally; compromise can support or erode creative diversity. Drawing on a range of original sources--including interviews, participant observation, policy and planning, and media--this work makes a compelling case as to why art and design schools are worthy of sustained attention. By connecting shared interests across sociology, education, cultural studies, art history, and cultural theory, The New Spirit of Creativity makes a novel and agenda-setting contribution to our understanding of artistic creativity, compromise, and cultural work."-- Provided by publisher Contents Figures Acknowledgments Abbreviations Introduction: The New Spirit of Creativity SECTION I Creativity, Critique, and the Art School Chapter One. Our New Spirit and the Dilemmas of Artistic Critique Chapter Two. What Could Be More Creative Than an Art School? Canada’s Art and Design Universities SECTION II Everyday Work at Imagination University Meet the Faculty Chapter Three Welcome to the Department of Non-applied Creativity: Strategic Planning, Defining Value, and Talk of Research Chapter Four Audit Culture: The Ambiguities of Creative Excellence Chapter Five Performing at the “Shit Show”: The Conscripted Performers of Institutional Identity Chapter Six Navigating the Permanent–Temporary Divide: Insecurity, Flexibility, and Nostalgia Chapter Seven Rocks and Bubbles: Descriptions of Institutional Duress Conclusion The Terms of Compromise Methodological Appendix Notes References Index