The New Neapolitan Cinema (Traditions in World Cinema)

__Vito and the Others__ (1991), __Death of a Neapolitan Mathematician__ (1992) and __Libera__ (1993), the debuts of three young Neapolitan filmmakers, stood out dramatically from the landscape of Italian cinema in the early 1990s. On the back of their critical success, over the next decade and a half, Naples became a thriving centre for film production. In this first study in English of one of the most vital and stimulating currents in contemporary European Cinema, Alex Marlow-Mann provides a detailed, multi-faceted and provocative study of this distinct regional tradition. In tracing the movement's relationship with the popular musical melodramas previously produced in Naples, he reveals how contemporary Neapolitan filmmakers have interrogated, subverted and reconfigured cinematic convention as part of a through-going re-examination of Neapolitan identity. Key features include: * analyses of over 45 contemporary Italian films, including Paolo Sorrentino's __The Consequences of Love__, Mario Martone's __L'amore molesto__, Antonio Capuano's __Pianese Nunzio: 14 in May__ and Vincenzo Marra's __Sailing Home__ * a theoretical discussion of the concept of regional cinema * an examination of the movement in its broader context as both product and critique of Mayor Bassolino's 'Neapolitan Renaissance' * a study of one European film industry in terms of legislation, production, distribution and exhibition. Alex Marlow-Mann has taught Italian cinema at the universities of Reading, Cardiff and Leeds and has published numerous articles on the subject. He first became interested in Neapolitan cinema when living in the city. Vito and the Others (1991), Death of a Neapolitan Mathematician (1992) and Libera (1993), the debuts of three young Neapolitan filmmakers, stood out dramatically from the landscape of Italian cinema in the early 1990s. On the back of their critical success, over the next decade and a half, Naples became a thriving centre for film production.

In this first study in English of one of the most vital and stimulating currents in contemporary European Cinema, Alex Marlow-Mann provides a detailed, multi-faceted and provocative study of this distinct regional tradition. In tracing the movement's relationship with the popular musical melodramas previously produced in Naples, he reveals how contemporary Neapolitan filmmakers have interrogated, subverted and reconfigured cinematic convention as part of a through-going re-examination of Neapolitan identity.

Key features include:

* analyses of over 45 contemporary Italian films, including Paolo Sorrentino's The Consequences of Love, Mario Martone's L'amore molesto, Antonio Capuano's Pianese Nunzio: 14 in May and Vincenzo Marra's Sailing Home
* a theoretical discussion of the concept of regional cinema
* an examination of the movement in its broader context as both product and critique of Mayor Bassolino's 'Neapolitan Renaissance'
* a study of one European film industry in terms of legislation, production, distribution and exhibition. Vito and the Others (1991), Death of a Neapolitan Mathematician (1992) and Libera (1993), the debuts of three young Neapolitan filmmakers, stood out dramatically from the landscape of Italian cinema in the early 1990s. On the back of their critical success, over the next decade and a half, Naples became a thriving centre for film production.In this first study in English of one of the most vital and stimulating currents in contemporary European Cinema, Alex Marlow-Mann provides a detailed, multi-faceted and provocative study of this distinct regional tradition. In tracing the movement's relationship with the popular musical melodramas previously produced in Naples, he reveals how contemporary Neapolitan filmmakers have interrogated, subverted and reconfigured cinematic convention as part of a through-going re-examination of Neapolitan identity.Key features include: analyses of over 45 contemporary Italian films, including Paolo Sorrentino's The Consequences of Love, Mario Martone's L'amore molesto, Antonio Capuano's Pianese Nunzio: 14 in May and Vincenzo Marra's Sailing Home; a theoretical discussion of the concept of regional cinema; an examination of the movement in its broader context as both product and critique of Mayor Bassolino's'Neapolitan Renaissance'; and a study of one European film industry in terms of legislation, production, distribution and exhibition. In this first study in English, Alex Marlow-Mann provides a detailed, multi-faceted and provocative study of this distinct regional tradition. In tracing the movement's relationship with the popular musical melodramas previously produced in Naples, he reveals how contemporary filmmakers have interrogated, subverted and reconfigured cinematic convention as part of a comprehensive re-examination of Neapolitan identity. --Book Jacket Th̀is superbly researched volume provides a wealth of information on the recent renaissance of filmmaking in Naples, considered in its broader cultural context. Not only does the author build a persuasive analysis of this body of films, but he also offers crucial insights into the conditions of their production.' The New Neapolitan Cinema provides close analysis of the whole of this movement, which stands as one of the most vital and stimulating currents in contemporary European Cinema.