The Negro in Illinois: The WPA Papers (New Black Studies Series)

A major document of African American participation in the struggles of the Depression, The Negro in Illinois was produced by a special division of the Illinois Writers' Project, one of President Roosevelt's Works Progress Administration programs. The Federal Writers' Project helped to sustain "New Negro" artists during the 1930s and gave them a newfound social consciousness that is reflected in their writing. Headed by Harlem Renaissance poet Arna Bontemps and white proletarian writer Jack Conroy, The Negro in Illinois employed major black writers living in Chicago during the 1930s, including Richard Wright, Margaret Walker, Katherine Dunham, Fenton Johnson, Frank Yerby, and Richard Durham. The authors chronicled the African American experience in Illinois from the beginnings of slavery to Lincoln's emancipation and the Great Migration, with individual chapters discussing various aspects of public and domestic life, recreation, politics, religion, literature, and performing arts. After the project was canceled in 1942, most of the writings went unpublished for more than half a century—until now. Working closely with archivist Michael Flug to select and organize the book, editor Brian Dolinar compiled The Negro in Illinois from papers at the Vivian G. Harsh Collection of Afro-American History and Literature at the Carter G. Woodson Library in Chicago. Dolinar provides an informative introduction and epilogue which explain the origins of the project and place it in the context of the Black Chicago Renaissance. Making available an invaluable perspective on African American life, this volume represents a publication of immense historical and literary importance.| Cover Title Page Copyright Contents Acknowledgments Editor's Introduction Editor's Note 1. First, the French 2. Slavery 3. Abolition 4. The Underground Railroad 5. Lincoln and the Negro 6. John Brown's Friend 7. Leave a Summer Land Behind 8. Rising 9. Churches 10. Soldiers 11. Business 12. Work 13. Iola 14. The Migrants Keep Coming 15. The Exodus Train 16. Slave Market 17. Professions 18. Health 19. Houses 20. Social Life and Social Uplift 21. Recreation and Sports 22. Defender 23. Politics 24. What is Africa To Me? 25. And Churches 26. Literature 27. Music 28. The Theater 29. Rhythm Bibliography Editor's Afterword Editor's Notes Editor's Works Cited Index |"An exciting act of scholarly recovery. The Negro in Illinois papers, at long last available, are an invaluable guide to the role of American writers in crafting one of the first composite narratives of African American life. This dynamic volume shows us history from below in the making and being made."—Bill V. Mullen, coeditor of Afro Asia: Revolutionary Political and Cultural Connections between African Americans and Asian Americans "This landmark study provides a unique window onto the work of the Illinois unit of the Federal Writers' Project. A commendable work of historical recovery."—Richard Courage, coauthor of The Muse in Bronzeville: African American Creative Expression in Chicago, 1932-1950 "A significant accomplishment. Not only does it bring to light a range of wonderful material on a variety of topics (the Underground Railroad, work, churches, professions, social life, and social uplift, literature, music, the theater, etc.), but the wonderful introduction and Dolinar's fine editing skills also make the book a significant contribution to scholarship."— The Annals of Iowa | Brian Dolinar teaches in the department of African American studies at the University of Illinois at Urbana-Champaign and is the author of The Black Cultural Front: Black Writers and... A Major Document Of African American Participation In The Struggles Of The Depression, The Negro In Illinois Was Produced By A Special Division Of The Illinois Writers' Project, One Of President Roosevelt's Works Progress Administration Programs. The Federal Writers' Project Helped To Sustain New Negro Artists During The 1930s And Gave Them A Newfound Social Consciousness That Is Reflected In Their Writing. Headed By Harlem Renaissance Poet Arna Bontemps And White Proletarian Writer Jack Conroy, The Negro In Illinois Employed Major Black Writers Living In Chicago During The 1930s, Including Richard Wright, Margaret Walker, Katherine Dunham, Fenton Johnson, Frank Yerby, And Richard Durham. The Authors Chronicled The African American Experience In Illinois From The Beginnings Of Slavery To Lincoln's Emancipation And The Great Migration, With Individual Chapters Discussing Various Aspects Of Public And Domestic Life, Recreation, Politics, Religion, Literature, And Performing Arts. After The Project Was Canceled In 1942, Most Of The Writings Went Unpublished For More Than Half A Century--until Now. Working Closely With Archivist Michael Flug To Select And Organize The Book, Editor Brian Dolinar Compiled The Negro In Illinois From Papers At The Vivian G. Harsh Collection Of Afro-american History And Literature At The Carter G. Woodson Library In Chicago. Dolinar Provides An Informative Introduction And Epilogue Which Explain The Origins Of The Project And Place It In The Context Of The Black Chicago Renaissance. Making Available An Invaluable Perspective On African American Life, This Volume Represents A Publication Of Immense Historical And Literary Importance. First, The French -- Slavery -- Abolition -- The Underground Railroad -- Lincoln And The Negro -- John Brown's Friend -- Leave A Summer Land Behind -- Rising -- Churches -- Soldiers -- Business -- Work -- Iola -- The Migrants Keep Coming -- The Exodus Train -- Slave Market -- Professions -- Health -- Houses -- Social Life And Social Uplift -- Recreation And Sports -- Defender -- Politics -- What Is Africa To Me? -- And Churches -- Literature -- Music -- The Theatre -- Rhythm. Edited By Brian Dolinar. Includes Bibliographical References And Index. Cover......Page 1 Title Page......Page 4 Copyright......Page 5 Contents......Page 6 Acknowledgments......Page 8 Editor’s Introduction......Page 10 Editor’s Note......Page 46 1. First, the French......Page 50 2. Slavery......Page 55 3. Abolition......Page 63 4. The Underground Railroad......Page 71 5. Lincoln and the Negro......Page 83 6. John Brown’s Friend......Page 90 7. Leave a Summer Land Behind......Page 100 8. Rising......Page 110 9. Churches......Page 118 10. Soldiers......Page 127 11. Business......Page 147 12. Work......Page 153 13. Iola......Page 159 14. The Migrants Keep Coming......Page 168 15. The Exodus Train......Page 179 16. Slave Market......Page 193 17. Professions......Page 199 18. Health......Page 201 19. Houses......Page 205 20. Social Life and Social Uplift......Page 214 21. Recreation and Sports......Page 226 22. Defender......Page 232 23. Politics......Page 238 24. What is Africa To Me?......Page 243 25. And Churches......Page 258 26. Literature......Page 266 27. Music......Page 272 28. The Theater......Page 280 29. Rhythm......Page 289 Bibliography......Page 294 Editor’s Afterword......Page 302 Editor’s Notes......Page 306 Editor’s Works Cited......Page 324 Index......Page 336 A major document of African American participation in the struggles of the Great Depression, __The Negro in Illinois__ was produced by a special division of the Illinois Writers' Project, one of President Franklin D. Roosevelt's Works Progress Administration programs. Headed by Harlem Renaissance poet Arna Bontemps and white proletarian writer Jack Conroy, __The Negro in Illinois__ employed major black writers living in Chicago during the 1930s, including Richard Wright, Margaret Walker, Katherine Dunham, Fenton Johnson, Frank Yerby, and Richard Durham. The authors chronicled the Negroes' experience in Illinois from the beginnings of slavery to Abraham Lincoln's emancipation and the Great Migration, with individual chapters discussing various aspects of public and domestic life, recreation, politics, religion, literature, and performing arts. After the project was canceled in 1942, most of the writings went unpublished for more than half a century—until now. The editor of this book provides an informative introduction and epilogue which explain the origins of the project and place it in the context of the Black Chicago Renaissance. The Negro in Illinois was produced by a special division of the Illinois Writers' Project, one of President Roosevelt's Works Progress Administration programs. Headed by Harlem Renaissance poet Arna Bontemps and white proletarian writer Jack Conroy, The Negro in Illinois employed Richard Wright, Margaret Walker, Katherine Dunham, Fenton Johnson, Frank Yerby, Richard Durham, and other major black writers living in Chicago. The authors chronicled the African American experience in Illinois from the beginnings of slavery to the Great Migration. Individual chapters discuss various aspects of public and domestic life, recreation, politics, religion, literature, and performing arts. After the project's cancellation in 1942, most of the writings went unpublished for more than half a century--until now. Editor Brian Dolinar provides an informative introduction and epilogue which explain the origins of the project and place it in the context of the Black Chicago Renaissance.