The Naked Blogger of Cairo : Creative Insurgency in the Arab World

Across the Arab world, protesters voiced dissent through slogans, graffiti, puppetry, videos, and satire that called for the overthrow of dictatorial regimes. Investigating what drives people to risk everything to express themselves in rebellious art, Marwan M. Kraidy uncovers the creative insurgency at the heart of the Arab uprisings of 2010–2012. Uprisings Spread Like Wildfire Across The Arab World From 2010 To 2012, Fueled By A Desire For Popular Sovereignty. In Tunisia, Egypt, Syria, And Elsewhere, Protesters Flooded The Streets And The Media, Voicing Dissent Through Slogans, Graffiti, Puppetry, Videos, And Satire That Called For The Overthrow Of Dictators And The Regimes That Sustained Them. Investigating What Drives People To Risk Everything To Express Themselves In Rebellious Art, The Naked Blogger Of Cairo Uncovers The Creative Insurgency At The Heart Of The Arab Uprisings. While Commentators Have Stressed The Role Of Social Media, Marwan M. Kraidy Shows That The Essential Medium Of Political Expression Was Not Cell Phone Texts Or Twitter But Something More Fundamental: The Human Body. Brutal Governments That Coerced Citizens Through Torture And Rape Found Themselves Confronted With The Bodies Of Protesters, Burning With Defiance And Boldly Violating Taboos. Activists Challenged Authority In Brazen Acts Of Self-immolation, Nude Activism, And Hunger Strikes. The Bodies Of Dictators Became A Focus Of Ridicule. A Web Series Presented Syria's Bashar Al-assad As A Pathetic Finger Puppet, While Cartoons And Videos Spread A Meme Of Egypt's Hosni Mubarak As A Regurgitating Cow. The Rise Of Digital Culture Complicates Our Understanding Of The Human Body In Revolutionary Times. As Kraidy Argues, Technology Publicizes Defiance, But The Body Remains The Vital Nexus Of Physical Struggle And Digital Communication, Destabilizing Distinctions Between The Real World And Virtual Reality, Spurring Revolutionary Debates About The Role Of Art, And Anchoring Islamic State's Attempted Hijacking Of Creative Insurgency.--provided By Publisher. I. In The Name Of The People: The People Want -- The Dictator's Two Bodies -- Creative Insurgency -- Ii. Burning Man: Protest Suicide -- Viral Pain -- The Defender -- A Bad Rap -- Down And Out In Tunis -- Loaves Of Contention -- A Better Future -- Iii. Laughing Cow: Pharaoh's Health -- A Digital Body Politic -- Living Martyr -- Funny Men -- Laughing Cow -- The Poodle And The Bear -- The Lion And The Eagle -- The Dictator's Tear -- Iv. Puppets And Masters: An Eye For An Eye? -- The Upper Hand -- Sprayman -- Stencil Standstill -- Top Goon -- Giving Bashar The Finger -- In Sickness And In Health -- V. Virgins And Vixens: The Naked Blogger Of Cairo -- The Aesthetics Of Disrobement -- Dutiful Daughter -- Blue Bra Girl -- Vigilance And Virulence -- Sextremism And Islamophobia -- The Dilemma Of The Liberals -- Abstract Bodies? -- Vi. Requiem For A Revolution?: Concept Pop? -- The Creative-curatorial-corporate-complex -- The Daesh Stain -- Another Pharaoh? -- The Specter Of Death. Marwan M. Kraidy. Includes Bibliographical References And Index. In the name of the people. The people want ; The dictator's two bodies ; Creative insurgency -- Burning man. Protest suicide ; Viral pain ; The defender ; A bad rap ; Down and out in Tunis ; Loaves of contention ; A better future -- Laughing cow. Pharaoh's health ; A digital body politic ; Living martyr ; Funny men ; Laughing cow ; The poodle and the bear ; The lion and the eagle ; The dictator's tear -- Puppets and masters. An eye for an eye? ; The upper hand ; Sprayman ; Stencil standstill ; Top goon ; Giving Bashar the finger ; In sickness and in health -- Virgins and vixens. The naked blogger of Cairo ; The aesthetics of disrobement ; Dutiful daughter ; Blue bra girl ; Vigilance and virulence ; Sextremism and Islamophobia ; The dilemma of the liberals ; Abstract bodies? -- Requiem for a revolution? Concept pop? ; The creative-curatorial-corporate complex ; The Daesh stain ; Another pharaoh? ; The specter of death. "Uprisings spread like wildfire across the Arab world from 2010 to 2012, fueled by a desire for popular sovereignty. In Tunisia, Egypt, Syria, and elsewhere, protesters flooded the streets and the media, voicing dissent through slogans, graffiti, puppetry, videos, and satire that called for the overthrow of dictators and the regimes that sustained them. Investigating what drives people to risk everything to express themselves in rebellious art, "The Naked Blogger of Cairo" uncovers the creative insurgency at the heart of the Arab uprisings. While commentators have stressed the role of social media, Marwan M. Kraidy shows that the essential medium of political expression was not cell phone texts or Twitter but something more fundamental: the human body. Brutal governments that coerced citizens through torture and rape found themselves confronted with the bodies of protesters, burning with defiance and boldly violating taboos. Activists challenged authority in brazen acts of self-immolation, nude activism, and hunger strikes. The bodies of dictators became a focus of ridicule. A Web series presented Syria's Bashar al-Assad as a pathetic finger puppet, while cartoons and videos spread a meme of Egypt's Hosni Mubarak as a regurgitating cow. The rise of digital culture complicates our understanding of the human body in revolutionary times. As Kraidy argues, technology publicizes defiance, but the body remains the vital nexus of physical struggle and digital communication, destabilizing distinctions between "the real world" and virtual reality, spurring revolutionary debates about the role of art, and anchoring Islamic State's attempted hijacking of creative insurgency."--Provided by publisher A Times Higher Education Book of the YearUprisings spread like wildfire across the Arab world from 2010 to 2012, fueled by a desire for popular sovereignty. In Tunisia, Egypt, Syria, and elsewhere, protesters flooded the streets and the media, voicing dissent through slogans, graffiti, puppetry, videos, and satire that called for the overthrow of dictators and the regimes that sustained them. Investigating what drives people to risk everything to express themselves in rebellious art, The Naked Blogger of Cairo uncovers the creative insurgency at the heart of the Arab uprisings.“A deep dive into the cultural politics of the Arab uprisings...Kraidy's sharp insights and rich descriptions of a new Arab generation's irrepressible creative urges will amply reward the effort. Reading Kraidy's accounts of the politically charted cultural gambits of wired Arab youth rekindles some of the seemingly lost spirit of the early days of the Arab uprisings and offers hope for the future.”—Marc Lynch, Washington Post“The Naked Blogger of Cairo is a superb and important work not just for scholars but for anyone who cares about the relationships between art, the body, and revolution.”—Hans Rollman, PopMatters Contents List of Illustrations I. IN THE NAME OF THE PEOPLE The People Want The Dictator’s Two Bodies Creative Insurgency II. BURNING MAN Protest Suicide Viral Pain The Defender A Bad Rap Down and Out in Tunis Loaves of Contention A Better Future III. LAUGHING COW Pharaoh’s Health A Digital Body Politic Living Martyr Funny Men Laughing Cow The Poodle and the Bear The Lion and the Eagle The Dictator’s Tear IV. PUPPETS AND MASTERS An Eye for an Eye? The Upper Hand Sprayman Stencil Standstill Top Goon Giving Bashar the Finger In Sickness and in Health V. VIRGINS AND VIXENS The Naked Blogger of Cairo The Aesthetics of Disrobement Dutiful Daughter Blue Bra Girl Vigilance and Virulence Sextremism and Islamophobia The Dilemma of the Liberals Abstract Bodies? VI. REQUIEM FOR A REVOLUTION? Concept Pop? The Creative- Curatorial-Corporate Complex The Daesh Stain Another Pharaoh? The Specter of Death Notes Acknowledgments Index