معرفی کتاب «The murder of the century : the Gilded Age crime that scandalized a city and sparked the tabloid wars» نوشتهٔ Nack, Augusta; Collins, Paul، منتشرشده توسط نشر Crown Publishing Group در سال 2012. این کتاب در فرمت epub، زبان انگلیسی ارائه شده است.
On Long Island, a farmer finds a duck pond turned red with blood. On the Lower East Side, two boys playing at a pier discover a floating human torso wrapped tightly in oilcloth. Blueberry pickers near Harlem stumble upon neatly severed limbs in an overgrown ditch. Clues to a horrifying crime are turning up all over New York, but the police are stymied: There are no witnesses, no motives, no suspects. The grisly finds that began on the afternoon of June 26, 1897, plunged detectives headlong into the era's most baffling murder mystery. Seized upon by battling media moguls Joseph Pulitzer and William Randolph Hearst, the case became a publicity circus. Reenactments of the murder were staged in Times Square, armed reporters lurked in the streets of Hell's Kitchen in pursuit of suspects, and an unlikely trio -- a hard luck cop, a cub reporter, and an eccentric professor -- all raced to solve the crime. What emerged was a sensational love triangle and an even more sensational trial: an unprecedented capital case hinging on circumstantial evidence around a victim whom the police couldn't identify with certainty, and who the defense claimed wasn't even dead. This book is a rollicking tale -- a rich evocation of America during the Gilded Age and a colorful re creation of the tabloid wars that have dominated media to this day. - Jacket flap. Read more... Abstract: On Long Island, a farmer finds a duck pond turned red with blood. On the Lower East Side, two boys playing at a pier discover a floating human torso wrapped tightly in oilcloth. Blueberry pickers near Harlem stumble upon neatly severed limbs in an overgrown ditch. Clues to a horrifying crime are turning up all over New York, but the police are stymied: There are no witnesses, no motives, no suspects. The grisly finds that began on the afternoon of June 26, 1897, plunged detectives headlong into the era's most baffling murder mystery. Seized upon by battling media moguls Joseph Pulitzer and William Randolph Hearst, the case became a publicity circus. Reenactments of the murder were staged in Times Square, armed reporters lurked in the streets of Hell's Kitchen in pursuit of suspects, and an unlikely trio -- a hard luck cop, a cub reporter, and an eccentric professor -- all raced to solve the crime. What emerged was a sensational love triangle and an even more sensational trial: an unprecedented capital case hinging on circumstantial evidence around a victim whom the police couldn't identify with certainty, and who the defense claimed wasn't even dead. This book is a rollicking tale -- a rich evocation of America during the Gilded Age and a colorful re creation of the tabloid wars that have dominated media to this day. - Jacket flap
“No writer better articulates ourinterest in the confluence of hope, eccentricity, and the timelessness of the bold and strange than Paul Collins.”—DAVE EGGERS
On Long Island, a farmer finds a duck pond turned red with blood. On the Lower East Side, two boys playing at a pier discover a floating human torso wrapped tightly in oilcloth. Blueberry pickers near Harlem stumble upon neatly severed limbs in an overgrown ditch. Clues to a horrifying crime are turning up all over New York, but the police are baffled: There are no witnesses, no motives, no suspects.
The grisly finds that began on the afternoon of June 26, 1897, plunged detectives headlong into the era’s most baffling murder mystery. Seized upon by battling media moguls Joseph Pulitzer and William Randolph Hearst, the case became a publicity circus. Reenactments of the murder were staged in Times Square, armed reporters lurked in the streets of Hell’s Kitchen in pursuit of suspects, and an unlikely trio—a hard-luck cop, a cub reporter, and an eccentric professor—all raced to solve the crime.
What emerged was a sensational love triangle and an even more sensational trial: an unprecedented capital case hinging on circumstantial evidence around a victim whom the police couldn’t identify with certainty, and who the defense claimed wasn’t even dead. The Murder of the Century is a rollicking tale—a rich evocation of America during the Gilded Age and a colorful re-creation of the tabloid wars that have dominated media to this day.
On Long Island, a farmer finds a duck pond turned red with blood. On the Lower East Side, two boys playing at a pier discover a floating human torso wrapped tightly in oilcloth. Blueberry pickers near Harlem stumble upon neatly severed limbs in an overgrown ditch. Clues to a horrifying crime are turning up all over New York, but the police are baffled: There are no witnesses, no motives, no suspects. The grisly finds that began on the afternoon of June 26, 1897, plunged detectives headlong into the era's most baffling murder mystery. Seized upon by battling media moguls Joseph Pulitzer and William Randolph Hearst, the case became a publicity circus. Reenactments of the murder were staged in Times Square, armed reporters lurked in the streets of Hell's Kitchen in pursuit of suspects, and an unlikely trio a hard-luck cop, a cub reporter, and an eccentric professor all raced to solve the crime. What emerged was a sensational love triangle and an even more sensational trial: an unprecedented capital case hinging on circumstantial evidence around a victim whom the police couldn't identify with certainty, and who the defense claimed wasn't even dead. The Murder of the Century is a rollicking tale a rich evocation of America during the Gilded Age and a colorful re-creation of the tabloid wars that have dominated media to this day. The “enormously entertaining” ( The Wall Street Journal ) account of a shocking 1897 murder mystery that “artfully re-create[s] the era, the crime, and the newspaper wars it touched off” ( The New York Times ) AN EDGAR NOMINEE FOR BEST FACT CRIME • “Fascinating . . . won’t disappoint readers in search of a book like Erik Larson’s The Devil in the White City .”— The Washington Post On Long Island, a farmer finds a duck pond turned red with blood. On the Lower East Side, two boys discover a floating human torso wrapped tightly in oilcloth. Blueberry pickers near Harlem stumble upon neatly severed limbs in an overgrown ditch. The police are baffled: There are no witnesses, no motives, no suspects. The grisly finds that began on the afternoon of June 26, 1897, plunged detectives headlong into the era’s most perplexing murder mystery. Seized upon by battling media moguls Joseph Pulitzer and William Randolph Hearst, the case became a publicity circus, as their rival newspapers the World and the Journal raced to solve the crime. What emerged was a sensational love triangle and an even more sensational trial. The Murder of the Century is a rollicking tale—a rich evocation of America during the Gilded Age and a colorful re-creation of the tabloid wars that forever changed newspaper journalism. "On Long Island, a farmer finds a duck pond turned red with blood. On the Lower East Side, two boys discover a floating human torso wrapped tightly in oilcloth. Blueberry pickers near Harlem stumble upon neatly severed limbs in an overgrown ditch. The police are baffled: There are no witnesses, no motives, no suspects. The grisly finds that began on the afternoon of June 26, 1897, plunged detectives headlong into the era's most perplexing murder mystery. Seized upon by battling media moguls Joseph Pulitzer and William Randolph Hearst, the case became a publicity circus, as an unlikely trio -- a hard-luck cop, a cub reporter, and an eccentric professor -- all raced to solve the crime. What emerged was a sensational love triangle and an even more sensational trial. The murder of the century is a rollicking tale -- a rich evocation of America during the Gilded Age and a colorful re-creation of the tabloid wars that forever changed newspaper journalism"--Page 4 of cover Content: The Victim. -- The mystery of the river -- A detective reads the paper -- The jigsaw man -- The wrecking crew -- Jill the Ripper -- The Suspects. -- The baker in Hell's Kitchen -- The undertaker's neighbor -- The widow's friend -- The disappearing shoemaker -- The silent customer -- The Indictment. -- A case of life and death -- Heads or tails -- Queen of the tombs -- The high roller -- Klondike Willie -- The Trial. -- Corpus delicti -- Covered in blood -- Caught in the headlight -- Scythe and saw -- A wonderful murder -- The Verdict. -- Mrs. Nack's office -- The smoker to Sing Sing -- A job for Smith and Jones -- A story of life in New York -- Carry out your own dead -- The last man standing. A note on the text The Victim. The mystery of the river A detective reads the paper The jigsaw man The wrecking crew Jill the Ripper The Suspects. The baker in Hell's Kitchen The undertaker's neighbor The widow's friend The disappearing shoemaker The silent customer The Indictment. A case of life and death Heads or tails Queen of the tombs The high roller Klondike Willie The Trial. Corpus delicti Covered in blood Caught in the headlight Scythe and saw A wonderful murder The Verdict. Mrs. Nack's office The smoker to Sing Sing A job for Smith and Jones A story of life in New York Carry out your own dead Epilogue : The last man standing