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The Merchant of Venice: A Critical Reader (Arden Early Modern Drama Guides)

معرفی کتاب «The Merchant of Venice: A Critical Reader (Arden Early Modern Drama Guides)» نوشتهٔ Hatchuel, Sarah (editor);Vienne-Guerrin, Nathalie (editor)، منتشرشده توسط نشر The Arden Shakespeare در سال 2020. این کتاب در فرمت pdf، زبان انگلیسی ارائه شده است.

Shakespeare’s The Merchant of Venice has often been labelled a “problem play”, and throughout the ages it has been an object of both fascination and repulsion. Because it infamously dramatizes the figure of 'the Jew', the play has been especially hard to tackle since the Shoah. Without neglecting the socio-political and religious issues that are at the heart of the play, this collection of critical essays invites readers to rediscover the variety of approaches that this multifaceted work calls for, exploring its gender aspects, its rich mythological background, its legal matters and the ways in which it has been adapted to the screen. In the first part, chapters consider the play in relation to its sources, genre and religious, historical and socio-political context and its critical reception in different periods. Its rich performance history is surveyed, with particular attention given to 20th century stage and film productions in Europe, America and around the world, and readers are introduced to a panorama of recent critical research and approaches to the play. Moving through to four new critical essays, the guide opens up fresh perspectives on the complex intersections of gender, religion and race in the play from the perspective of Affect Theory; examines the mythological material in the work, focusing on the final scene; considers the place, power and credibility of rhetoric in the play, and offers in-depth treatment of screen versions and their portrayal of Shylock since Geraldo lo Savio's film of 1911, through to early 21st century films. The volume finishes with a helpful guide to critical and web-based resources and suggests strategies for exploring this unsettling play in the classroom. "Arden Early Modern Drama Guides offer students and academics practical and accessible introductions to the critical and performance contexts of key Elizabethan and Jacobean plays. Essays from leading international scholars give invaluable insight into the text by presenting a range of critical perspectives, making the books ideal companions for study and research. Key features include: - Essays on the play's critical and performance history - A keynote essay on current research and thinking about the play - A selection of new essays by leading scholars A survey of resources to direct students' further reading about the play in print and online Shakespeare's The Merchant of Venice has often been labelled a 'problem play', and throughout the ages it has been an object of both fascination and repulsion. Without neglecting the socio-political and religious issues that are at the heart of the play, this collection of critical essays invites readers to rediscover the variety of approaches that this multifaceted work calls for, exploring its gender aspects, its rich mythological background, its legal matters and the ways in which it has been adapted to the screen. Essays consider the play in relation to its sources, genre and religion, historical and socio-political context and its critical reception and performance history."-- Provided by publisher Cover Contents Series Introduction Acknowledgements Notes on Contributors Note on the Text Timeline Introduction: The ‘Inter’gatories’ of The Merchant of Venice Sarah Hatchuel and Nathalie Vienne-Guerrin 1 The Merchant of Venice: The Critical Backstory John Drakakis 2 The Merchant of Venice in Performance Jay L. Halio 3 The Merchant of Venice: State of the Art Shaul Bassi 4 New Directions: ‘Affections Dark as Erebus’ – Religion, Gender and the Passions in The Merchant of Venice Sabine Schülting 5 New Directions: ‘The Moon Shines Bright’: Re-viewing the Belmont Mythological Tapestry in Act 5 of The Merchant of Venice Janice Valls-Russell 6 New Directions: ‘That Ugly Treason of Mistrust’: Rhetoric of Credit and the Credit of Rhetoric in The Merchant of Venice Gary Watt 7 New Directions: The Merchant of Venice On Screen Douglas M. Lanier 8 The Merchant of Venice: Learning and Teaching Resources Lieke Stelling Notes Selected Bibliography Index
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