The Mastery of Submission: Inventions of Masochism (Cornell Studies in the History of Psychiatry)

Individuals sometimes derive sexual pleasure from submission to cruel discipline. While that predilection was noted as early as the sixteenth century, masochism was not codified as a concept until 1890. According to John K. Noyes, its invention reflected a crisis in the liberal understanding of subjectivity and sexuality which continues to inform discussions of masochism today. In essence, it remains a political concept.Viennese physician Richard von Krafft-Ebing coined the term masochism, based on the work of Leopold von Sacher-Masoch. Noyes analyzes the social and political problems that inspired the concept, suggesting, for example, that the triumphant expansion of European colonialism was in part animated by an ambivalence in masculine sexuality.Noyes documents the evolution of the concept of masochism with scenes in literature from John Cleland's Fanny Hill through Sacher-Masoch's Venus in Furs and Pauline Reage's Story of 0. Analysis of Freud's vastly influential rereading of masochism precedes an exploration of the work of his successors, including Wilhem Reich, Theodor Reik, Helene Deutsch, and Karen Horney. Noyes suggests that the thematics of feminine masochism emerged only gradually from an exclusively male concept.

Just over a hundred years ago, the Viennese physician Richard von Krafft-Ebing coined the term masochism, after Leopold von Sacher-Masoch, who depicted pleasurable submission to cruelty in his novels. Noyes analyzes the social and political problems that inspired the concept, suggesting, for example, that the triumphant expansion of European colonialism was animated in part by an ambivalence in masculine sexuality. In a society of accelerating technological change and rampant social violence, the individual was believed to be rational and self-determined. Male masochistic behavior defied such a system of belief, placing women in dominance and using disciplinary technologies as instruments of sexual pleasure. The evolution of the concepts is documented by masochistic scenes in literature from John Cleland's Fanny Hill through Sacher-Masoch's Venus in Furs and Pauline Reage's Story of O. Analysis of Freud's vastly influential rereading of masochism precedes an exploration of the work of his successors, including Wilhem Reich, Theodor Reik, Helene Deutsch, and Karen Horney. According to Noyes, the thematics of feminine masochism emerged only gradually from an exclusively male concept.

Library Journal

That individuals sometimes derive sexual pleasure from submission to cruel discipline is no longer a dark secret hidden in society's closet. As witnessed in many popular movies, sadomasochism has entered the mainstream. How it achieved this status and, more important, its origins are the focus of this scholarly work. Noyes (German and literary theory, Univ. of Cape Town, South Africa) claims that although literary references to the practice date back to the 16th century, it was largely an invention of the late 19th centuryan attempt to understand individuals for whom the economy of reward and punishment, on which society was thought to be based, broke down and failed. Noyes explores the work of Viennese physician Richard von Krafft-Ebing, who coined the term masochism, and he documents the evolution of the concept with scenes in literature from John Cleland's Fanny Hill to Pauline Reage's Story of O. This well-researched and penetrating study, geared to academics and the most informed lay readers, is recommended for academic libraries.David R. Johnson, Fayetteville P.L., Ark.

Individuals sometimes derive sexual pleasure from submission to cruel discipline. While that predilection was noted as early as the sixteenth century, masochism was not codified as a concept until 1890. According to John K. Noyes, its invention reflected a crisis in the liberal understanding of subjectivity and sexuality which continues to inform discussions of masochism today. In essence, it remains a political concept. Viennese physician Richard yon Krafft-Ebing coined the term masochism, based on the work of Leopold von Sacher-Masoch. Noyes analyzes the social and political problems that inspired the concept, suggesting, for example, that the triumphant expansion of European colonialism was in part animated by an ambivalence in masculine sexuality. Noyes documents the evolution of the concept of masochism with scenes in literature from John Cleland's Fanny Hill through Sacher-Masoch's Venus in Furs and Pauline Reage's Story of O. Analysis of Freud's vastly influential rereading of masochism precedes an exploration of the work of his successors, including Wilhem Reich, Theodor Reik, Helene Deutsch, and Karen Horney. Noyes suggests that the thematics of feminine masochism emerged only gradually from an exclusively male concept.