The Mastery of Submission : Inventions of Masochism

Individuals sometimes derive sexual pleasure from submission to cruel discipline. While that predilection was noted as early as the sixteenth century, masochism was not codified as a concept until 1890. According to John K. Noyes, its invention reflected a crisis in the liberal understanding of subjectivity and sexuality which continues to inform discussions of masochism today. In essence, it remains a political concept. Viennese physician Richard von Krafft-Ebing coined the term masochism, based on the work of Leopold von Sacher-Masoch. Noyes analyzes the social and political problems that inspired the concept, suggesting, for example, that the triumphant expansion of European colonialism was in part animated by an ambivalence in masculine sexuality. Noyes documents the evolution of the concept of masochism with scenes in literature from John Cleland's Fanny Hill through Sacher-Masoch's Venus in Furs and Pauline Reage's Story of 0 . Analysis of Freud's vastly influential rereading of masochism precedes an exploration of the work of his successors, including Wilhem Reich, Theodor Reik, Helene Deutsch, and Karen Horney. Noyes suggests that the thematics of feminine masochism emerged only gradually from an exclusively male concept.

Individuals sometimes derive sexual pleasure from submission to cruel discipline. While that predilection was noted as early as the sixteenth century, masochism was not codified as a concept until 1890. According to John K. Noyes, its invention reflected a crisis in the liberal understanding of subjectivity and sexuality which continues to inform discussions of masochism today. In essence, it remains a political concept.

Viennese physician Richard von Krafft-Ebing coined the term masochism, based on the work of Leopold von Sacher-Masoch. Noyes analyzes the social and political problems that inspired the concept, suggesting, for example, that the triumphant expansion of European colonialism was in part animated by an ambivalence in masculine sexuality.

Noyes documents the evolution of the concept of masochism with scenes in literature from John Cleland's Fanny Hill through Sacher-Masoch's Venus in Furs and Pauline Reage's Story of 0. Analysis of Freud's vastly influential rereading of masochism precedes an exploration of the work of his successors, including Wilhem Reich, Theodor Reik, Helene Deutsch, and Karen Horney. Noyes suggests that the thematics of feminine masochism emerged only gradually from an exclusively male concept.

Frontmatter Illustrations (page vi) Acknowledgments (page vii) Introduction: Inventions of Masochism (page 1) 1 Beaten Women, Biology, and Technologies of Control: The Politics of Masochism (page 15) 2 Reason, Passion, and Nineteenth-Century Liberalism: Krafft-Ebing and Sacher-Masoch (page 50) 3 Technologies of Punishment, Penance, and Pleasure: The Invention of Universal Masochism (page 80) 4 Imperialist Man, Civilizing Woman, and the European Male Masochist (page 105) 5 Narratives of Mastery, Fantasies of Failure: Freud on Masochism (page 140) 6 Beyond the Death Instinct: History, Control, and the Gendering of Masochism (page 164) 7 Disappearing and Reappearing Subjects: Masochism, Modernity, Postmodernity (page 198) Notes (page 223) Bibliography (page 243) Index (page 255) Just over a hundred years ago, the Viennese physician Richard von Krafft-Ebing coined the term "masochism," after Leopold von Sacher-Masoch, who depicted pleasurable submission to cruelty in his novels. Noyes analyzes the social and political problems that inspired the concept, suggesting, for example, that the triumphant expansion of European colonialism was animated in part by an ambivalence in masculine sexuality. In a society of accelerating technological change and rampant social violence, the individual was believed to be rational and self-determined. Male masochistic behavior defied such a system of belief, placing women in dominance and using disciplinary technologies as instruments of sexual pleasure The evolution of the concepts is documented by masochistic scenes in literature from John Cleland's Fanny Hill through Sacher-Masoch's Venus in Furs and Pauline Reage's Story of O. Analysis of Freud's vastly influential rereading of masochism precedes an exploration of the work of his successors, including Wilhem Reich, Theodor Reik, Helene Deutsch, and Karen Horney. According to Noyes, the thematics of feminine masochism emerged only gradually from an exclusively male concept