The Making of Barbarians: Chinese Literature and Multilingual Asia (Translation/Transnation Book 49)

A groundbreaking account of translation and identity in the Chinese literary tradition before 1850―with important ramifications for today Debates on the canon, multiculturalism, and world literature often take Eurocentrism as the target of their critique. But literature is a universe with many centers, and one of them is China. The Making of Barbarians offers an account of world literature in which China, as center, produces its own margins. Here Sinologist and comparatist Haun Saussy investigates the meanings of literary translation, adaptation, and appropriation on the boundaries of China long before it came into sustained contact with the West. When scholars talk about comparative literature in Asia, they tend to focus on translation between European languages and Chinese, Korean, and Japanese, as practiced since about 1900. In contrast, Saussy focuses on the period before 1850, when the translation of foreign works into Chinese was rare because Chinese literary tradition overshadowed those around it. The Making of Barbarians looks closely at literary works that were translated into Chinese from foreign languages or resulted from contact with alien peoples. The book explores why translation was such an undervalued practice in premodern China, and how this vast and prestigious culture dealt with those outside it before a new group of foreigners―Europeans―appeared on the horizon. "This book investigates the meanings of literary translation, adaptation, appropriation, and comparison on the boundaries of China long before sustained contact with the West. When scholars today talk about translation and comparative literature in Asia they tend to focus on translation between European languages and Chinese, Korean, and Japanese, as practiced since about 1900: works translated from European languages into Asian languages and works translated from Asian languages into European ones. Before about 1850, however, the translation of foreign works into Chinese was rare: Chinese literary tradition dwarfed those around it, and those traditions in many cases derived from Chinese. Translation often involved multiple "relays," a term for a translation in which the translator works not from the original but from another translation. Through an account of selected literary works that were translated from foreign originals into Chinese-among them Sanskrit Buddhist texts, poetry in the Yue and Bailang languages, and Mongol nomad epics-and the alterations that resulted, Saussy explores why translation was such a rare and underestimated practice premodern China, and how this vast and prestigious culture dealt with those outside it before the Chinese began to adopt Western standards of thinking, behavior, and expression"-- Provided by publisher Debates on the canon, multiculturalism, and world literature often take Eurocentrism as the target of their critique. But literature is a universe with many centers, and one of them is China. The Making of Barbarians offers an account of world literature in which China, as center, produces its own margins. Here Sinologist and comparatist Haun Saussy investigates the meanings of literary translation, adaptation, and appropriation on the boundaries of China long before it came into sustained contact with the West.0When scholars talk about comparative literature in Asia, they tend to focus on translation between European languages and Chinese, Korean, and Japanese, as practiced since about 1900. In contrast, Saussy focuses on the period before 1850, when the translation of foreign works into Chinese was rare because Chinese literary tradition overshadowed those around it.0The Making of Barbarians looks closely at literary works that were translated into Chinese from foreign languages or resulted from contact with alien peoples. The book explores why translation was such an undervalued practice in premodern China, and how this vast and prestigious culture dealt with those outside it before a new group of foreigners-Europeans-appeared on the horizon Debates on the canon, multiculturalism, and world literature often take Eurocentrism as the target of their critique. But literature is a universe with many centers, and one of them is China. The book offers an account of world literature in which China, as center, produces its own margins. The book investigates the meanings of literary translation, adaptation, and appropriation on the boundaries of China long before it came into sustained contact with the West. When scholars talk about comparative literature in Asia, they tend to focus on translation between European languages and Chinese, Korean, and Japanese, as practiced since about 1900. In contrast, the book focuses on the period before 1850, when the translation of foreign works into Chinese was rare because Chinese literary tradition overshadowed those around it. The book looks closely at literary works that were translated into Chinese from foreign languages or resulted from contact with alien peoples. It explores why translation was such an undervalued practice in premodern China, and how this vast and prestigious culture dealt with those outside it before a new group of foreigners—Europeans—appeared on the horizon.