The Lovelorn Ghost and the Magical Monk : Practicing Buddhism in Modern Thailand

Focusing on representations of a famous ghost and monk from the late eighteenth century to today, Justin Thomas McDaniel builds a case for interpreting modern Thai Buddhist practice through the movements of these transformative figures. He follows embodiments of the ghost and monk in a variety of genres and media, including biography, drama, ritual, art, liturgy, film, television, and the Internet. Sourcing nuns, monks, laypeople, and royalty, McDaniel shows how relations with these figures have been instrumental in crafting histories and modernities, particularly local conceptions of being "Buddhist," and the formation and transmission of such identities across different venues and technologies. Stories centering on the lovelorn ghost (Mae Nak) and the magical monk (Somdet To) are central to Thai Buddhism. Historically important and emotionally resonant, these characters appeal to every class of follower. Metaphorically and rhetorically powerful, they invite constant reimagining across time. Focusing on representations of the ghost and monk from the late eighteenth century to the present, Justin Thomas McDaniel builds a case for interpreting modern Thai Buddhist practice through the movements of these transformative figures. He follows embodiments of the ghost and monk in a variety of genres and media, including biography, film, television, drama, ritual, art, liturgy, and the Internet. Sourcing nuns, monks, laypeople, and royalty, he shows how relations with these figures have been instrumental in crafting histories and modernities. McDaniel is especially interested in local conceptions of being "Buddhist" and the formation and transmission of such identities across different venues and technologies. Establishing an individual's "religious repertoire" as a valid category of study, McDaniel explores the performance of Buddhist thought and ritual through practices of magic, prognostication, image production, sacred protection, and deity and ghost worship, and clarifies the meaning of multiple cultural configurations. Listening to popular Thai Buddhist ghost stories, visiting crowded shrines and temples, he finds concepts of attachment, love, wealth, beauty, entertainment, graciousness, security, and nationalism all spring from engagement with the ghost and the monk and are as vital to the making of Thai Buddhism as venerating the Buddha himself.

Stories centering on the lovelorn ghost (Mae Nak) and the magical monk (Somdet To) are central to Thai Buddhism. Historically important and emotionally resonant, these characters appeal to every class of follower. Metaphorically and rhetorically powerful, they invite constant reimagining across time.

Focusing on representations of the ghost and monk from the late eighteenth century to the present, Justin Thomas McDaniel builds a case for interpreting modern Thai Buddhist practice through the movements of these transformative figures. He follows embodiments of the ghost and monk in a variety of genres and media, including biography, film, television, drama, ritual, art, liturgy, and the Internet. Sourcing nuns, monks, laypeople, and royalty, he shows how relations with these figures have been instrumental in crafting histories and modernities. McDaniel is especially interested in local conceptions of being Buddhist and the formation and transmission of such identities across different venues and technologies.

Establishing an individual's religious repertoire as a valid category of study, McDaniel explores the performance of Buddhist thought and ritual through practices of magic, prognostication, image production, sacred protection, and deity and ghost worship, and clarifies the meaning of multiple cultural configurations. Listening to popular Thai Buddhist ghost stories, visiting crowded shrines and temples, he finds concepts of attachment, love, wealth, beauty, entertainment, graciousness, security, and nationalism all spring from engagement with the ghost and the monk and are as vital to the making of Thai Buddhism as venerating the Buddha himself.

Columbia University Press

Contents Acknowledgments Note on Transcription Introduction 1. Monks and Kings Ambiguity as Biography The Why of Somdet To Conclusion 2. Texts and Magic The Jinapañjara gāthā : The Most Powerful Text in Thailand History of the Jinapañjara gāthā in and Outside of Thailand Recentering Theravada Buddhism Hidden Pools and Holy Water Machines Chanting Clubs and Horror Films The Theravada Tantra or the Esoteric Mainstream Speaking Magically Conclusion 3. Rituals and Liturgies Rituals, Temple Festivals, Decomposing Corpses, and the Nationalizing of Diversity Liturgies and Cacophonies Expanding the Thai Buddhist Repertoire Conclusion 4. Art and Objects Misplaced Piety: Images at Wat Mahabut, Wat Srapathum, and Beyond Beyond Commercialism: Thinking About Amulets Historically and Materially Ultraman and the Siam Commercial Bank: Murals and Agency in Modern Thailand Conclusion Conclusion On Repertoires and Syncretism Notes Bibliography Index "Focusing on representations of the ghost and monk from the late eighteenth century to the present, Justin Thomas McDaniel builds a case for interpreting modern Thai Buddhist practice through the movements of these transformative figures ... Listening to popular Thai Buddhist ghost stories, visiting crowded shrines and temples, he finds concepts of attachment, love, wealth, beauty, entertainment, graciousness, security, and nationalism all spring from engagement with the ghost and the monk and are as vital to the making of Thai Buddhism as venerating the Buddha himself."--Jacket