The love aesthetics of Maurice Scève : poetry and struggle

This book reassesses the love poetry of Maurice Sc`eve from a phenomenological viewpoint. It calls into question the traditional critical view of Sc`eve as a poet consumed by the anguish and darkness of unrequited love, and frustrated by poetic and erotic quests that lead him nowhere. Professor Nash argues instead that the conflicting forces in Sc`eve's poetic expression of love (light and dark, night and day, heaven and hell) lead ultimately to a sense of equilibrium and a transcendent paradisal state, and that the poet's struggle is actually directed toward this coming to terms with the meaning of ineffable love. Contemplation and portrayal of the ineffable are shown to constitute the central and unifying concern of this compelling body of Renaissance love poetry. This book reassesses the love poetry of Maurice Scève from a phenomenological viewpoint. It calls into question the traditional critical view of Scève as a poet consumed by the anguish and darkness of unrequited love, and frustrated by poetic and erotic quests which lead him nowhere. Professor Nash argues instead that the conflicting forces in Scève's poetic expression of love (light and dark, night and day, heaven and hell) lead ultimately to a sense of equilibrium and a transcendent paradisal state, and that the poet's struggle is actually directed towards this coming to terms with the meaning of ineffable love. Contemplation and portrayal of the ineffable are shown to constitute the central and unifying concern of this compelling body of Renaissance love poetry Ever since the publication of the Delie in 1544, Maurice Sceve has been considered by many readers and critics to be the most difficult, anguished, and perplexing love poet of the French Renaissance. Jerry C. Nash. Includes Bibliographical References (p. 191-201) And Index.