The Little Tragedies (Russian Literature and Thought Series)

In a major burst of creativity, Russian poet Alexander Pushkin during just three months in 1830 completed __Eugene Onegin,__ composed more than thirty lyric poems, wrote several short stories and folk tales, and penned the four short dramas in verse that comprise the “little tragedies.” The “little tragedies” stand among the great masterpieces of Russian literature, yet they were last translated into English a quarter-century ago and have in recent years been out of print entirely. In this outstanding new translation, Nancy K. Anderson preserves the cadence and intensity of Pushkin’s work while aligning it with today’s poetic practices and freer approach to metrics. In addition she provides critical essays examining each play in depth, a discussion of her approach to translating the plays, and a consideration of the genre of these dramatic pieces and their performability. The four “little tragedies”—__Mozart and Salieri,__ __The Miserly Knight,__ __The Stone Guest,__ and __A Feast During the Plague—__are extremely compressed dialogues, each dealing with a dominant protagonist whose central internal conflict determines both the plot and structure of the play. Pushkin focuses on human passions and the interplay between free will and fate: though each protagonist could avoid self-ruin, instead he freely chooses it.

In a major burst of creativity, Russian poet Alexander Pushkin during just three months in 1830 completed Eugene Onegin, composed more than thirty lyric poems, wrote several short stories and folk tales, and penned the four short dramas in verse that comprise the "little tragedies." The "little tragedies" stand among the great masterpieces of Russian literature, yet they were last translated into English a quarter-century ago and have in recent years been out of print entirely. In this outstanding new translation, Nancy K. Anderson preserves the cadence and intensity of Pushkin’s work while aligning it with today’s poetic practices and freer approach to metrics. In addition she provides critical essays examining each play in depth, a discussion of her approach to translating the plays, and a consideration of the genre of these dramatic pieces and their performability.

The four "little tragedies" - Mozart and Salieri, The Miserly Knight, The Stone Guest, and A Feast During the Plague - are extremely compressed dialogues, each dealing with a dominant protagonist whose central internal conflict determines both the plot and structure of the play. Pushkin focuses on human passions and the interplay between free will and fate: though each protagonist could avoid self-ruin, instead he freely chooses it.

Annotation In a major burst of creativity, Russian poet Alexander Pushkin during just three months in 1830 completed Eugene Onegin, composed more than thirty lyric poems, wrote several short stories and folk tales, and penned the four short dramas in verse that comprise the "little tragedies". The "little tragedies" stand among the great masterpieces of Russian literature, yet they were last translated into English a quarter-century ago and have in recent years been out of print entirely. In this outstanding new translation, Nancy K. Anderson preserves the cadence and intensity of Pushkin's work while aligning it with today's poetic practices and freer approach to metrics. In addition she provides critical essays examining each play in depth, a discussion of her approach to translating the plays, and a consideration of the genre of these dramatic pieces and their performability. The four "little tragedies"--Mozart and Salieri, The Miserly Knight, The Stone Guest, and A Feast During the Plague -- are extremely compressed dialogues, each dealing with a dominant protagonist whose central internal conflict determines both the plot and structure of the play. Pushkin focuses on human passions and the interplay between free will and fate: though each protagonist could avoid self-ruin, instead he freely chooses it In a major burst of creativity, Russian poet Alexander Pushkin during just three months in 1830 completed Eugene Onegin, composed more than thirty lyric poems, wrote several short stories and folk tales, and penned the four short dramas in verse that comprise the “little tragedies.” The “little tragedies” stand among the great masterpieces of Russian literature, yet they were last translated into English a quarter-century ago and have in recent years been out of print entirely. In this outstanding new translation, Nancy K. Anderson preserves the cadence and intensity of Pushkin’s work while aligning it with today’s poetic practices and freer approach to metrics. In addition she provides critical essays examining each play in depth, a discussion of her approach to translating the plays, and a consideration of the genre of these dramatic pieces and their performability. The four “little tragedies”— Mozart and Salieri, The Miserly Knight, The Stone Guest, and A Feast During the Plague— are extremely compressed dialogues, each dealing with a dominant protagonist whose central internal conflict determines both the plot and structure of the play. Pushkin focuses on human passions and the interplay between free will and fate: though each protagonist could avoid self-ruin, instead he freely chooses it. Contents 5 Acknowledgments 7 Introduction 9 The Little Tragedies in English: An Approach 18 The Little Tragedies 45 The Miserly Knight 45 Mozart and Salieri 63 The Stone Guest 74 A Feast During the Plague 103 Critical Essays 115 The Seduction of Power: The Miserly Knight 115 Betrayal of a Calling: Mozart and Salieri 139 The Weight of the Past: The Stone Guest 164 Survival and Memory: A Feast During the Plague 190 Commentary 206 Notes 221 Select Bibliography 229 Index 233