The Literature of Leisure and Chinese Modernity

The Chinese essay is arguably China’s most distinctive contribution to modern world literature, and the period of its greatest influence and popularity—the mid-1930s—is the central concern of this book. What Charles Laughlin terms "the literature of leisure" is a modern literary response to the cultural past that manifests itself most conspicuously in the form of short, informal essay writing __(xiaopin wen)__. Laughlin examines the essay both as a widely practiced and influential genre of literary expression and as an important counter-discourse to the revolutionary tradition of New Literature (especially realistic fiction), often viewed as the dominant mode of literature at the time. After articulating the relationship between the premodern traditions of leisure literature and the modern essay, Laughlin treats the various essay styles representing different groups of writers. Each is characterized according to a single defining activity: "wandering" in the case of the Yu si (Threads of Conversation) group surrounding Lu Xun and Zhou Zuoren; "learning" with the White Horse Lake group of Zhejiang schoolteachers like Feng Zikai and Xia Mianzun; "enjoying" in the case of Lin Yutang’s Analects group; "dreaming" with the Beijing school. The concluding chapter outlines the impact of leisure literature on Chinese culture up to the present day. __The Literature of Leisure and Chinese Modernity__ dramatizes the vast importance and unique nature of creative nonfiction prose writing in modern China. It will be eagerly read by those with an interest in twentieth-century Chinese literature, modern China, and East Asian or world literatures.

Succeeding waves of migration, from China to Thailand and from Thailand to the United States, have helped shape the identities of three generations of diasporic Chinese Thai. In this exciting new study, Jiemin Bao focuses on how cultural identities - as seen through the lens of marriage - play a central role in the formation of cultural citizenship. By challenging models of cultural identity that separate gender, sexuality, and class into discrete domains of analysis, Bao examines the competing roles of sex/gender, class, and race/ethnicity in shaping the ongoing construction of Chinese Thai identities in contemporary Bangkok and the San Francisco Bay area.

Marriage has long been treated as a mechanism of assimilation in the anthropological literature on diasporic Chinese: the Chinese "minority" is absorbed into the dominant "majority" through intermarriage. Bao approaches marriage differently, viewing it not only as an institution that fosters and reproduces fundamental ideas of masculinity and femininity, but also as a site where the various categories of ethnicity, class, gender, and sexuality--the stuff of identity--intersect. Through a fine-grained analysis of the lives of men and women and the language that three generations use to talk about their experiences in different locales, Bao powerfully demonstrates how masculine and feminine identities are both classed and ethnicized in Thailand and the United States. Nuanced and provocative, Marital Acts shows how diasporic Chinese are both self making and being made, not once, but twice - first in the society in which they are born and second in the society to which they migrate.

"The Chinese essay is arguably China's most distinctive contribution to modern world literature, and the period of its greatest influence and popularity - the mid-1930s - is the central concern of this book. What Charles Laughlin terms "the literature of leisure" is a modern literary response to the cultural past that manifests itself most conspicuously in the form of short, informal essay writing (xiaopin wen). Laughlin examines the essay both as a widely practiced and influential genre of literary expression and as an important counter- discourse to the revolutionary tradition of New Literature (especially realistic fiction), often viewed as the dominant mode of literature at the time." "After articulating the relationship between the premodern traditions of leisure literature and the modern essay, Laughlin treats the various essay styles representing different groups of writers. Each is characterized according to a single defining activity: "wandering" in the case of the Yu si (Threads of conversation) group surrounding Lu Xun and Zhou Zuoren; "learning" with the White Horse Lake group of Zhejiang schoolteachers like Feng Zikai and Xia Mianzun; "enjoying" in the case of Lin Yutang's Analects group; "dreaming" with the Beijing school. The concluding chapter outlines the impact of leisure literature on Chinese culture up to the present day."--Jacket Contents Acknowledgments Introduction: Writing as a Way of Life CHAPTER 1 .The Legacy of Leisure and Modern Chinese Culture CHAPTER 2. Wandering The Threads of Conversation Group CHAPTER 3. Learning The White Horse Lake Group CHAPTER 4. Enjoying Essays of the Analects Group CHAPTER 5 . Dreaming From the Crescent Moon Group to the Beijing School Conclusion The Legacy of Leisure and Contemporary Chinese Culture Notes Chinese Character Glossary Bibliography Index About the Author