The Knight, the Cross, and the Song: Crusade Propaganda and Chivalric Literature, 1100-1400 (The Middle Ages Series)

__The Knight, the Cross, and the Song__offers a new perspective on the driving forces of crusading in the period 1100-1400. Although religious devotion has long been identified as the primary motivation of those who took the cross, Stefan Vander Elst argues that it was by no means the only focus of the texts written to convince the warriors of Western Christianity to participate in the holy war. Vander Elst examines how, across three centuries, historiographical works that served as exhortations for the Crusade sought specifically to appeal to aristocratic interests__beyond__piety. They did so by appropriating the formal and thematic characteristics of literary genres favored by the knightly class, the__chansons de geste__and chivalric romance. By using the structure, commonplaces, and traditions of chivalric literature, propagandists associated the Crusade with the decidedly secular matters to which arms-bearers were drawn. This allowed them to introduce the mutual obligation between lord and vassal, family honor, the thirst for adventure, and even the desire for women as parallel and complementary motivations for Crusade, making chivalric and literary concerns an indelible part of the ideology and practice of holy war.Examining English, Latin, French, and German texts, ranging from the twelfth-century__Gesta Francorum__and__Chanson d'Antioche__to the fourteenth-century__Kr�nike von Pr�zinlant__and__La Prise d'Alixandre__,__The Knight, the Cross, and the Song__traces the historical development and geographical spread of this innovative use of secular chivalric fiction both to shape the memory and interpretation of past events and to ensure the continuation of the holy war. This Volume Offers A New Perspective On The Driving Forces Of Crusading In The Period 1100-1400. Although Religious Devotion Has Long Been Identified As The Primary Motivation Of Those Who Took The Cross, Stefan Vander Elst Argues That It Was By No Means The Only Focus Of The Texts Written To Convince The Warriors Of Western Christianity To Participate In The Holy War. Vander Elst Examines How, Across Three Centuries, Historiographical Works That Served As Exhortations For The Crusade Sought Specifically To Appeal To Aristocratic Interests Beyond Piety. They Did So By Appropriating The Formal And Thematic Characteristics Of Literary Genres Favored By The Knightly Class, The Chansons De Geste And Chivalric Romance. By Using The Structure, Commonplaces, And Traditions Of Chivalric Literature, Propagandists Associated The Crusade With The Decidedly Secular Matters To Which Arms-bearers Were Drawn. This Allowed Them To Introduce The Mutual Obligation Between Lord And Vassal, Family Honor, The Thirst For Adventure, And Even The Desire For Women As Parallel And Complementary Motivations For Crusade, Making Chivalric And Literary Concerns An Indelible Part Of The Ideology And Practice Of Holy War. Machine Generated Contents Note: Pt. I The Chanson De Geste In Crusade Propaganda -- 1. Pilgrims And Settlers -- 2. The Gesta Francorum -- 3. Robert Of Reims's Historia Iherosolimitana -- 4. The Old French Crusade Cycle: Crusade As A War Of Families -- Pt. Ii Chivalric Romance In Crusade Propaganda -- 5. The Challenge Of Romance And The Thirteenth Century -- 6. Nicolaus Of Jeroschin And The Fourteenth-century Crusade -- 7. Adventure And The East In The Second Old French Crusade Cycle -- 8. The Ideal Crusader In La Prise D'alixandre. Stefan Vander Elst. Includes Bibliographical References And Index.

The Knight, the Cross, and the Song offers a new perspective on the driving forces of crusading in the period 1100-1400. Although religious devotion has long been identified as the primary motivation of those who took the cross, Stefan Vander Elst argues that it was by no means the only focus of the texts written to convince the warriors of Western Christianity to participate in the holy war. Vander Elst examines how, across three centuries, historiographical works that served as exhortations for the Crusade sought specifically to appeal to aristocratic interests beyond piety. They did so by appropriating the formal and thematic characteristics of literary genres favored by the knightly class, the chansons de geste and chivalric romance. By using the structure, commonplaces, and traditions of chivalric literature, propagandists associated the Crusade with the decidedly secular matters to which arms-bearers were drawn. This allowed them to introduce the mutual obligation between lord and vassal, family honor, the thirst for adventure, and even the desire for women as parallel and complementary motivations for Crusade, making chivalric and literary concerns an indelible part of the ideology and practice of holy war.

Examining English, Latin, French, and German texts, ranging from the twelfth-century Gesta Francorum and Chanson d'Antioche to the fourteenth-century Krônike von Prûzinlant and La Prise d'Alixandre, The Knight, the Cross, and the Song traces the historical development and geographical spread of this innovative use of secular chivalric fiction both to shape the memory and interpretation of past events and to ensure the continuation of the holy war.

The Knight, the Cross, and the Song offers a new perspective on the driving forces of crusading in the period 1100-1400. Although religious devotion has long been identified as the primary motivation of those who took the cross, Stefan Vander Elst argues that it was by no means the only focus of the texts written to convince the warriors of Western Christianity to participate in the holy war. Vander Elst examines how, across three centuries, historiographical works that served as exhortations for the Crusade sought specifically to appeal to aristocratic interests beyond piety. They did so by appropriating the formal and thematic characteristics of literary genres favored by the knightly class, the chansons de geste and chivalric romance. By using the structure, commonplaces, and traditions of chivalric literature, propagandists associated the Crusade with the decidedly secular matters to which arms-bearers were drawn. This allowed them to introduce the mutual obligation between lord and vassal, family honor, the thirst for adventure, and even the desire for women as parallel and complementary motivations for Crusade, making chivalric and literary concerns an indelible part of the ideology and practice of holy war. Examining English, Latin, French, and German texts, ranging from the twelfth-century Gesta Francorum and Chanson d'Antioche to the fourteenth-century Krônike von Prûzinlant and La Prise d'Alixandre , The Knight, the Cross, and the Song traces the historical development and geographical spread of this innovative use of secular chivalric fiction both to shape the memory and interpretation of past events and to ensure the continuation of the holy war. Examining English, Latin, French, and German texts, The Knight, the Cross, and the Song traces the role of secular chivalric literature in shaping Crusade propaganda across three centuries.