The Improbability of Love : SHORTLISTED FOR THE BAILEYS WOMEN'S PRIZE FOR FICTION 2016

A dazzling, witty and tenderly savage satire of London life and the art world that is also a surprising and wonderful love story. "[A] satire worthy of the pen of Evelyn Waugh. A real crowd pleaser" (Vanessa Berridge, Daily Express UK)."Though this novel goes into the darkest of dark places, the overall tone is totally delicious; conspicuous consumption on this scale hasn't been seen since the Eighties." - The Times (UK)Annie McMorrow, 31 and not recovered from the end of her long-term relationship, is an assistant to film producer Carlo Spinetti and then to his chilling wife Rebecca Winkleman Spinetti whose father started Winkleman Fine Art in Curzon St. Annie has spent her meagre savings on a dusty painting from a junk shop to give to her new, unsuitable, boyfriend who never shows up for his birthday dinner. The painting now hers, talks, but only to us. Shrewd, spoiled, charming, world-weary and cynical, he comments perceptively on Annie, and the modern world and tells tales about his previous owners: Louis XV, Voltaire, and Catherine the Great among others. "The book may on occasion be silly and over-the-top, even for a satire. But Ms Rothschild writes with such exuberance and spins such a propulsive yarn that you happily accept these excesses as part of the package, the same way you happily accept the frippery of Elton John." - Jennifer Senior, The New York TimesThe story unfolds through this voice and many others - unexpected, entertaining, and strangely authentic. With The Improbability Of Love, Hannah Rothschild has spun a dazzling tale - both irreverent and entertaining - of a many-layered, devious world where, in the end, love triumphs. Annie McDee, alone after the disintegration of her long-term relationship and trapped in a dead-end job, is searching for a present for her unsuitable lover in a neglected second-hand shop. Within the jumble of junk and tack, a grimy painting catches her eye. Leaving the store with the picture after spending her meager savings, she prepares an elaborate dinner for two, only to be stood up, the gift gathering dust on her mantelpiece. But every painting has a story - and if it could speak, what would it tell us? For Annie has stumbled across 'The Improbability of Love', a lost masterpiece by Antoine Watteau, one of the most influential French painters of the eighteenth century. Soon Annie is drawn unwillingly into the art world, and finds herself pursued by a host of interested parties that would do anything to possess her picture. For an exiled Russian oligarch, an avaricious Sheika, a desperate auctioneer, an unscrupulous dealer and several others, the painting symbolises their greatest hopes and fears. In her search for the painting's true identity, Annie will uncover the darkest secrets of European history - and in doing so, she will learn more about herself, opening up to the possibility of falling in love again. Irreverent, witty and sharply sweet, The Improbability of Love explores the confusion and turmoil of life and the complexities of love, loss and hurt - revealing the lows to which human nature can stoop and the heights to which the soul can soar WINNER OF THE BOLLINGER EVERYMAN WODEHOUSE PRIZE FOR COMIC FICTION 2016 SHORTLISTED FOR THE BAILEYS WOMEN'S PRIZE FOR FICTION 2016 A BBC RADIO 2 BOOK CLUB PICK ' an ingenious meditation on the true value of art' Daily Mail ' A deliciously wicked satire ... It's exquisitely written, shimmering with eye-catching detail ... a masterpiece' Mail on Sunday When lovelorn Annie McDee stumbles across a dirty painting in a junk shop while looking for a present for an unsuitable man, she has no idea what she has discovered. Soon she finds herself drawn unwillingly into the tumultuous London art world, populated by exiled Russian oligarchs, avaricious Sheikas, desperate auctioneers and unscrupulous dealers, all scheming to get their hands on her painting - a lost eighteenth-century masterpiece called 'The Improbability of Love'. Delving into the painting's past, Annie will uncover not just an illustrious list of former owners, but some of the darkest secrets of European history – and in doing so she might just learn to open up to the possibility of falling in love again. Annie McDee, alone after the disintegration of her long-term relationship and trapped in a dead-end job, is searching for a present for her unsuitable lover in a neglected second-hand shop. Within the jumble of junk and tack, a grimy painting catches her eye. Leaving the store with the picture after spending her meagre savings, she prepares an elaborate dinner for two, only to be stood up, the gift gathering dust on her mantelpiece. But every painting has a story - and if it could speak, what would it tell us? For Annie has stumbled across 'The Improbability of Love', a lost masterpiece by Antoine Watteau, one of the most influential French painters of the eighteenth century. Soon Annie is drawn unwillingly into the art world, and finds herself pursued by a host of interested parties that would do anything to possess her picture When lovelorn Annie McDee stumbles across a dirty painting in a junk shop while looking for a present for an unsuitable man, she has no idea what she has discovered. Soon she finds herself drawn unwillingly into the tumultuous London art world, populated by exiled Russian oligarchs, avaricious Sheikhas, desperate auctioneers and unscrupulous dealers, all scheming to get their hands on her painting - a lost eighteenth-century masterpiece called 'The Improbability of Love'. Delving into the painting's past, Annie will uncover not just an illustrious list of former owners, but some of the darkest secrets of European history--and in doing so she might just learn to open up to the possibility of falling in love again