The Hermeneutic Spiral and Interpretation in Literature and the Visual Arts (Routledge Studies in Multimodality)

"This collection brings together eighteen of the author's original papers, previously published in a variety of academic journals and edited collections over the last three decades, on the process of interpretation in literature and the visual arts in one comprehensive volume. The volume highlights the centrality of artistic texts to the study of multimodality, organized into six sections each representing a different modality or semiotic system, including literature, television, film, painting, sculpture, and architecture. A new introduction lays the foundation for the theoretically based method of analysis running through each of the chapters, one that emphasizes the interplay of textual details and larger thematic purposes to create an open-ended and continuous approach to the interpretation of artistic texts, otherwise known as the "hermeneutic spiral". Showcasing Michael O'Toole's extensive contributions to the field of multimodality and in his research on interpretation in literature and the visual arts, this book is essential reading for students and scholars in multimodality, visual arts, art history, film studies, and comparative literature."--Provided by publisher Cover 1 Title 4 Copyright 5 Dedication 6 Contents 8 List of Plates 10 Acknowledgements 11 Charts 13 Introduction 16 PART 1 Literary Narrative 22 1 Structure and Style in the Short Story: Chekhov’s “The Student” 24 2 Narrative Structure and Living Texture: Joyce’s “Two Gallants” 49 3 Analytic and Synthetic Approaches to Narrative Structure: Sherlock Holmes and “The Sussex Vampire” 65 4 Dimensions of Semiotic Space in Narrative: “Joseph and His Brethren” and James Joyce’s “Eveline” 90 PART 2 TV Narrative 108 5 Art versus Computer Animation: Integrity and Technology in South Park 110 PART 3 Film 122 6 Eisenstein in October 124 7 Structural Interpretation of a Film: Eisenstein’s Strike 130 8 The Revolution in Techniques and Human Values: Early Soviet Cinema 140 PART 4 Painting 152 9 Towards a Systemic-Functional Semiotics of Painting: Frank Hinder’s The Flight into Egypt 154 10 Captain Banning Cocq’s Three Left Hands: A Semiotic Interpretation of Rembrandt’s The Night Watch 173 11 Word Pictures and Painted Narrative. Longstaff’s Breaking the News: The Systemic-Functional Model Relating the Analysis of Pictorial Discourse, Verbal Discourse and Narrative Form 183 12 Pushing Out the Boundaries: Designing a Systemic-Functional Model for Non-European Visual Arts: A Chinese Landscape Painting 202 13 Exploiting Famous Paintings: The Canon Colour Wizz Photocopier and Picasso’s Girl Before a Mirror 214 PART 5 Architecture and Language 226 14 The Presentation of Self in Everyday Architecture and Language 228 References 244 Index 248