The Globalization of Renaissance Art (Brill's Studies in Itellectual History, 274)

In The Globalization of Renaissance Art: A Critical Review , Daniel Savoy assembles an interdisciplinary group of scholars to evaluate the global discourse on early modern European art. Over the course of eleven chapters and a roundtable, the contributors assess the discourse's goal of transcending Eurocentric boundaries, reflecting on the strengths and weaknesses of current terms, methods, theories, and concepts. Although it is clear that the global perspective has exposed the artistic and cultural pluralism of early modern Europe, it is found that more work needs to be done at the epistemological level of art history as a whole. Contributors: Claire Farago, Elizabeth Horodowich, Lauren Jacobi, Thomas DaCosta Kaufmann, Jessica Keating, Stephanie Leitch, Emanuele Lugli, Lia Markey, Sean Roberts, Ananda Cohen-Aponte, and Marie Neil Wolff. Contents List of Figures and Tables Notes on Contributors Introduction Part 1 Global Genealogies Chapter 1 A Global Florence and its Blind Spots Chapter 2 Otto Kurz’s Global Vision Part 2 Beyond Eurocentrism Chapter 3 Decolonizing the Global Renaissance: A View from the Andes Chapter 4 Ranges of Response: Asian Appropriation of European Art and Culture Part 3 A Borderless Renaissance Chapter 5 Reconsidering the World-system: The Agency and Material Geography of Gold Chapter 6 Linking the Mediterranean: The Construction of Trading Networks in 14th and 15th-century Italy Chapter 7 Cosmopolitan Renaissance: Prints in the Age of Exchange Chapter 8 The World Seen from Venice: Representing the Americas in Grand-scale Wall Maps Part 4 Instituting the Global Chapter 9 Global Renaissance Art: Classroom, Academy, Museum, Canon Chapter 10 Zones of Indifference Chapter 11 The “Global Turn” in Art History: Why, When, and How Does It Matter? Epilogue: Roundtable Index In 'the Globalization Of Renaissance Art: A Critical Review', Daniel Savoy Assembles An Interdisciplinary Group Of Scholars To Evaluate The Global Discourse On Early Modern European Art. Over The Course Of Eleven Chapters And A Roundtable, The Contributors Assess The Discourse's Goal Of Transcending Eurocentric Boundaries, Reflecting On The Strengths And Weaknesses Of Current Terms, Methods, Theories, And Concepts. Although It Is Clear That The Global Perspective Has Exposed The Artistic And Cultural Pluralism Of Early Modern Europe, It Is Found That More Work Needs To Be Done At The Epistemological Level Of Art History As A Whole. Global Genealogies -- Beyond Eurocentrism -- A Borderless Renaissance -- Instituting The Global. Edited By Daniel Savoy. Includes Bibliographical References And Index.