The game : a journey into the heart of sport

This book is a multifaceted reflection on sport. It is part memoir, outlining Tadhg Coakley's time as a player and fan of sport and how it has shaped his life. It is also a book of essays critiquing several aspects of sport, both good and bad, and showing its influence in the wider world. It is also a work of auto-fiction, wherein Coakley uses his novelistic abilities to chart narratives, personal and public. It is, finally, a work of scholarship, brilliantly interweaving the author's view of a life spent inside and outside the white lines with the cultural discourse of previous writers and thinkers on the many themes explored. The book is an exploration and explanation of what sport means, why it is the world's largest single consumer product and such a dominant/pervasive presence in Irish culture. Why, for example, were the terms 'European Championships' and 'Premier League' the top Google searches in Ireland for 2021? Why was Christian Eriksen the most searched person? In this book Tadhg Coakley interacts with sport in the way that Olivia Laing interacts with isolation (The Lonely City) Sinéad Gleeson and Emilie Pine interact with the female body and female experiences (Constellations and Notes to Self), Doireann Ní Ghríofa interacts with being haunted by an eighteen-century poet (A Ghost in the Throat) and Fintan O'Toole interacts with Irish history (We Don't Know Ourselves). This is a book that needed to be written. We are consuming sport in ever-greater gulpfuls – often blindly. The 'coverage' of sport is vast: newspapers, magazines, books, a whole raft of TV channels in many languages, websites, podcasts, blogs, radio stations, hourly sports bulletins with every news cycle. Why is that, and what does it mean? The book does not romanticise or idealise sport. Sport has a dark side and is rife with greed, corruption, sexism, homophobia, nationalism and a raft of toxic masculine behaviour – and the author interrogates his own behaviour and attitudes in respect of some of these. On the other hand, in sport – as in art – people can forge their own identities in grace, imagination and the possibility of what may be. This contradictory duality and the cognitive dissonance it carries with it is one of the most fascinating aspects of sport. Sport, like story, is mostly about loss. Ultimately, sport, like story, is about what happens to the fans outside the white lines and, for the readers off the page.|This book is a multifaceted reflection on sport. It is part memoir, outlining Tadhg Coakley's time as a player and fan of sport and how it has shaped his life. It is also a book of essays critiquing several aspects of sport, both good and bad, and showing its influence in the wider world. It is also a work of auto-fiction, wherein Coakley uses his novelistic abilities to chart narratives, personal and public. It is, finally, a work of scholarship, brilliantly interweaving the author's view of a life spent inside and outside the white lines with the cultural discourse of previous writers and thinkers on the many themes explored. The book is an exploration and explanation of what sport means, why it is the world's largest single consumer product and such a dominant/pervasive presence in Irish culture. Why, for example, were the terms 'European Championships' and 'Premier League' the top Google searches in Ireland for 2021? Why was Christian Eriksen the most searched person? In this book Tadhg Coakley interacts with sport in the way that Olivia Laing interacts with isolation (The Lonely City) Sinéad Gleeson and Emilie Pine interact with the female body and female experiences (Constellations and Notes to Self), Doireann Ní Ghríofa interacts with being haunted by... Tales from the Fraud Squad takes the reader on a journey from Willie McGee's childhood in Mayo to the mean streets of Dublin as a fresh-faced officer in the late seventies, before rising through the ranks to become Head of the Fraud Squad. This book is packed full of extraordinary stories of elaborate forgeries, outrageous insurance scams and inventive crimes, along with the ingenious and meticulous attention to detail with which officers amassed evidence and brought the perpetrators to court. McGee writes fluidly and incisively, and tells his story with an open-hearted charm and warmth. Whether dealing with a common criminal or a former Taoiseach under the spotlight of a tribunal, McGee was unwavering in his quest for the truth. As he succinctly puts it, 'money is never free and those who were caught paid a severe price for thinking that it was'. Equally well known for his heroics on the football field, Mayoman Willie 'Four-goals' McGee depicts a host of colourful characters – the con artists and tricksters he encountered in the line of duty – and paints a vivid picture of the murky underworld of Ireland in the 1980s and '90s. | Tales from the Fraud Squad takes the reader on a journey from Willie McGee's childhood in Mayo to the mean streets of Dublin as a fresh-faced officer in the late seventies, before rising through the ranks to become Head of the Fraud Squad. This book is packed full of extraordinary stories of elaborate forgeries, outrageous insurance scams and inventive crimes, along with the ingenious and meticulous attention to detail with which officers amassed evidence and brought the perpetrators to court. McGee writes fluidly and incisively, and tells his story with an open-hearted charm and warmth. Whether dealing with a common criminal or a former Taoiseach under the spotlight of a tribunal, McGee was unwavering in his quest for the truth. As he succinctly puts it, 'money is never free and those who were caught paid a severe price for thinking that it was'. Equally well known for his heroics on the football field, Mayoman Willie 'Four-goals' McGee depicts a host of colourful characters – the con artists and tricksters he encountered in the line of duty – and paints a vivid picture of the murky underworld of Ireland in the 1980s and '90s. The Game is a multifaceted reflection on sport. It is part memoir, outlining Tadhg Coakleys time as a player and fan, and how sport has shaped his life. But it also tackles sport on a universal scalethe good and the badand its immeasurable influence on our world. For fans, sport can be all-consuming. Indeed, we are consuming sport in ever greater gulpfuls, often blindly. It has a dark side; it is rife with corruption, sexism, homophobia, nationalism, and a raft of toxic masculine behaviour, and Coakley interrogates his own attitudes on each of these fronts. On the other hand, sport builds all manner of valuable connections and communities, and in sportas in artpeople can forge their own identities with grace, imagination, and the possibility of what may be. This duality is one of the most fascinating aspects of sport. Written with warmth, openness, and keen insight, The Game is an entertaining and thought-provoking meditation on the uniquely intense highs and lows of loving sport in todays world.