The Furtwängler Record
معرفی کتاب «The Furtwängler Record» نوشتهٔ by John Ardoin; discography by John Hunt، منتشرشده توسط نشر Amadeus Press در سال 1994. این کتاب در فرمت epub، زبان انگلیسی ارائه شده است.
The Furtwängler Record is an attempt to analyze and explain this phenomenon, a study of Furtwangler's subjective, compelling, and creative style of music-making. The introductory Part One is devoted to an overview of Furtwangler's place in the mainstream of the German school of conducting, his career and personality, and the quality of his art. Part Two, the bulk of the book, consists of detailed, illuminating commentaries on each of his recorded performances. The Furtwangler Record Is An Attempt To Analyze And Explain This Phenomenon, A Study Of Furtwangler's Subjective, Compelling, And Creative Style Of Music-making. The Introductory Part One Is Devoted To An Overview Of Furtwangler's Place In The Mainstream Of The German School Of Conducting, His Career And Personality, And The Quality Of His Art. Part Two, The Bulk Of The Book, Consists Of Detailed, Illuminating Commentaries On Each Of His Recorded Performances.--book Jacket. Part One. The Musician And The Man: The German School Of Conducting ; Pathway To The Podium ; Furtwängler And Toscanini ; Furtwängler In Perspective -- Part Two. The Repertory: The Baroque Era: Bach, Handel ; The Classical Era: Gluck, Haydn, Mozart ; Beethoven ; The Romantic Era: Cherubini, Weber, Rossini, Schubert, Berlioz, Mendelssohn, Schumann, Nicolai, Liszt, Verdi, Franck, Dvorǎk, Smetana, J. Strauss, Tchaikovsky, Grieg ; Wagner ; Bruckner And Brahms ; The Post-romantic Era: Mahler, Wolf, Debussy, R. Strauss, Glazunov, Sibelius, Pfitzner, Ravel, D'albert, Furtwängler ; The Modern Era: Bartók, Stravinsky, Honegger, Castro, Hindemith, Pepping, Blacher, Fortner, Höller. By John Ardoin ; Discography By John Hunt. Discography: P. 303-368. Includes Bibliographical References (p. 299-301) And Index. (Amadeus). Furtw ngler's recordings remain for many the standard by which all subsequent performances are judged. This study offers an overview of his career and his place in the mainstream of the German school of conducting, with commentaries on all his recorded performances.
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