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صحنه ترسناک: سانسور سیاسی تئاتر در اروپا در قرن نوزدهم

The Frightful Stage : Political Censorship of the Theater in Nineteenth-Century Europe

معرفی کتاب «صحنه ترسناک: سانسور سیاسی تئاتر در اروپا در قرن نوزدهم» (با عنوان لاتین The Frightful Stage : Political Censorship of the Theater in Nineteenth-Century Europe) نوشتهٔ Robert Justin Goldstein (editor)، منتشرشده توسط نشر Berghahn Books در سال 2009. این کتاب در فرمت pdf، زبان انگلیسی ارائه شده است.

In Nineteenth-century Europe The Ruling Elites Viewed The Theater As A Form Of Communication Which Had Enormous Importance. The Theater Provided The Most Significant Form Of Mass Entertainment And Was The Only Arena Aside From The Church In Which Regular Mass Gatherings Were Possible. Therefore, Drama Censorship Occupied A Great Deal Of The Ruling Class's Time And Energy, With A Particularly Focus On Proposed Scripts That Potentially Threatened The Existing Political, Legal, And Social Order. This Volume Provides The First Comprehensive Examination Of Nineteenth-century Political Theater Censorship At A Time, In The Aftermath Of The French Revolution, When The European Population Was Becoming Increasingly Politically Active.--jacket. Introduction / Robert Justin Goldstein -- Germany / Gary D. Stark -- France / Robert Justin Goldstein -- Russia / Anthony Swift -- Spain / David T. Gies -- Italy / John A. Davis -- The Habsburg Monarchy / Norbert Bachleitner -- Summary / Robert Justin Goldstein. Edited By Robert Justin Goldstein. Includes Bibliographical References And Index. "In nineteenth-century Europe the ruling elites viewed the theater as a form of communication which had enormous importance. The theater provided the most significant form of mass entertainment and was the only arena aside from the church in which regular mass gatherings were possible. Therefore, drama censorship occupied a great deal of the ruling class's time and energy, with a particularly focus on proposed scripts that potentially threatened the existing political, legal, and social order. This volume provides the first comprehensive examination of nineteenth-century political theater censorship at a time, in the aftermath of the French Revolution, when the European population was becoming increasingly politically active."--Page 4 of cover In 19th-century Europe the ruling elites viewed the theater as a form of communication which had enormous importance. The theater provided the most significant form of mass entertainment and was the only arena aside from the church in which regular mass gatherings were possible.
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