The Flesh and the Word : Eliot, Hemingway, Faulkner

Traces the artistic development of T. S. Eliot, Ernest Hemingway, and William Faulkner, focusing on their evolution from objectiveness to abstraction as their work matured T.s. Eliot: Eliot And The Objective -- The Early Eliot: Poetry Without A Poet -- The Waste Land-enjoyment Of The Poetry -- Eliot's Substitute For Sense -- The Word Without Flesh In The Four Quartets -- Ernest Hemingway: The Sun Also Rises And The Failure Of Language -- World Pessimism And Personal Cheeriness In A Farwell To Arms -- Hemingway's First Big Writing -- Garrulous Patriot -- The Iceberg And The Cardboard Box -- William Faulkner: The Unbearable And Unknowable Truth In Faulkner's First Three Novels -- The Word And The Deed In Faulkner's First Great Novels --language Of Irony: Quiet Words And Violent Acts In Light In August -- Thirteen Ways Of Talking About A Blackbird -- Faulkner's Inexhaustible Voice -- The Truth Shall Make You Fail -- The Summing Up. [by] Floyd C. Watkins. Includes Bibliographical References.