The Feminine Ethos in C. S. Lewisʼs «Chronicles of Narnia»: Preface by Elizabeth Baird Hardy (Studies in Twentieth-Century British Literature)

C. S. Lewis, fantasy novelist, literary scholar, and Christian apologist, is one of the most original and well-known literary figures of the twentieth century. As one who stood at the crossroads of Edwardian and modern thinking, he is often read as a sexist or even misogynistic man of his time, but this fresh rereading assesses Lewis as a prescient thinker who transformed typical Western gender paradigms. __The Feminine Ethos in C. S. Lewis’s__ ‘Chronicles of Narnia’ proposes that Lewis’s highly nuanced metaphorical view of gender relations has been misunderstood precisely because it challenges Western chauvinist assumptions on sex and gender. Instead of perpetuating sexism, Lewis subverts the culturally inherited chauvinism of «masculine» classical heroism with the biblically inspired vision of a surprisingly «feminine» spiritual heroism. His view that we are all «feminine» in relation to the «masculine» God – a theological feminism that crosses gender lines – means that qualities we tend to consider to be feminine, such as humility, are the qualities essential to being fully human. This book’s theoretical framework is Lewis’s own, grounded in his view of biblical thinking, as he was informed by writers such as Milton, Wordsworth, and George MacDonald, and in terms of the uniquely progressive implications for twentieth-first century cultural studies. This highly insightful and entertaining study of theological feminism in Lewis’s __Chronicles of Narnia__ will be compelling for anyone interested in children’s and fantasy literature, Inklings scholarship, gender discourse, ethical and spiritual discourse, literature and theology, and cultural studies in general. C. S. Lewis, Fantasy Novelist, Literary Scholar, And Christian Apologist, Is One Of The Most Original And Well-known Literary Figures Of The Twentieth Century. As One Who Stood At The Crossroads Of Edwardian And Modern Thinking, He Is Often Read As A Sexist Or Even Misogynistic Man Of His Time, But This Fresh Rereading Assesses Lewis As A Prescient Thinker Who Transformed Typical Western Gender Paradigms. The Feminine Ethos In C. S. Lewis's Chronicles Of Narnia Proposes That Lewis's Highly Nuanced Metaphorical View Of Gender Relations Has Been Misunderstood Precisely Because It Challenges Western Chauvinist Assumptions On Sex And Gender. Instead Of Perpetuating Sexism, Lewis Subverts The Culturally Inherited Chauvinism Of Masculine Classical Heroism With The Biblically Inspired Vision Of A Surprisingly Feminine Spiritual Heroism. His View That We Are All Feminine In Relation To The Masculine God-a Theological Feminism That Crosses Gender Lines-means That Qualities We Tend To Consider To Be Feminine, Such As Humility, Are The Qualities Essential To Being Fully Human. This Book's Theoretical Framework Is Lewis's Own, Grounded In His View Of Biblical Thinking, As He Was Informed By Writers Such As Milton, Wordsworth, And George Macdonald, And In Terms Of The Uniquely Progressive Implications For Twentieth-first Century Cultural Studies. This Highly Insightful And Entertaining Study Of Theological Feminism In Lewis's Chronicles Of Narnia Will Be Compelling For Anyone Interested In Children's And Fantasy Literature, Inklings Scholarship, Gender Discourse, Ethical And Spiritual Discourse, Literature And Theology, And Cultural Studies In General. Introduction: The Theological Feminism Of The Old Woman Of Oxford -- True Royalty: Becoming Yourself In The Lion, The Witch And The Wardrobe -- Receiving Lion-strength: Growing Up In Prince Caspian -- Baptized Into The Light: Journeying In The Voyage Of The Dawn Treader -- Guarding The Gift Of Memory In The Silver Chair -- Flying To Freedom In The Horse And His Boy -- Awakening To Life In The Magician's Nephew -- Fighting The Battle Of Faith In The Last Battle -- Afterword: Seeing In Part, Through Different Eyes. Monika B. Hilder ; Preface By Elizabeth Baird Hardy. Includes Bibliographical References (p. [183]-191) And Index. Contents Preface ix Acknowledgments xiii List of Abbreviations xv Introduction. The Theological Feminism of the ‘Old Woman’ of Oxford 1 Chapter One. True Royalty: Becoming Yourself in The Lion, the Witch and the Wardrobe 21 Chapter Two. Receiving Lion-Strength: Growing Up in Prince Caspian 39 Chapter Three. Baptized into the Light: Journeying in The Voyage of the “Dawn Treader” 59 Chapter Four. Guarding the Gift of Memory in The Silver Chair 78 Chapter Five. Flying to Freedom in The Horse and His Boy 98 Chapter Six. Awakening to Life in The Magician’s Nephew 116 Chapter Seven. Fighting the Battle of Faith in The Last Battle 138 Afterword. Seeing in Part, Through Different Eyes 159 Notes 163 Works Cited 183 Index 193 "Suitable for those interested in children's and fantasy literature, Inklings scholarship, gender discourse, literature and theology, and cultural studies, this book proposes that Lewis' highly nuanced metaphorical view of gender relations has been misunderstood precisely because it challenges Western chauvinist assumptions on sex and gender."--Publisher's description