The Dead City: Urban Ruins and the Spectacle of Decay (International Library of Visual Culture)

Cities Are Imagined Not Just As Utopias, But Also As Ruins. In Literature, Film, Art And Popular Culture, Urban Landscapes Have Been Submerged By Floods, Razed By Alien Invaders, Abandoned By Fearful Inhabitants And Consumed In Fire. The Dead City Unearths Meanings From Such Depictions Of Ruination And Decay, Looking At Representations Of Both Thriving Cities And Ones Which Are Struggling, Abandoned Or Simply In Transition. It Reveals That Ruination Presents A Complex Opportunity To Envision New Futures For A City, Whether That Is By Rewriting Its Past Or Throwing Off Old Assumptions And Proposing Radical Change. Seen In A Certain Light, For Example, Urban Ruin And Decay Are A Challenge To Capitalist Narratives Of Unbounded Progress. They Can Equally Imply That Power Structures Thought To Be Deeply Ingrained Are Temporary, Contingent And Even Fragile. Examining Ruins In Chernobyl, Detroit, London, Manchester And Varosha, This Book Demonstrates That How We Discuss And Depict Urban Decline Is Intimately Connected To The Histories, Economic Forces, Power Structures And Communities Of A Given City, As Well As To Conflicting Visions For Its Future.-- ǂc Provided By Publisher. Introduction: Urban Ruins, Imagination And Exploration -- I. Histories -- Post-apocalyptic Londons: Imagining The Death Of A City -- Remnants Of Disaster: Ruins In Post-industrial Manchester -- Ii. Explorations -- Fantasy And Experience: Ruin Gazing In Varosha -- Disaster And Memory: The Ruins Of Chernobyl And Pripyat -- Iii. Futures -- Urban Futures, Art And The Imagination Of Detroit -- Suspended Futures: Urban Ruins In Reverse. Paul Dobraszczyk. Includes Bibliographical References (pages 255-275), Filmography (pages 276-277) And Index. "Cities are imagined not just as utopias, but also as ruins. In literature, film, art and popular culture, urban landscapes have been submerged by floods, razed by alien invaders, abandoned by fearful inhabitants and consumed in fire. The Dead City unearths meanings from such depictions of ruination and decay, looking at representations of both thriving cities and ones which are struggling, abandoned or simply in transition. It reveals that ruination presents a complex opportunity to envision new futures for a city, whether that is by rewriting its past or throwing off old assumptions and proposing radical change. Seen in a certain light, for example, urban ruin and decay are a challenge to capitalist narratives of unbounded progress. They can equally imply that power structures thought to be deeply ingrained are temporary, contingent and even fragile. Examining ruins in Chernobyl, Detroit, London, Manchester and Varosha, this book demonstrates that how we discuss and depict urban decline is intimately connected to the histories, economic forces, power structures and communities of a given city, as well as to conflicting visions for its future."--Résumé de l'éditeur Contents Illustrations Acknowledgements Introduction: urban ruins, imagination and exploration I HISTORIES 1 Post- apocalyptic Londons: imagining the death of a city 2 Remnants of disaster: ruins in post-industrial Manchester II EXPLORATIONS 3 Fantasy and experience: ruin gazing in Varosha 4 Disaster and memory: the ruins of Chernobyl and Pripyat III FUTURES 5 Urban futures, art and the imagination of Detroit 6 Suspended futures: urban ruins in reverse Notes Bibliography Filmography Index