The Cuban hustle : culture, politics, everyday life

In essays addressing topics ranging from cinema, feminism, and art to hip hop, urban slums, and digital technology, Sujatha Fernandes explores the multitudinous ways ordinary Cubans have sought to hustle, survive, and create expressive cultures in the aftermath of the Soviet Union's collapse. "In THE CUBAN HUSTLE Sujatha Fernandes analyzes Cuba's cultural expression, politics, and everyday life across the last thirty years, a critical period of immense change in Cuba. She illuminates the myriad ways in which ordinary Cubans have survived, hustled, and created alternative cultures since the collapse of the Soviet Union. These essays cover a range of topics-from hip hop to feminism to Facebook-- based in the author's deep knowledge of Cuba and access to a number of subterannean cultures. They look, in part, at the development of urban black cultures like hip hop; visual artists' response to the global marketing of Cuba; the Cuban response to 9/11; new cultures of documentary filmmaking; the Weekly Packet (the Cuban version of the internet, circulated on flash drives); children filmmakers in a Cuban rural town; the death of Fidel Castro; and a hairdressers' project for social change. Fernandes reveals a complex, alive nation whose multiple influences and range of visions for itself contrasts with the Western view of Cuba's unidirectional path towards capitalism. The volume is divided into three sections. "Cultures of the Special Period" looks at the emergence of dynamic youth cultures and social movements in the 1990s, as Cuba grappled with economic collapse and the government took on a siege mentality, clamping down on critical expression. In place of the openly confrontational art of the 1980s, artists and activists now sought to negotiate with state officials and penetrate state organizations. The second section, "Normalization: Netflix Meets the Weekly Package," covers the period when President Obama restored diplomatic ties with Cuba, as well as Cubans' engagement with new digital technologies. The last section, "Cuban Futures and the Trump Era," examines ongoing attempts to create social justice projects despite renewed hostilities from the United States, including reimposed travel and trade restrictions. Cuba maintains a culture of resistance, and Cubans show a remarkable ability to continually reinvent themselves under difficult circumstances"-- Provided by publisher In The Cuban Hustle, Sujatha Fernandes explores the multitudinous ways artists, activists, and ordinary Cubans have sought to hustle, survive, and express themselves in the aftermath of the Soviet Union's collapse. Whether circulating information on flash drives as a substitution for the internet or building homemade antennas to listen to Miami's hip hop radio stations, Cubans are often forced to improvise alternative strategies and workarounds to contend with ongoing isolation. Throughout these essays, Fernandes examines the emergence of dynamic youth cultures and social movements as Cuba grappled with economic collapse, new digital technologies, the normalization of diplomatic ties with the United States during the Obama administration, and the regression of US-Cuba relations in the Trump era. From reflections on feminism, new Cuban cinema, and public art to urban slums, the Afro-Cuban movement, and rumba and hip hop, Fernandes reveals Cuba to be a world of vibrant cultures grounded in an ethos of invention and everyday hustle ''In The Cuban Hustle, Sujatha Fernandes explores the multitudinous ways artists, activists, and ordinary Cubans have hustled to survive and express themselves in the aftermath of the Soviet Union's collapse. Whether circulating information on flash drives as a substitute for the internet or building homemade antennas to listen to Miami's hip hop radio stations, Cubans improvise alternative strategies and workarounds to contend with ongoing isolation. Throughout these essays, Fernandes examines the emergence of dynamic youth cultures and social movements as Cuba grappled with economic collapse, new digital technologies, the normalization of diplomatic ties with the United States during the Obama administration, and the regression of US-Cuban relations in the Trump era. From reflections on feminism, new Cuban cinema, and public art to urban slums, the Afro-Cuban movement, and rumba and hip hop, Fernandes reveals Cuba to be a world of vibrant cultures grounded in an ethos of invention and everyday hustle.''-- Site de l'éditeur