The Contemporary Literature-Music Relationship: Intermedia, Voice, Technology, Cross-Cultural Exchange (Routledge Interdisciplinary Perspectives on Literature)

This book explores the relationship between words and music in contemporary texts, examining, in particular, the way that new technologies are changing the literature-music relationship. It brings an eclectic and novel range of interdisciplinary theories to the area of musico-literary studies, drawing from the fields of semiotics, disability studies, musicology, psychoanalysis, music psychology, emotion and affect theory, new media, cosmopolitanism, globalization, ethnicity and biraciality. Chapters range from critical analyses of the representation of music and the musical profession in contemporary novels to examination of the forms and cultural meanings of contemporary intermedia and multimedia works. The book argues that conjunctions between words and music create emergent structures and meanings that can facilitate culturally transgressive and boundary- interrogating effects. In particular, it conceptualises ways in which word-music relationships can facilitate cross-cultural exchange as musico-literary miscegenation, using interracial sexual relationships as a metaphor. Smith also inspects the dynamics of improvisation and composition, and the different ways they intersect with performance. Furthermore, the book explores the huge changes that computer-based real-time algorithmic text and music generation are making to the literature-music nexus. This volume provides fascinating insight into the relationship between literature and music, and will be of interest to those fields as well as New Media and Performance Studies. Cover 1 Half Tiitle 2 Title Page 6 Copyright Page 7 Contents 8 List of Figures 10 Preface 12 Acknowledgements 14 Introduction: Musico-Literary Intersections and Miscegenations 16 1 Musical Imaginaries, Disability and the Real in Vikram Seth's: An Equal Music 56 2 Glocal Imaginaries and Musical Displacements in Richard Powers's: The Time of Our Singing 81 3 Contemporary Poetic Improvisation: Music, Intermedia, Technology 103 4 The Voice in Computer Music and Its Relationship to Place, Identity and Community 129 5 "The Rhythm of Living": SongTalk, Postmodern Eclecticism and Theological Cosmopolitanism in the Work of Kurt Elling 153 6 Musico-Literary Miscegenation and Screen-Sound Synergies in Electronic Literature 178 Coda 205 Index 208 Intermedia, Voice, Technology, Cross-Cultural Exchange Introduction : Musico-literary Intersections And Miscegenations -- Musical Imaginaries, Disability And The Real In Vikram Seth's An Equal Music -- Glocal Imaginaries And Musical Displacements In Richard Powers's The Time Of Our Singing -- Contemporary Poetic Improvisation : Music, Intermedia, Technology -- The Voice In Computer Music And Its Relationship To Place, Identity And Community -- The Rhythm Of Living : Song Talk, Postmodern Eclecticism And Theological Cosmopolitanism In The Work Of Kurt Elling -- Musico-literary Miscegenation And Screen-sound Synergies In Electronic Literature. Hazel Smith. Includes Bibliographical References And Index. Cover -- Half Title -- Title Page -- Copyright Page -- Table of Contents -- List of Figures -- Preface -- Acknowledgements -- Introduction: Musico-Literary Intersections and Miscegenations -- 1 Musical Imaginaries, Disability and the Real in Vikram Seth's An Equal Music -- 2 Glocal Imaginaries and Musical Displacements in Richard Powers's The Time of Our Singing -- 3 Contemporary Poetic Improvisation: Music, Intermedia, Technology -- 4 The Voice in Computer Music and Its Relationship to Place, Identity and Community