The Construct of Egypt's National-Self in James Sanua's Early Satire and Caricature
معرفی کتاب «The Construct of Egypt's National-Self in James Sanua's Early Satire and Caricature» نوشتهٔ Eliane Ursula Ettmüller، منتشرشده توسط نشر Klaus Schwarz Verlag در سال 2012. این کتاب در فرمت pdf، زبان انگلیسی ارائه شده است.
Die Reihe Studies on Modern Orient wurde als Studien zum Modernen Orient im Klaus Schwarz Verlag begründet. Die Bände sind religiösen, politischen und sozialen Phänomenen in muslimischen Gesellschaften der Moderne und Gegenwart gewidmet. Das Spektrum der Reihe ist dabei nicht auf den Nahen und Mittleren Osten beschränkt, sondern berücksichtigt auch relevante Themen in mehrheitlich nicht-muslmischen Regionen, beispielsweise in Europa oder Amerika. Ya?qub Sannu? / James Sanua (1839-1912) was a pioneer in theater, satirical journalism and caricature. With the aim to foster nationalism in Egypt in the last third of the 19th century, he experimented with various literary genres. Deprived by the Khedive Isma?il of his career as a playwright, he started a satirical newspaper called 'Abu Nazzara Zarqa' (the man with the blue glasses) in 1878 which was forbidden after its 15th issue and its editor forced into exile. Based in Paris, Sanua continued to publish his magazine which was - according to his personal accounts - smuggled massively under adventurous circumstances into his home country where on 9 September 1881 Ahmad ?Urabi and his fellow officers ?Abd al-?Al Hilmi and ?Ali Fahmi made their march of protest to the ?Abidin palace. This popularly supported revolt was later recognized as the starting point of the first Egyptian nationalist revolution. This volume aims to disentangle the dichotomous construct which Sanua used in his satirical texts for the imagining of anEgyptian national identity. Until 9 September 1881 Sanua had published eight newspaper series and a total of 87 issues. His language and call for union, for resistance against oppression and for the fight against foreign invasion became increasingly more violent and religiously tinted. At the same time, his genres slowly transformed from his originally dramatic style proper for a playwright into a special kind of journalistic way of expression suitable for satirical magazines
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The series Studies on Modern Orient provides an overview of religious, political and social phenomena in modern and contemporary Muslim societies. The volumes do not only take into account Near and Middle Eastern countries, but also explore Islam and Muslim culture in other regions of the world, for example, in Europe and the US. The series Studies on Modern Orient was founded in 2010 by Klaus Schwarz Verlag.