The Cinema of Raúl Ruiz: Impossible Cartographies (Directors' Cuts)
معرفی کتاب «The Cinema of Raúl Ruiz: Impossible Cartographies (Directors' Cuts)» نوشتهٔ Michael N. Goddard، منتشرشده توسط نشر Columbia University Press در سال 2013. این کتاب در فرمت pdf، زبان انگلیسی ارائه شده است.
Raúl Ruiz, While Considered One Of The World's Most Significant Filmmakers By Several Film Critics, Is Yet To Be The Subject Of Any Thorough Engagement With His Work In English. This Volume Sets Out On This Task By Mapping, As Fully As Possible, Ruiz's Cinematic Trajectory Across More Than Five Decades Of Prolific Work, Up To His Death In 2011; Ranging From His Earliest Work In Chile To High-budget 'european' Costume Dramas Culminating In Mysteries Of Lisbon (2010). It Does So By Treating Ruiz's Work -- With Its Surrealist, Magic Realist, Popular Cultural, And Neo-baroque Sources -- As A Type Of 'impossible' Cinematic Cartography, Mapping Real, Imaginary, And Virtual Spaces, And Crossing Between Different Cultural Contexts, Aesthetic Strategies, And Technical Media. It Argues That Across The Different Phases Of Ruiz's Work Identified, There Are Key Continuities Such As The Invention Of Singular Cinematic Images And The Interrogation Of Their Possible And Impossible Combinations. Machine Generated Contents Note: 1. Ruiz's Cinema In The 1960s And 1970s -- Pt. 1 Beyond Socialist Realism: Ruiz's Cinema In Chile -- Pt. 2 From The `dialectics' Of Exile To The Tableau Vivant -- 2. Cinema Of Piracy, The Sea And Spectral Voyages: Ruiz's Neo-baroque Cinema Of The 1980s -- 3. Cartographies Of Complexity: Ruiz's `french' Cinema Since The Mid-1990s. Michael Goddard. A Wallflower Press Book, Published By Columbia University Press--title Page Verso. Includes Bibliographical References (pages 193-198) And Index. Contents 5 Acknowledgments 9 Introduction: A New Cartographer? 11 1. Ruiz's Cinema in the 1960s and 1970s 19 Part 1: Beyond Socialist Realism: Ruiz's Cinema in Chile 19 Part 2; From the 'Dialectics of Exile' to the Tableau Vivant 41 2. The Cinema of Piracy, the Sea and Spectral Voyages: Ruiz's Neo-Baroque Cinema of the 1980s 71 3. Cartographies of Complexity: Ruiz's 'French' Cinema Since the Mid-1990s 113 Conclusion: Ruizian Cartography from Chile to the Cosmos via the Littoral, or The Film to Come 177 Appendix: Raul Ruiz Interview, Paris, November 2009 181 Select Filmography 195 Bibliography 203 Index 209
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