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The Cinema of James Cameron: Bodies in Heroic Motion (Directors' Cuts)

معرفی کتاب «The Cinema of James Cameron: Bodies in Heroic Motion (Directors' Cuts)» نوشتهٔ Clarke, James، منتشرشده توسط نشر Columbia University Press در سال 2014. این کتاب در فرمت pdf، زبان انگلیسی ارائه شده است.

This timely volume explores the massively popular cinema of writer-director James Cameron. It couches Cameron's films within the evolving generic traditions of science fiction, melodrama, and the cinema of spectacle. The book also considers Cameron's engagement with the aesthetic of visual effects and the 'now' technology of performance-capture which is arguably moving a certain kind of event-movie cinema from photography to something more akin to painting. This book is explicit in presenting Cameron as an authentic auteur, and each chapter is dedicated to a single film in his body of work, from The Terminator to Avatar. Space is also given to discussion of Strange Days as well as his short films and documentary works. -- Provided by publisher This text explores the massively popular cinema of writer-director James Cameron. It couches Cameron's films within the evolving generic traditions of science fiction, melodrama, and the cinema of spectacle. The book also considers Cameron's engagement with the aesthetic of visual effects and the now technology of performance-capture which is arguably moving a certain kind of event-movie cinema from photography to something more akin to painting. This book is explicit in presenting Cameron as an authentic auteur, and each chapter is dedicated to a single film in his body of work. Space is also given to discussion of Strange Days as well as his documentary work This timely volume explores the massively popular cinema of writer-director James Cameron. It places Cameron's films within the evolving generic traditions of science fiction, melodrama, and the cinema of spectacle. The book also considers Cameron's engagement with the aesthetic of visual effects and the 'now' technology of performance-capture which is arguably moving to a certain kind of event-movie cinema from photography to something more akin to painting Contents Acknowledgements Introduction 1. Genesis: From Short Film Visions to Low-Budget Monster Movie 2. The Terminator (1984) 3. Aliens (1986) 4. The Abyss (1989) 5. Terminator 2: Judgement Day (1991) 6. True Lies (1994) 7. Titanic (1997) 8. Avatar (2009) 9. Cameron’s Documentaries 10. Cameron as Writer and Producer Filmography Bibliography Index
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