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Main title. Untitled / by Chris Ware ; Tunes for toons : a cartoon music primer / by Neil Strauss -- Episodic history of cartoon music. Animated cartoons and slap-stick comedy / by Edith Lang and George West ; Make Walt's music : music for Disney animation, 1928-1967 / by Ross Care ; An interview with Carl Stalling / by Mike Barrier ; Hidey hidey hidey ho -- boop-boop-a doop! the Fleischer studio and jazz cartoons / by Jake Austen ; I love to hear a minstrel band : Walt Disney's The band concert / by David Wondrich ; Disney, Stokowski, and the genius of Fantasia / by Chalre L. Granata ; Music and the animated cartoon / by Chuck Jones ; Classical music and Hollywood cartoons : a primer on the cartoon canon / by Daniel Goldmark ; Music in cartoons / by Scott Bradley ; Personality on the sound track : a glimpse behind the scenes and sequences in filmland / by Scott Bradley ; Make mine music and the end of the swing era / by Stuart Nicholson ; Sublime perversity : the music of Carl Stalling / by Will Friedwald ; Carl Stalling, improviser & Bill Lava, acme minimalist / by Kevin Whitehead ; Raymond Scott, accidental music for animated mayhem / by Irwin Chusid ; Winston Sharples and the "inner Casper" (or Huey has two mommies) / by Will Friedwald ; An interview with Hoyt Curtin / by Barry Hansen and Earl Kress ; Rock 'n' roll cartoons / by Jake Austen ; "Put one note in front of the other" : the music of Maury Laws / by Greg Ehrbar.

often Dismissed As Mere Childhood Entertainment, Cartoon Music Is An Art Form That Makes Ingenious Use Of Jazz, And That Has Introduced Generations To The Works Of Rossini, Liszt, And Wagner. Lately, The Qualities That Make Cartoon Music Unique Have Come Into Vogue: Frenetic, Repeating Melodic Themes That Punctuate The Drama And Humor On-screen. Editors Goldmark (music, U. Of Alabama) And Taylor Have Brought Together An Illuminating And Entertaining Compilation Of 30- Plus Essays And Interviews—some Previously Published—exploring The History Of Cartoon Music And The Experiences Of Those Involved In Its Creation. A Discography And A Bibliography Round Out The Book. Annotation C. Book News, Inc.,portland, Or

cool & Strange Music

this Is A Book I've Wanted To Read For 20 Years . . . Manna For Those Of Us Who Listed To Animated Cartoons Seriously.

The popularity of cartoon music, from Carl Stalling's work for Warner Bros. to Disney sound tracks and The Simpsons' song parodies, has never been greater. This lively look at cartoon music's past and present collects contributions from well-known music critics and cartoonists, and interviews with the principal cartoon composers. Here Mark Mothersbaugh talks about his music for Rugrats, Alf Clausen about composing for The Simpsons, Carl Stalling about his work for Walt Disney and Warner Bros., Irwin Chusid about Raymond Scott's work, Will Friedwald about Casper the Friendly Ghost, Richard Stone about his music for Animaniacs, Joseph Lanza about Ren and Stimpy, and much more.--From publisher description The popularity of cartoon music, from Carl Stallings work for Warner Bros. to Disney sound tracks and The Simpsons song parodies, has never been greater. This lively and fascinating look at cartoon musics past and present collects contributions from well-known music critics and cartoonists, and interviews with the principal cartoon composers. Here Mark Mothersbaugh talks about his music for Rugrats , Alf Clausen about composing for The Simpsons , Carl Stalling about his work for Walt Disney and Warner Bros., Irwin Chusid about Raymond Scotts work, Will Friedwald about Casper the Friendly Ghost , Richard Stone about his music for Animaniacs , Joseph Lanza about Ren and Stimpy , and much, much more. In the days before sound and image were physically joined on a piece of film, movie houses and theatres had either a pianist, an organist, or a group of musicians available to play music before, during, and after the shows.