The Cambridge History of the Book in Britain: Volume 2, 1100-1400: 1100 - 1400 v. 2
معرفی کتاب «The Cambridge History of the Book in Britain: Volume 2, 1100-1400: 1100 - 1400 v. 2» نوشتهٔ Richard Gameson; Nigel J Morgan; Rodney M Thomson; Lotte Hellinga; J. B Trapp; John Barnard; David McKitterick; Maureen Bell; Michael F Suarez; Michael L Turner; Andrew Nash; Claire Squires; I. R Willison، منتشرشده توسط نشر Cambridge University Press (Virtual Publishing) در سال 2008. این کتاب در فرمت pdf، زبان انگلیسی ارائه شده است.
This is the first history of the book in Britain from the Norman Conquest until the early fifteenth century. The twenty-six expert contributors to this volume discuss the manuscript book from a variety of as physical object (manufacture, format, writing and decoration); its purpose and readership (books for monasteries, for the Church's liturgy, for elementary and advanced instruction, for courtly entertainment); and as the vehicle for particular types of text (history, sermons, medical treatises, law and administration, music). In all of this, the broader, changing social and cultural context is kept in mind, and so are the various connections with continental Europe. The volume includes a full bibliography and 80 black and white plates. "The history of the book offers a distinctive form of access to the ways in which human beings have sought to give meaning to their own and others' lives. Our knowledge of the past derives mainly from texts. Landscape, architecture, sculpture, painting and the decorative arts have their stories to tell and may themselves be construed as texts; but oral tradition, manuscripts, printed books, and those other forms of inscription and incision such as maps, music and graphic images have a power to report even more directly on human experience and the events and thoughts which shaped it. The seven volumes of the History of the Book in Britain will help explain how these texts were created, why they took the forms they did, their relations with other media, and what influence they had on the minds and actions of those who heard, read or viewed them. Its range, too - in time, place and the great diversity of the conditions of text production, including reception - challenges any attempt to define its limits and give an account adequate to its complexity. It addresses, whether by period, country, genre or technology, widely disparate fields of enquiry, each of which demands and attracts its own forms of scholarship. The Cambridge History of the Book in Britain seeks to represent much of that variety. The volumes investigate the creation, material production, dissemination and reception of texts, effectively plotting the intellectual history of Britain."-- Provided by publisher "The history of the book offers a distinctive form of access to the ways in which human beings have sought to give meaning to their own and others' lives. Our knowledge of the past derives mainly from texts. Landscape, architecture, sculpture, painting and the decorative arts have their stories to tell and may themselves be construed as texts; but oral tradition, manuscripts, printed books, and those other forms of inscription and incision such as maps, music and graphic images have a power to report even more directly on human experience and the events and thoughts which shaped it. The seven volumes of the History of the Book in Britain will help explain how these texts were created, why they took the forms they did, their relations with other media, and what influence they had on the minds and actions of those who heard, read or viewed them. Its range, too - in time, place and the great diversity of the conditions of text production, including reception - challenges any attempt to define its limits and give an account adequate to its complexity. It addresses, whether by period, country, genre or technology, widely disparate fields of enquiry, each of which demands and attracts its own forms of scholarship. The Cambridge History of the Book in Britain seeks to represent much of that variety. The volumes investigate the creation, material production, dissemination and reception of texts, effectively plotting the intellectual history of Britain."--Publisher description 0......Page 2 00......Page 17 1......Page 25 2......Page 46 3......Page 63 4......Page 79 5-I......Page 99 5-II......Page 109 5-III......Page 121 6......Page 136 7......Page 162 8......Page 194 9......Page 221 10-1......Page 245 10.2......Page 256 10.3......Page 272 11......Page 278 12......Page 319 13.1......Page 345 13.2......Page 358 14......Page 369 15.1......Page 396 15.2......Page 410 15.3......Page 421 16......Page 428 17......Page 447 18.1......Page 477 18.2......Page 485 19......Page 495 20......Page 506 end......Page 520 end3......Page 524 end4......Page 597 26 expert contributions to this volumes discuss the manuscript book from a variety of angles: as physical object (manufacture, format, writing, and decoration), its purpose and readership, and as a vehicle for particular types of text (history, sermons, medical treatises, law and administration, music)
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