The Cambridge Companion to Wagner's Der Ring des Nibelungen (Cambridge Companions to Music)

This Companion provides an overview and in-depth analysis of Wagner's Ring using traditional critical analysis alongside more recent approaches.The Companion is an essential, interdisciplinary tool for those both familiar and unfamiliar with Wagner's Ring. It opens with a concise introduction to both the composer and the Ring, introducing Wagner as a cultural figure, and giving a comprehensive overview of the work. Subsequent chapters, written by leading Wagner experts, focus on musical topics such as 'leitmotif', and structure, and provide a comprehensive set of character portraits, including leading players like Wotan, Brünnhilde, and Siegfried. Further chapters look to the mythological background of the work and the idea of the Bayreuth Festival, as well as critical reception of the Ring, its relationship to Nazism, and its impact on literature and popular culture, in turn offering new approaches to interpretation including gender, race and environmentalism. The volume ends with a history of notable stage productions from the world premiere in 1876 to the most recent stagings in Bayreuth and elsewhere. "The Companion is an essential, truly interdisciplinary, tool for those both familiar and unfamiliar with to Wagner's Ring. It opens with a concise introduction to both the composer and the Ring , introducing Wagner as a cultural figure, as well as giving a comprehensive overview of the work. Subsequent chapters, written by leading Wagner experts, focus on musical topics such as "leitmotif," and structure, and provide a comprehensive set of character portraits, including leading players like Wotan, Brünnhilde, and Siegfried. Further chapters look to the mythological background of the work and the idea of the Bayreuth Festival, as well as critical reception of the Ring, its relationship to Nazism, and its impact on literature and popular culture, in turn offering new approaches to interpretation including gender, race and environmentalism. The volume ends with a history of notable stage productions from the world premiere in 1876 to the most recent stagings in Bayreuth and elsewhere"-- Provided by publisher An essential Companion for those both familiar and unfamiliar with Der Ring des Nibelungen. It provides a concise introduction to both the composer and the work. Subsequent chapters focus on musical topics such as 'leitmotif' and 'structure', as well as popular culture, Nazism, notable stage productions and critical analysis of the work.